SKU: LM.26653
ISBN 9790230966535.
Simplement - Valse lente - Badinage - Chant d'automne - Poursuite - Colimacon - Menuet - Bourrasque - Sur l'eau - Tristesse - Cache-cache - Berceuse - Ronde - Pavane - Promenade - Printemps - Folklore - Nostalgie.
SKU: HL.4026881
UPC: 884088184742. 9.0x12.0x0.077 inches.
SKU: HL.49013357
ISBN 9783795710385. German.
SKU: HL.49045476
ISBN 9790001203425. UPC: 841886029606. 9.0x12.0x0.21 inches.
“Suite, consisting of six short pieces for alto saxophone and piano, is a virtuoso work for this duo. I composed my Suite in 2014 in commission of the legendary saxophone virtuoso Mr. Sugawa with whom I played the world premiere in Tokyo in 2014. The pieces are very much inspired by Turkish music, rhythms, dances, folklore ... and composed in modal and sometimes atonal character.†–Fazil Say.
SKU: HL.49015298
ISBN 9790001077828. German.
Diese Schule ist neuartig strukturiert und enthalt ein ganzheitliches Unterrichtsangebot, das neben den Spielstucken und Ubungen auch Musiklehre, Improvisation, Harmonielehre, Liedbegleitung, Folklore und Jazz umfasst. Im bewusst ausfuhrlich gehaltenen Textteil werden alle technischen und musikalischen Probleme leicht verstandlich erklart. In Band 2 ist das umfangreiche Lehrangebot in sechs Aufgabengebiete eingeteilt, die selbststandig sind und ein individuelles Wahlen von Schwerpunkten ermoglichen (klassisches Literaturspiel, Technik, Musiktheorie/Hamonielehre, Folklore/Songs, Improvisation, Jazz). Das grosse Angebot an Spielstucken reicht von Bach uber Chopin bis zu Bartok, von Scott Joplin bis zu den Beatles, vom deutschen Volkslied bis zur internationalen Folklore. Das Begleitbuch ist sowohl fur den Musiklehrer als auch fur den Autodidakten bestimmt. Es erweitert den in der Schule vorgeschlagenen Studiengang um wichtige Dimensionen.
SKU: HL.49015566
ISBN 9790001085120. German.
Die praxiserprobte Methode fur Jugendliche (ab 14 Jahren) und Erwachsene. Diese Schule ist neuartig strukturiert und enthalt ein ganzheitliches Unterrichtsangebot, das neben Spielstucken und Ubungen auch Musiklehre, Improvisation, Harmonielehre, Liedbegleitung, Folklore und Jazz umfasst. Im bewusst ausfuhrlich gehaltenen Textteil werden Losungen fur alle technischen und musikalischen Probleme angeboten. Der CD-Player als Partner erleichtert das selbststandige Uben: Die Begleit-CD enthalt alle Spielstucke und gibt wichtige Hinweise zur Ubetechnik und Interpretation. Das umfangreiche Lehrangebot des 2. Bandes ist in folgende Aufgabengebiete eingeteilt: - klassisches Literaturspiel, Technik, Musiktheorie- Harmonielehre- Folklore- Songs, Improvisation und Jazz Ein attraktives Angebot an Spielstucken reicht von Bach uber Chopin bis hin zu Bartok, von Scott Joplin bis zu den Beatles, vom Deutschen Volkslied bis zur internationalen Folklore. Geeignet fur das Selbststudium.
SKU: CF.CM9595
ISBN 9781491154175. UPC: 680160912674. 6.875 x 10.5 inches. Key: Eb minor. English. English Folk Song.
Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them. This folk song is about the bat and birds chatting to each other about love. Phonetic pronunciation suggestion: Hahee-dih-dahoo, dee-dih-dul-uhm-dehee Hehee-lee-lee, lih-lahee-lih-loh.Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them. This folk song is about the bat and birds chatting to each other about love. Phonetic pronunciation suggestion: Hahee-dih-dahoo, dee-dih-dul-uhm-dehee Hehee-lee-lee, lih-lahee-lih-loh.Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them.This folk song is about the bat and birds chatting to each other about love.Phonetic pronunciation suggestion:Hahee-dih-dahoo, dee-dih-dul-uhm-deheeHehee-lee-lee, lih-lahee-lih-loh.
SKU: HL.49044300
ISBN 9783795749194. German.
