This is a marvelous graduation or spring concert selection. Ellen Foncannon's tribute to a dear friend flows beautifully and poetically. Available: 2-Part.

Par ZWILICH ELLEN TAAFFE. / Répertoire / Violon, Violoncelle, Piano avec 2 Violons, Alto et

lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Psalm 15-This is a recently revised edition of this now-classic choral work by Benjie Ellen Schiller a cantor who serves on the faculty of HUC-JIR. By popular request this edition of one of our most popular choral pieces is now availablein the lower key of D major. There is an optional tof part and chord symbols for guitar (or other instrument) are included as well as a guitar/tof score in the back of the publication. With its changing meters and“Eastern” flavor this piece is exciting but not difficult to learn.

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.