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| O Come, O Come, Emmanuel (anthem) Choral SATB SATB, Keyboard - Intermediate Lillenas Publishing Co.
Arranged by Thomas Helmore and Gary Rhodes. For SATB choir and keyboard accompan...(+)
Arranged by Thomas Helmore and Gary Rhodes. For SATB choir and keyboard accompaniment. Anthem. Christmas, general. Difficulty: moderate. Octavo. 15 pages. Published by Lillenas Publishing Company
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Four Songs for the Feast Choral Unison - Beginner MorningStar Music Publishers
Unison voices, optional congregation, organ - Beginning SKU: MN.80-832 Co...(+)
Unison voices, optional congregation, organ - Beginning SKU: MN.80-832 Composed by Gary James. Song Collection. Catholic Year A Solemnity of the Most Holy Trinity. Communion. Octavo. MorningStar Music Publishers #80-832. Published by MorningStar Music Publishers (MN.80-832). UPC: 688670808328. Four short lyrical compositions as Fraction anthems in Episcopal liturgy or Communion anthems. Texts from Book of Common Prayer and Book of Occasional Services. Reproducible page for congregation included. Includes: 1. Blessed are Those Who Are Called 2. Be Known to Us 3. Christ Our Passover 4. Lamb of God. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christ Our Passover: Fraction Anthem (Choral Score) Choral SATB - Intermediate MorningStar Music Publishers
SATB choir and organ, with optional brass quintet and timpani (Instrumental Part...(+)
SATB choir and organ, with optional brass quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani, Organ) - Intermediate SKU: MN.80-325 Composed by Robert Lehman. 21st Century. MorningStar Music Publishers #80-325. Published by MorningStar Music Publishers (MN.80-325). UPC: 688670803253. English. The text is from The Book of Common Prayer, the music is original. A melismatic chant-like opening builds steadily to a dramatic declamation of the text Therefore let us keep the feast. Then the chant line continues softly in the accompaniment as the final alleluias are sung. The organ accompaniment is quite sufficient but can be augmented with Brass Quintet. From Mass of the Resurrection (ECS 8325). $2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Our Passover: Fraction Anthem (Instrumental Parts) MorningStar Music Publishers
SKU: MN.80-325B Composed by Robert Lehman. MorningStar Music Publishers #...(+)
SKU: MN.80-325B Composed by Robert Lehman. MorningStar Music Publishers #80-325B. Published by MorningStar Music Publishers (MN.80-325B). UPC: 688670008177. $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christ Our Passover: Fraction Anthem (Full Score) MorningStar Music Publishers
SKU: MN.80-325A Composed by Robert Lehman. MorningStar Music Publishers #...(+)
SKU: MN.80-325A Composed by Robert Lehman. MorningStar Music Publishers #80-325A. Published by MorningStar Music Publishers (MN.80-325A). UPC: 688670008160. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music For The Holy Eucharist Rite Ii Choral [Octavo] Oxford University Press | | |
| Take You to the Cross - Anthem Choral Unison Word Music
Choir SKU: WD.080689463235 Composed by David Wise. Arranged by David Wise...(+)
Choir SKU: WD.080689463235 Composed by David Wise. Arranged by David Wise. Choral. Sacred Anthem, Eastertide, General. Octavo. Word Music #080689463235. Published by Word Music (WD.080689463235). UPC: 080689463235. Hardships and brokenness can be a heavy burden for our hearts to bear; sometimes our earthly trials leave us wondering if Christ has forgotten us, or even questioning if we’re really loved. This new cinematic anthem, arranged by David Wise and orchestrated by David Shipps, doesn’t shy away from the reality of our struggles as believers; but rather paints for us a picture of Christ’s redeeming love…reminding us to come to the foot of the cross. For in the cross, in Christ Jesus, we have hope and strength! $3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Anthems Stainer and Bell
Choir SKU: ST.EC23 Composed by Nathaniel Giles. Edited by J Bunker Clark....(+)
Choir SKU: ST.EC23 Composed by Nathaniel Giles. Edited by J Bunker Clark. Library Volumes. Edited by J. Bunker Clark. First published in 1980. Pages: 165. Format: Paperback. Dimensions (mm): 254 x 177 x 12. Choral Score. Stainer & Bell Ltd. #EC23. Published by Stainer & Bell Ltd. (ST.EC23). ISBN 9790220206948. A Worcester man, Nathaniel Giles (or Gyles) held posts at St George's, Windsor, and at the Chapel Royal until his death in 1633. His anthems were widely circulated during his lifetime, but largely forgotten thereafter. Their texts are taken from the Book of Common Prayer, the Bible and psalms, and from the metrical translations of Sternhold and Hopkins. $106.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Little David, Play on Your Harp Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Sheldon Curry. Sacred Anthem. Octavo. Lorenz Publishing Company #10/...(+)
Composed by Sheldon Curry. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4788L. Published by Lorenz Publishing Company (LO.10-4788L).
