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Terre Johnson: Come Ye Disconsolate: Mixed Choir and Accomp.: Parts
Choral SATB
SATB, Orchestra
MorningStar Music Publishers
Come Ye Disconsolate
40.50 GBP - Sold by Musicroom UK
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Terre Johnson: Come Ye Disconsolate: Mixed Choir and Accomp.: Score
Choral SATB
SATB, Orchestra
MorningStar Music Publishers
Come Ye Disconsolate
22.50 GBP - Sold by Musicroom UK
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Richard Wilson: Civilization & Its Discontents: Tuba Solo: Instrumental Album
Peermusic Classical
Civilization & Its Discontents
6.99 GBP - Sold by Musicroom UK
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Cozzella: Discontinuo: Chamber Ensemble: Part
Peermusic Classical
Discontinuo
4.50 GBP - Sold by Musicroom UK
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Discoton Serie 61: Vocal & Piano: Vocal Collection
UFT
Discoton Serie 61
7.99 GBP - Sold by Musicroom UK
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Best Of
Piano, Vocal and Guitar
[Sheet music]
Hal Leonard
En 2006, James Morrison est devenu une sensation de nuit au Royaume-Uni avec la ...
(+)
En 2006, James Morrison est devenu une sensation de nuit au Royaume-Uni avec la sortie de son premier album, Undiscovered. Ce recueil de chansons comporte 12 chansons au format PVG de ce Rugby, originaire d'Angleterre. / Piano/Vocal/Guitare (PVG) / Partition
22.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Jacob de Haan: Discoduction: Brass Band: Score
Brass ensemble
De Haske Publications
Discoduction
13.99 GBP - Sold by Musicroom UK
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Daniel D'Adamo: The Lehmann Discontinuity
Chant du Monde
The Lehmann Discontinuity
26.50 GBP - Sold by Musicroom UK
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The Songbook
Français
Guitar notes and tablatures
Bookmakers International
Back in town, Lola, The train, Hey bitch, Let me alone, Blind, Burning, Life is ...
(+)
Back in town, Lola, The train, Hey bitch, Let me alone, Blind, Burning, Life is going down, The light, Take me Back, Discoball, Sugar cane / Guitare Et Guitare Basse Et Voix
29.70 EUR - Sold by LMI-partitions
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Lecomte, Henri : Guide des Meilleures Musiques du Monde en CD
Français
[Textbook]
Bleu Nuit Editeur
Quels disques de musique du monde choisir aujourd?hui ?
Voici un guide qui vo...
(+)
Quels disques de musique du monde choisir aujourd?hui ?
Voici un guide qui vous propose une découverte géographique des musiques du monde. Avec plus de 1.000 références, vous retrouverez les meilleurs CD commercialisés. Le classement se fait par continent et grandes zones culturelles. Un texte d?introduction vous initie aux spécificités musicales locales et vous pourrez vous repérer grâce aux cartes et notes.
Que vous soyez un amateur éclairé ou bien un néophyte de la musique du monde, ce guide vous aidera dans la constitution de votre discothèque et pour vos prochains achats. / Musiques du monde / Livre /
15.00 EUR - Sold by Note4Piano
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Terre Johnson: Come Ye Disconsolate: Mixed Choir and Accomp.: Parts
Choral SATB
MorningStar Music Publishers
Come Ye Disconsolate
31.50 GBP - Sold by Musicroom UK
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Discordances - Soprano, Baryton, Choeurs Et Orchestre - Choeurs
Français
[Sheet music]
Billaudot
La partition DISCORDANCES - SOPRANO, BARYTON, ChoeurS ET ORCHESTRE - ChoeurS de ...
(+)
La partition DISCORDANCES - SOPRANO, BARYTON, ChoeurS ET ORCHESTRE - ChoeurS de Desportes Yvonne a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Voix Et Formations Diverses. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Voix Et Formations Diverses / Partition
36.70 EUR - Sold by LMI-partitions
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Crystal Godfrey LaPoint: Come Ye Disconsolate: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Come Ye Disconsolate
3.50 GBP - Sold by Musicroom UK
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Jacob de Haan: Discoduction: Concert Band: Score
Concert band
De Haske Publications
Discoduction
9.99 GBP - Sold by Musicroom UK
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Terre Johnson: Come Ye Disconsolate: Mixed Choir and Accomp.: Score
Choral SATB
MorningStar Music Publishers
Come Ye Disconsolate
13.50 GBP - Sold by Musicroom UK
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Fanelli, André : Guide des Meilleures Musiques Jazz en CD
Français
[Textbook]
Bleu Nuit Editeur
Quels disques de jazz choisir aujourd?hui ?
Voici un guide qui vous prop...
(+)
Quels disques de jazz choisir aujourd?hui ?
Voici un guide qui vous propose une découverte des grands courants jazz. Avec plus de 1.000 références, vous trouverez les meilleurs CD commercialisés. Le classement se fait par style musical et par artiste.