Finally available! The most beautiful titles of the Keyboard Klangwelt series compiled in one thick volume! More than 150 pieces from the fields of folk and children's songs, international folklore, spirituals & gospels, and national anthems in easily playable and melodious arrangements for keyboard and electric organ. Whether for playing alone or together with others, this anthology provides you with the perfect music for every occasion!
SKU: HL.48025367
UPC: 196288194286.
Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Parisâ€. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musiciansâ€, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'lÂ’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.
SKU: BR.EB-8820
Off to Greece!
ISBN 9790004183854. 9 x 12 inches.
Folklore in recorder training is a welcome change. Sylvia Corinna Rosin travels with us to Hellas, as Greece is called in Greek. Our travel guide, known for her BlockflotenSpiel (EB 8760/61) method and many repertoire books, presents the most beautiful songs and dances from all parts of the country. The second part for alto or tenor recorder adds a rhythmically accentuated accompaniment which is intended for the teacher or for advanced students. Chordal symbols allow the participation of guitar or piano. Percussion instruments are also very fitting. The contents of every piece are related, the typical qualities of Greek folklore are explained, and a map facilitates our orientation. Thus: pack your recorder(s) and lets head off to Greece!Off to Greece!
SKU: CL.RWS-2030-01
Ghillie Dhu (Gill-e Dew) Elf of the Forest is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. A wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance.
SKU: HL.49042308
Diese Schule ist neuartig strukturiert und enthalt ein ganzheitliches Unterrichtsangebot, das neben den Spielstucken und Ubungen auch Musiklehre, Improvisation, Harmonielehre, Liedbegleitung, Folklore und Jazz umfasst. Im bewusst ausfuhrlich gehaltenen Textteil werden alle technischen und musikalischen Probleme leicht verstandlich erklart. Der Cassettenrecorder als Partner erleichtert das selbstandige Uben: die Begleit-Cassette (T 8841) enthalt alle Spielstucke und gibt wichtige Hinweise zur Ubetechnik und Interpretation. Band 1/Grundkurs fuhrt etwa bis zu dem Punkt, an dem der Lernende beginnen konnte, sich fur einen bestimmten Musikstil (Klassik, Folklore, Jazz usw.) besonders zu interessieren.
SKU: CF.CM9627
ISBN 9781491156995. UPC: 680160915552. 6.875 x 10.5 inches. Key: Eb minor. English, English. English Folk Song.
A fantastic piece to teach vowels, diction, rhythms, and pitch precision, this English folk song, titled Leatherwing Bat, is fun to sing and impressive to perform. The nonsense syllables represent birds and bats chatting to one another in a rhythmic, witty fashion that your students will love to sing. Also available for Three-Part Mixed Voices (CM9595), Two-Part Treble Voices (BL1102), and SATB Voices (BL1153).Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them. This folk song is about the bat and birds chatting to each other about love. Phonetic pronunciation suggestion: Hahee-dih-dahoo, dee-dih-dul-uhm-dehee Heh-lee-lee, lih-lahee-lih-loh.Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them.This folk song is about the bat and birds chatting to each other about love.Phonetic pronunciation suggestion:Hahee-dih-dahoo, dee-dih-dul-uhm-deheeHeh-lee-lee, lih-lahee-lih-loh.
SKU: AP.98-RWS224500
Ghillie Dhu (Gill-e Dew) Elf of the Forest is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. Scored for flexible instrumentation, Ghillie Dhu is a wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance.
SKU: DZ.DZ-4281
ISBN 9782898521980.
Music For a While is a collection of three short sketches. The music interweaves elements of East European folklore, North American minimalism, European polyphony and traditional Italian music.The first sketch is a very rhythmical, lively and powerful dance based on a fragment from Bela Bartok’s collection For Children.The second sketch is like a canon, a tribute to Pachelbel, but interestingly the development of the piece is influenced by contemporary minimalism. The music, based on a cell of 4 bars with a typical tonal progression that is constantly variated, is simple, beautiful and bright.The last sketch is an homage to Federico Fellini’s universe. With a typical Italian dance rhythm (including references to Nino Rota’s music), this piece evokes the crazy, funny and melancholic wMusic For a While est une collection de trois courts croquis. La musique entrelace des éléments du folklore d'Europe de l'Est, du minimalisme nord-américain, de la polyphonie européenne et de la musique traditionnelle italienne.Le premier «sketch» est une danse très rythmique, animée et puissante, basée sur un fragment de la collection For Children de Béla Bartók.Le deuxième «sketch» est comme un canon, un hommage à Pachelbel, mais de manière intéressante, le développement de la pièce est influencé par le minimalisme contemporain. La musique, basée sur une cellule de 4 mesures avec une progression tonale typique constamment variée, est simple, belle et lumineuse.Le dernier «sketch» est un hommage à l'univers de Federico Fellini. Avec un rythme de danse italienne typique (incluant des références à la musique de Nino Rota), cette pièce évoque le monde fou, drôle et mélancolique du cirque.
