SKU: CL.024-4685-00
Divergence can be defined as drawing apart as lines from a common center. Divergence for the young band is based on that concept with melodic lines that draw apart from a common musical center. Melodic lines pull apart and interact within choirs. Woodwinds diverge from brass providing contrasting and interacting harmonic effects. Divergent lines continue to develop throughout the piece leading to a powerful and exciting conclusion. An excellent selection for concert and festival performance.
SKU: CL.024-4685-01
SKU: FG.55011-853-9
Lara Poe's (b. 1993) energetic Divergence (2015-2016) for string quartet was conceived cyclically: the four movements explore drifting in and out of focus between different materials. A light ditty of the second movement diverges to the third movement's overtone derived chords.Duration: c. 25'This product includes a set of parts (violin I, violin II, viola, violoncello) and a score.Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra's Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason.
SKU: RF.0609-WTCD
SKU: BR.OB-5237-16
ISBN 9790004331583. 10 x 12.5 inches.
Ludwig van Beethoven conceived his Seventh Symphony in the summer of 1811 in the Bohemian spa of Teplitz. The fair copy of the score autograph was made the following year. The work was heard for the first time on 8 December 1813 in the auditorium of the Vienna University, when the Seventh was given its first, enthusiastically applauded audition - together with the programmatic symphony Wellington's Victory or the Battle of Victoria op. 91.The present Urtext edition is the first to be based on the evaluation of all the sources transmitted for the work.The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006)This is the first new edition of the 7th Symphony for which all surviving sources have been examined. The examination brought up a number of text-critical problems with respect to divergent readings. (Peter Hauschild).
SKU: BR.OB-5237-27
ISBN 9790004331613. 10 x 12.5 inches.
SKU: BR.OB-5237-15
ISBN 9790004331576. 10 x 12.5 inches.
SKU: BR.OB-5237-30
ISBN 9790004331620. 10 x 12.5 inches.
SKU: BR.OB-5235-27
The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth SymphonyISBN 9790004332344. 10 x 12.5 inches.
The present Urtext edition is based on the known surviving primary sources, and also incorporates two further, previously ignored sources, including a copy of the score made presumably in Vienna around 1820.The score contains a summarizing Critical Report in which the annotations and divergences from familiar editions that seem to be particularly important are brought out through bold print. In the separately published study Die Neubewertung der Quellen von Beethovens Funfter Symphonie (Wiesbaden: Breitkopf & Hartel, 1996), there is an extensive discussion of the source dependencies as well as facts on the origin and transmission of the work.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopfs source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethovens music. (Kurt Masur)The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth Symphony.
SKU: BR.PB-15130
In Cooperation with G. Henle Verlag
ISBN 9790004214312. 10 x 12.5 inches.
The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.
SKU: BP.HB608
Written for 3 - 5 octave handbell choir. Level 3. This original tune from the pen of Ron Mallory is a lighthearted romp, suitable for concert or worship use. Dedicated to the composer's son, the lilting, syncopated 6/8 imparts a playful attitude to the piece, which is replete with unexpected harmonic divergences that add to the creative, exploratory feeling. Stopped techniques abound, making the piece as fun to play as it is to hear.
SKU: HL.132225
UPC: 884088970598. 6.0x8.25x0.161 inches.
In his Ballades Chopin created a new, typically Romantic, genre of piano music. Works of this type were not known in earlier instrumental music. Volume I of the National Edition contains all four of Chopin's Ballades, Of the variants in musical notation, those designated 'ossia' were marked in this way by Chopin himself or inscribed in his hand in pupils' copies; while those without the indication result from textual divergences in authentic copies or from difficulties in reading the text in an unambiguous way.
SKU: BR.OB-5234-27
ISBN 9790004332672. 10 x 12.5 inches.
The Urtext edition of Ludwig van Beethovens Fourth Symphony presented here is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score. The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music.(Kurt Masur)This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
SKU: BR.OB-5235-30
The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth SymphonyISBN 9790004332351. 10 x 12.5 inches.
SKU: BR.OB-5200-11
Beyer's Urtext edition follows Mozart's manuscript despite occasional inconsistencies.
ISBN 9790004330531. 9 x 12 inches.
The preface shows how closely Franz Beyer succeeded in approximating Mozart: Despite occasional inconsistencies, the organization of the cross-bars follows Mozart's manuscript, since divergences are possibly indicative of a particular articulatory intent.Beyer's Urtext edition follows Mozart's manuscript despite occasional inconsistencies.
SKU: BR.PB-5234
This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
ISBN 9790004210154. 10 x 12.5 inches.
SKU: BR.OB-15130-26
ISBN 9790004341278. 10 x 12.5 inches.
SKU: BT.PWM12177020
Chopin composed his ''Mazurkas'' continuously from 1825 to 1849. The half-utilitarian genre was a point of departure, gradually becoming a form of meditative lyricism - the most personal statement of expression. Chopin's''Mazurkas'' present a number of specific performance problems resulting from such causes as the diversity of individual mazurkas, their collection in opus groups byChopin and his drawing inspiration from dance forms of Polishfolk music. Volume No. 4 contains 43 mazurkas. Of the variants in musical notation, those designated ''ossia'' were marked in this way by Chopin himself or inscribed in his hand in pupils' copies, while those without thisindication result from textual divergences in authentic copies or from difficulties in reading the text in an unambiguous way. The miniature version of the National Edition does not contain source commentary or performance notes.