$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Raise the Praise for about 10 Singers - Perf/Accomp CD CD only [Accompaniment CD] Lorenz Publishing Company
By Larry Pugh. For performance/accompaniment CD. Sacred. Choral collection. Publ...(+)
By Larry Pugh. For performance/accompaniment CD. Sacred. Choral collection. Published by Lorenz Publishing Company.
$39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Overflow with Hope Choral SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5812L Composed by Pepper Choplin. Choral. Sa...(+)
SATB choir, piano SKU: LO.10-5812L Composed by Pepper Choplin. Choral. Sacred Anthem, Benediction, General, Pentecost. Octavo. Lorenz Publishing Company #10/5812L. Published by Lorenz Publishing Company (LO.10-5812L). ISBN 9780787779962. Pepper Choplin is at his creative best in this accessible anthem that is well-suited for general worship as well as Pentecost. Pepper gives careful attention to both the lyric and the tune, and his melodic setting of the word â??overflowâ? practically leaps off the page! Featuring limited ranges and much repetition, this anthem will be quickly learned but not soon forgotten. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel (accompaniment CD) Choral SATB SATB, Orchestra Lillenas Publishing Co.
SATB choir and orchestra - difficulty: moderate SKU: LP.765762176423 Arra...(+)
SATB choir and orchestra - difficulty: moderate SKU: LP.765762176423 Arranged by Thomas Helmore and Gary Rhodes. Anthem. Christmas, general. Split-channel, stereo and demo CD. Published by Lillenas Publishing Company (LP.765762176423). ISBN 7-65762-17642-3. UPC: 765762176423. Orchestrated by Tim Cates. Invite your choir and congregation to welcome the Savior and rejoice at His coming with this hopeful carol. It's an addition to your Christmas program that won't soon be forgotten. Arranged with robust instrumentation by Gary Rhodes, and orchestrated majestically by Tim Cates, this piece is full of bold Christmas spirit. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| America, The Beautiful Choral SATB SATB [Octavo] Beckenhorst Press
By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst ...(+)
By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst Press.
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Little David, Play on Your Harp - Performance/Accompaniment CD Choral CD Lorenz Publishing Company
SKU: LO.99-3472L Composed by Sheldon Curry. Choral. Sacred Anthem. Perfor...(+)
SKU: LO.99-3472L Composed by Sheldon Curry. Choral. Sacred Anthem. Performance/accompaniment CD. Lorenz Publishing Company #99/3472L. Published by Lorenz Publishing Company (LO.99-3472L). UPC: 000308144987. This imaginative arrangement will add a unique element to your next concert or worship service. After opening in unison, the piece expands into lively call and response that leads to a playful middle section and a not-to-be-forgotten ending! $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Robert Lehman: Christ Our
Passover: Mixed Choir:
Vocal Score Choral SATB MorningStar Music Publishers 1.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Robert Lehman: Christ Our
Passover: Mixed Choir:
Score Choral SATB SATB, Organ MorningStar Music Publishers 9.00 GBP - Sold by Musicroom UK | |
| David Angerman Michael
Barrett: Celtic Advent
Carol: Orchestra: Parts Orchestra Shawnee Press
Orchestration-The urgent joy of the driving 6/8 meter is reminiscent of a celtic...(+)
Orchestration-The urgent joy of the driving 6/8 meter is reminiscent of a celtic folk dance and the idiomatic orchestration adds to the folk flavor in this unique Advent offering. Prepare the way for the Lord this Advent season with an anthemeasily learned but not soon forgotten. Outstanding!
32.50 GBP - Sold by Musicroom UK | |
| The Songbook (IRON AND
WINE) Lyrics and Chords Chester
Par IRON AND WINE. Iron and Wine: The Songbook contains songs from albums and EP...(+)
Par IRON AND WINE. Iron and Wine: The Songbook contains songs from albums and EPs by American singer-songwriter Iron and Wine. The artist-approved chord songbook includes lyrics and chords with short picking patterns in tab and notation and is full colour throughout with artwork, photographs and tour posters, a song index and index of first lines. Sam Beam is a singer-songwriter who has been creating music as Iron and Wine for over a decade. Through the course of seven albums, numerous EPs and singles, and the initial volumes of an Archive Series - Iron and Wine has captured the emotion and imagination of listeners with distinctly cinematic songs/ Recueil / Accords de Guitare et Paroles
53.24 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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