The Study Score for Simon Holt's Morpheus Wakes a concerto for Flute or Alto Flute and Orchestra. Commissioned by BBC Radio 3 this work was first performed at the BBC Proms on 27th July 2014 at theRoyal Albert Hall in London. A full performance lasts around 15 minutes. Morpheus Wakes is a Flute concerto in two movements. In the first the soloist plays the Alto Flute before switching toFlute for the second.

for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.

Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder Flöte. Deux oeuvres extraites de Musikalisches Vielerley publié par Carl Philipp Emanuel Bach.Edition : Hamburg, M.C. Bock, 1770oeuvres publiées en partition.La sonate peut de jouer, soit avec une flûte, un violon et une basse continue - soit avec une flûte et un clavecin.Le trio peut se jouer soit avec une flûte et un clavecin - soit avec un violon et un clavecin. / Flûte Traversière Et Clavecin, Oeuvres Pour Instruments Divers Ad Libitum Dont La Flûte Traversière, Sonates En Trio Pour Violon Et Instruments Divers, Violon Et Clavecin, Clavecin Et Violon / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

In Sonata 7 in D major Balicourt opens with a suave intricately rhythmic Adagio. The following Presto with its delightful interplay between flute and bass including both octave doubling and stretto imitation is the most skittish movement to emerge from the composer’s pen. The finale is a ‘sandwich’ movement in which a Minuetto encloses a duple-metre Cantabile in D minor. Although the minuet could be said to exemplify one of those ‘easy’ movements referred to in Balicourt’s prospectus for subscribers its complex prescribed ornamentation requires sensitive handling. Sonata 8 in E minor is strategically placed as the final work inthe set being one of the longest as well as the most conservative; adopting the traditional four-movement configuration it continually harks back to the grand Handelian style. An eloquent Andante ushers in a Presto containing many slightly academic contrapuntal touches and much chromaticism. The subsequent Largo is only five bars long: its plain melodic line in minims and crotchets is the skeleton around which the flautist is expected to weave an elaborate embroidery. For the finale Balicourt introduces in effect a new version in triple metre of the second movement. The fact that all four movements are in E minor heightens the sense of unity which is expressed very concretely through their sharing of some thematic material.

10 Famous Pieces for Flute and Piano-The most popular works of flute literature in one volume: Best of Flute Classics features music from four centuries by Handel J.S. and C.P.E. Bach Mozart Donizetti Fauré Roussel Chaminade Reinecke and Taffenl. The collection of original works for flute is ideal study or concert repertoire for intermediate and advanced flautists. The edition also comes with a basso continuo part for the sonatas by J.S. Bach C.P.E. Back and Handel.BEST OF FLUTE CLASSICS - press reviews:Love this new book from Schott. Great material beautifully produced and amazing price. ? FLUTEWISE

Score and parts for Trio Sonata In G For Two Flutes And Basso Continuo by Johann Sebastian Bach.

for Flute or Violin and Basso Continuo-Published in 1728 Telemann’s sonatas are ‘methodical’ according to the meaning of the word at the time of their publication as in addition to the plain melody line given to the soloist in the first movements they alsoprovide an ornamented variant each time. This is instructive and very enjoyable music for today’s flautists and violinists.Henle’s luxurious new publication offers a solo and basso-continuo part in which the twoinstrumental lines are aligned for orientation plus another part that gives only an unrealised (but figured) bass line. The Henle edition also includes a full score with a stylistically appropriate continuo realisation.

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

for two flutes and basso continuo-La collection Platinum Series rassemble des œuvres classiques composées à l?origine pour divers instrument et idéalement adaptées pour des instruments à vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d?un compact disc (version intégrale + accompagnement) d?une grande qualité musicale. Pour vous offrir un excellent confort de jeu les accompagnements ont été confiés au piano au clavecin à un ensemble de musique de chambre et quelquefois même à un Orchestre Symphonique. Les oeuvres avec basse continue (adaptée pour le piano ou le clavecin) disposent d?une partie soliste et d?une partie pour violoncelle séparées afin de pouvoir constituer unensemble instrumental.