Un texte d?introduction vous initie aux origines du Jazz. Que vous soyez un amateur éclairé ou bien un néophyte de la musique jazz, ce guide vous aidera dans la constitution de votre discothèque et pour vos prochains achats. / Jazz / Livre /
16.00 EUR - Sold by Note4Piano
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Play Guitar With 92-2000 + Dvd (U2)
Guitar notes and tablatures
[Sheet music + CD + DVD]
Amsco Wise Publications
Par U2. Play Guitar with U2 on classic tracks from 1992 to 2000 including Discot...
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Par U2. Play Guitar with U2 on classic tracks from 1992 to 2000 including Discotheque , Elevation and Hold Me, Thrill Me, Kiss Me, Kill Me . This fantastic package contains the complete tablature and standard notation for seven of U2's biggest hits from the albums Pop and All That You Can't Leave Behind , complete with full lyrics. The accompanying soundalike CD features two specially recorded backing tracks for each song, the first being a full demonstration performance, and the second without guitar allowing you to take the place of The Edge as you play along! This edition includes a DVD which features a guitar lesson for Beautiful Day and all the techniques and skills erquired to play these songs. / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures
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Puccini, giacomo (CORDISCO-RESPIGHI N)
Français
Biography
[Book]
Bleu Nuit
Par CORDISCO-RESPIGHI N.. Descendant de plusieurs générations de musiciens, Gi...
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Par CORDISCO-RESPIGHI N.. Descendant de plusieurs générations de musiciens, Giacomo Puccini (1858-1924) naît en Toscane puis bénéficie d'une bourse pour étudier à Milan, où vivant un peu comme son futur Rodolpho de La Bohême, il rencontre son premier librettiste, Fontana, qui lui propose Le Villi. Soutenu par Boito et édité par Ricordi, Puccini connaît ainsi son premier succês lyrique et tombe amoureux d'Elvira qui lui donnera un fils. Aprês l'échec d'Edgar lorgnant vers le Grand Opéra, Puccini trouvera sa voie principalement dans les drames amoureux : Manon Lescaut, La Bohême, Tosca, Madama Butterfly, La fanciulla del West, La Rondine ou encore l'incahevé Turandot. Seul Gianni Schicchi, en 1 acte, lorgne vers le comique. En Puccini coexistent l'artiste et l'homme, avec toutes ses contradictions et ses défauts, laissant finalement - seulement - 14 opéras, pour la plupart devenus des incontournables du répertoire lyrique. Cet ouvrage inédit sur le maestro italien propose de nombreuses illustrations et des exemples musicaux permettant de mieux aborder ce répertoire lyrique, ainsi que des annexes pratiques. / Broché / Livre / Livres
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Spuren (Nachlese VII) (JARRELL MICHAEL)
Français
Quatuor à Cordes et Orchestre
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Before beginning to write a new piece, I always need to det...
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Par JARRELL MICHAEL. Before beginning to write a new piece, I always need to determine the outlines of the universe in which I am going to work, to define what could eventually be called a 'strategy'. It is also a question of defining a form, a 'dramaturgy' for the musical discourse, and to conceive a means of how to approach writing, in this particular case, for string quartet and orchestra. The string quartet is often treated homophonically, with the orchestra becoming a sort of screen which receives the projected vestiges, imprints (or 'shadows') of the quartet. These are sometimes amplified and developed in such a way that the musical discourse shifts, with the quartet in turn becoming the screen, taking over the imprints, the 'Spuren' left by the orchestra./ Répertoire / Quatuor à Cordes et Orchestre
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Scissor Sisters: Scissor Sisters: Piano Vocal Guitar: Album Songbook
Piano, Vocal and Guitar
[Sheet music]
-
Easy
Music Sales
The Scissor Sisters came bursting into the public consciousness in 2004 with the...
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The Scissor Sisters came bursting into the public consciousness in 2004 with their amazing self-titled debut album. It celebrates the sexual energy of the New York nightlife and is the perfect mix of styles and influences; meldingdisco with rock pop ballads funk and dance. It is so infectious they have won over even non-believers with their camp and ambiguous exuberance. Heavy with keyboards and a healthy dose of party fun thrown in for goodmeasure this flamboyant melting pot band is the freshest slice of glittery rock-pop and feathered disco heard for a long time. This book contains all the songs from the album including the hit singles Take YourMama Comfortably Numb and Mary all presented in Piano Vocal and Guitar Chord box format.
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The Carter Family: The Carter Family Collection: Guitar Solo: Instrumental Album
Guitar notes and tablatures
[Sheet music]
Hal Leonard
This deluxe book features 32 songs from The Royal Family of Country Music plus ...
