Par STAR EDWARDS. Evoquent la traditionnelle des terres de sons de la celtique avec ces dispositions instrumentales des chansons pour harpe celtique. Ces 25 airs sont Manx, gallois, irlandais, écossais, Cornish, Hébrides et Bretton, y compris les pièces par Turlough O'Carolan et Robert Burns. Notes à la fin du livre donnent un aperçu de la signification des textes des chansons, aidant l'interprétation et vous invite à découvrir l'ambiance de la celtique des terres par le biais de leur musique. Paroles de chansons choisies sont donnés dans les notes en anglais. / Niveau : Débutant / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Evoke the traditional sounds of the Celtic lands with these instrumental arrangements of songs for solo Celtic harp. These 25 tunes are Manx Welsh Irish Scottish Cornish Hebridean and Bretton including pieces by TurloughO'Carolan and Robert Burns. Notes at the end of the book give insights into the meanings of the texts of the songs aiding interpretation and inviting you to experience the ambience of the Celtic lands through their music. Lyricsfor selected songs are given in the notes in English.

Par BERTHOUD PHILIP JOHN. Une collection intéressante de 29 traditionnels tunes d'Irlande, arrangé pour mandoline facile. Tous les morceaux est écrits clairement dans la notation standard ainsi que tablature mandoline. Un CD accompagne contient toutes les mélodies, joués à une vitesse gérable, avec accompagnement de guitare. La collection contient des airs, bien connu des chansons, polkas, slip jigs, diapositives, double turluttes, des hornpipes et des bobines, qui sont spécialement organisé par l'auteur avec le mandoliniste début/intermédiaire à l'esprit. Sur le CD, les airs sont joués à 2 ou 3 fois, donc vous pouvez vraiment entrer dans la convivialité de la mélodie, lorsqu'en train de jouer. La vitesse de la mélodie est assez lent, mais pas tellement lente qu'on enlève la sensation essentielle de la musique. Musique irlandaise est à juste titre populaire partout dans le monde. La beauté obsédante des airs lentes et rythmes de pied-tapping infectieuses des gabarits et des bobines sont ici à découvrir dans cette sélection de grande musique traditionnelle. / Niveau : Débutant / Celtic/Irish - Solos / Tablatures / Mandoline Tablatures

Cette collection de pièces de flûte a évolué de la pratique de la flûte teaching, contenant des arrangements de oeuvres du répertoire classique ainsi que des compositions par Günther Johannes Schmitz. Aux côtés des arrangements de la première ' Gymnopédies ' par Satie et ' Morgenstimmung ' par Edward Grieg, il y a compositions comme ' E Shtikl Babier ', ' Celtic Sibiria ' ou ' Tanz des Schmetterlings ', dans lequel Schmitz a incorporé des musiques du monde, de jazz ou d'influences impressionnistes. Quelques pièces ont déjà utilisée au concours de musique 'Jugend musiziert' et prouvé leur excellence. / Flûte Traversière Et Piano

This songbook contains 30 Celtic classics arranged so beginning guitarists can enjoy them.Includes songs such as Carrickfergus Danny Boy Down by the Sally Gardens The Lark in the Clean Air Molly Malone (Cockles & Mussels) The Star of the County Down and more.

Here’s a book you’ll be pulling off the shelf for many Christmases to come. A Celtic Fiddle Christmas is a treasury of 24 Irish Scottish Welsh and English holiday carols all suitably adorned with Celticcalligraphy. Simple duets for two fiddles a round for three and arrangements for solo fiddle with guitar chords are all printed on a large easy to read staff. From the hauntingly beautiful melodies of the Hebrides to theancient airs of Ireland to the familiar Yuletide tunes of Wales England and Scotland these songs are sure to warm your heart and rouse the spirit of this giving season in a way no other music can.

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Clarinette et Piano

For 5-String Banjo-This rich collection of 68 jigs and reels features some of the most cherished tunes played by session players from 21st-century Ireland Scotland Wales and the Celtic Diaspora. Tom Hanway demonstratescontemporary 'Celtic fingerstyle Banjo' through modern techniques and traditional Irish and Celtic melodies using standard G tuning. Additionally this book explains the Four Celtic Modes that are found throughout the tunes inthis collection. Through these lessons you can learn the essentials needed to play stock Irish and Celtic tunes which can later be combined in medleys to play at sessions. This book includes access to online audio.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman thisbook includes arrangements by Pierre Bensusan El McMeen Martin Simpson Pat Kirtley Duck Baker Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle pipes button accordion flutes and whistles in solo and ensemble settings but never guitar even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve theunique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droninginstruments á la the bagpipes and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand there are guitar tunings which lend themselves easily to the melodic steps and fullness found in thediatonic Celtic harp such as DGDGBD (open G tuning) and the CGDGAD.

Here’s a book you’ll be pulling off the shelf for many Christmases to come. A Celtic Recorder Christmas is a treasury of 24 Irish Scottish Welsh and English holiday carols suitable for both soprano and tenorinstruments. Simple duets for two recorders a round for three and arrangements for solo recorder with guitar chords are all printed on a large easy to read staff and lavishly adorned with Celtic calligraphy. From the hauntinglybeautiful melodies of the Hebrides to the ancient airs of Ireland to the familiar Yuletide tunes of Wales England and Scotland these songs are sure to warm your heart and rouse the spirit of this giving season in a way noother music can.