SKU: HL.48025368
UPC: 196288194293.
Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Parisâ€. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musiciansâ€, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de lÂ’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.
SKU: CL.RWS-2030-00
SKU: HL.50600830
8.25x11.75x0.097 inches.
“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.†(Dejan Lazic).
SKU: PR.411411930
UPC: 680160687589.
This rebooted triptych of short operas is family friendly and full of fun, while paying tribute to the African tradition of storytelling for all ages. Sister Sparrow, Sister Robin and Madame Partridge retell the antics of Bre'r Rabbit and his nemesis Bre'r Fox in Briar Patch, The Pot of Sense, and Madame Partridge and her Eggs. Okoye's music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Combined with Moore's libretto, the result brings to mind a meeting Langston Hughes and Gilbert and Sullivan on steroids, en route to the Black church. A concert version of Briar Patch will be available for full orchestra with five soloists. Libretto by Carman Moore. The music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Intended for all audiences. NOTE: Each story from the Tales from the Briar Patch is derived from African folk tales. The character Bre'r Rabbit is actually the trickster, Anansi the Spider, of ancient Ghanaian folklore. While many people associate him and his friends with Joel Chandler Harris' Uncle Remus stories, the stories predate Harris and hist stories. The creators updated the language, using all animals to portray the story, with the trio of spirited birds narrating. Producers find that the works rate well with all audiences and are especially useful for community discussions and engagement.This rebooted triptych of short operas is family friendly and full of fun, while paying tribute to the African tradition of storytelling for all ages. Sister Sparrow, Sister Robin and Madame Partridge retell the antics of Bre’r Rabbit and his nemesis Bre’r Fox in “Briar Patch,†“The Pot of Sense,†and “Madame Partridge and her Eggs.†Okoye’s music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Combined with Moore’s libretto, the result brings to mind a meeting Langston Hughes and Gilbert and Sullivan on steroids, en route to the Black church. A concert version of “Briar Patch†will be available for full orchestra with five soloists. Libretto by Carman Moore. The music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Intended for all audiences.NOTE: Each story from the Tales from the Briar Patch is derived from African folk tales. The character “Bre’r Rabbit†is actually the trickster, “Anansi the Spider,†of ancient Ghanaian folklore. While many people associate him and his friends with Joel Chandler Harris’ Uncle Remus stories, the stories predate Harris and hist stories. The creators updated the language, using all animals to portray the story, with the trio of spirited birds narrating. Producers find that the works rate well with all audiences and are especially useful for community discussions and engagement.
SKU: BR.EB-8746
ISBN 9790004181584. 12 x 9 inches.
Whether for "Clementine," "Amazing Grace," the "Drunken Sailor" or Spanish folklore - in "Four for One," Felice Deho has created four stimulating guitar accompaniments for each of the eight traditional and three original melodies. The four different accompaniments to each song are clearly arranged on one (double) page so that the player can easily shift between the different versions while playing. An experienced guitarist and teacher, Deho subtly increases the level of difficulty in each of his suggested patterns. The book can thus be used in a number of ways: for beginners and more advanced players, as well as for teaching single students or groups. In addition to being fun to play with others, "Four for One" is intended to provide performers with models that will stimulate them to invent their own accompaniments.
SKU: AP.98-RWS224501
SKU: BT.ESZ-01494800
With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art†music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants. Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta†occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.
SKU: BT.DHP-1013016-070
ISBN 9789043130394. International.
Israelische Folklore für vier Querflöten in einer Bearbeitung von Coen Wolfgram.Israelische Folklore für vier Flöten in einer Bearbeitung von Coen Wolfgram. Coen Wolfgram arrangia tre brani di musica popolare ebraica per quattro flauti. Potrete affascinare il vostro pubblico proponendo un bis fuori dal comune.