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This deluxe book features 32 songs from The Royal Family of Country Music plus an introduction & family history rare photos a chronological discography and analysis of their technique and music. Songs include: Bury Me Under the Weeping Willow · Can the Circle Be Unbroken · Cannonball (Cannonball Blues) · Coal Miner's Blues · Engine One-Forty-Three · Foggy Mountain Top · Hello Stranger · John Hardy Was a Desperate Little Man · Little Joe (Darling Little Joe) · Lonesome Valley · Wabash Cannonball · Wildwood Flower · and more. Includes a brief bio of Carter Family discoverer RalphPeer.
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La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
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Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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Ronn McFarlane: Ronn McFarlane: Contemporary Lute Virtuoso: Guitar: Recorded
Guitar
Mel Bay
In this DVD performance Ronn McFarlane plays a number of his own Lute compositi...
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In this DVD performance Ronn McFarlane plays a number of his own Lute compositions a well as music of the 16th and 17th centuries.From the Middle Ages through the Age of Enlightenment lutenists wrote andperformed their own music along with the popular music of their time. By the end of the 18th century this tradition was broken as the Lute gradually fell out of favor. Reviving the centuries-old tradition of lutenist-composers Ronn's work points the way to the Lute's future. While treasuring the Lute music of the past he also creates new music for the 10-course lute blending ancient and modern styles. Like many ancient works for the lute his musictreads the borderline between classical and popular music.The sum of his own musical experience Ronn McFarlane's new music reveals the Lute for what it is: a timeless instrument responsive to poetic music makingof any century. Ronn McFarlane also discourses on the history and playing techniques of the Lute and the tradition of the lutenist performing his own compositions in conjunction with popular tunes of the times. Hispieces are often quite modern in harmonic and rhythmic structure-yet lie exceptionally well on this ancient instrument.
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Dorothy Croft: Violin Theory for Beginners Book 2: Violin Solo: Instrumental
Violin
Southern Music Ltd
Violin Theory for Beginners is the result of many years of effort to teach music...
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Violin Theory for Beginners is the result of many years of effort to teach music theory effectively in relation to the violin. Each lesson has been thoroughly tested with students of all levels of ability in an effort todetermine the correct approach and the essential amount of repetition. The use of a blackboard cannot be too strongly stressed to insure complete understanding and to prevent mistakes in the written exercises at the end of eachlesson. The teacher will need to determine how many exercises each child needs; however the author uses all of them. This book is not intended to be an exclusive discourse; rather it is meant to serve as a basis for theindividuality and the ingenuity of the teacher.
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Peter Maxwell Davies: Step By Circle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
A continuous setting of six poems from George Mackay Brown's Fishermen with Plou...
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A continuous setting of six poems from George Mackay Brown's Fishermen with Plough which concern the traditional ways of life and death in Radwick the village on hoy Orkney where the composer lived for 28 years. The choir issupported throughout the piece by pointing entries and doubling the choral lines within the piano part. The piano part is not just an accompaniment it has it's own discourse and is correspondingly challenging. For SATB Choirwith Piano accompaniment.
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String Quartet No. 3 (RANDS BERNARD)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Schott Helicon Music Corporation
Par RANDS BERNARD. This string quartet is in one continuous movement of fifteen ...
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Par RANDS BERNARD. This string quartet is in one continuous movement of fifteen sections, with each section being a ’transcription’ of the music in a previous section. In these transcriptions the changes can be somewhat minimal – a slight altering of register, dynamics, rhythms, or more radical resulting in new harmonic and contrapuntal relationships. With this compositional method Rands aims to create a continuous self-referential musical discourse that allows for recall and even repetition. String Quartet No. 3 was commissioned for the Ying Quartet by the Institute for American Music at the Eastman School of Music./ Répertoire / Quatuor à Cordes
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Graham Lack: This Ember Night: SATB: Vocal Score
Choral SATB
[Vocal Score]
Peters
The ?VOCES8 singles? series includes songs for which the group is particularly w...
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The ?VOCES8 singles? series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8. The composer?s poem is based on the early 15th Century Middle English carol ?This Endris Night? that is cast as a discourse between Mary and the infant Jesus where her lament alternates with his responses on what the future holds. In the arrangement the sacred meaning is combined with the secular tradition of Ember Days so that it is not clear whether the poem is religious or secular nor ifthe poet is expressing personal belief or musing on the passing of the year. The composition workedso wonderfully with the themes of the VOCES8 album ?Equinox?.
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Francis Poulenc: 15 Improvisations For Piano: Piano: Instrumental Work
Piano solo
[Sheet music]
Salabert
Pour Piano-“Musique française” is a series designed for students an...
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Pour Piano-“Musique française” is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music with performance suggestions and historical and stylistic commentary by noted scholars. The 15 Improvisations included with this book share a common brevity of discourse and a tonal musical language as a key is specified for each of them. Using the title of Improvisations allowed Poulenc not to follow any structural plan and not to embark on any musical form even on a small scale.
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