This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) This song clearly not originally intended for the classical concert stage is a pretty piece in an old-fashioned popular music style. It has the quality of a popular valse-musette the kind of waltz-song that might be heard in a Paris restaurant played by a group with an accordion. Accordingly it usually is missing from official lists of Poulenc's music. It is not included in either Poulenc's discussion of his songs Journal de mes mélodies or the book on interpreting them by his singing partner Pierre Bernac 'FrancisPoulenc: The Man and His Music'. Arranged for SATB by Stuart Nicholson.

extrait de la musique de scène pour « Le Voyageur sans bagages »-A previously unreleased piece by Francis Poulenc published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe secretary of the Association des amis de Francis Poulenc [Association of the Friends of Francis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage] which had been premiered in 1937 with music by Darius Milhaud was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère del’Épine a librarian at the Bibliothèque Historique de la Ville de Paris announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs all written for a small instrumental ensemble including Oboe Clarinet Cello and Piano. However at the end of the manuscript the composer echoes the second song – Lent [Slow] – and creates another version for Cello and Piano; curiously the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for Cello and Piano that we have published here as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey accompanied by Jean-François Heisser in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP) during the symposium for the fiftieth anniversary of Poulenc’s death. Given in a dramatic context some elements allow us to get an idea of the character of the piece which Benoît Seringe Poulenc’s beneficiary judiciously chose to name Souvenirs. The main character of Anouilh’s play Gaston is suffering from amnesia at the end of World

Sept mélodies sur des poèmes de Maurice Carême. Par POULENC FRANCIS. La Courte Paille est l?ultime composition de musique vocale de Poulenc, sur des poèmes du belge Maurice Carême. Carême titra le cycle à la demande de Poulenc, et choisit La Courte Paille. Poulenc fut enchanté de ce titre, disant qu?il symbolisait exactement son petit jeu. Cette édition fait partie de Musique Vocale Française, une collection dédiée au repertoire vocale français - soit original soit transposé - et conçue pour les étudiants, les professeurs et les interprètes professionnels. Introduction historique et paroles en français et en anglais. / Date parution : 2023-06-01/ Recueil / Medium/Voix Basse et Piano

This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano

Par POULENC FRANCIS. Poulenc 's song cycle, Chansons Gaillardes was composed in 1925-1926 during the post-war euphoria. The cycle is essential to aspiring, advanced Baritones. Francis Poulenc (1899-1963) was a highly prolific composer, and remains popular to this day. Chansons Gaillardes was composed towards the beginning of the composer's career for Baritone Pierre Bernac. At the first performance, Poulenc himself played the piano and the song cycle was immediately a hit. Chansons Gaillardes is made up of eight songs which alternate between lively and slow tempos; 1) TheFickle Mistress, 2) Drinking Song, 3) Madrigal, 4) Summoning the Fates, 5) Bacchanalian Couplets, 6) The Offering, 7) The Beautiful Youth, and 8) Serenade. As a song cycle with much variation, Poulenc 's Chansons Gaillardes is an exciting addition to the Baritone repertoire./ Répertoire / Baryton et Piano

Par POULENC FRANCIS. Calligrammes is a set of seven melodies by Francis Poulenc based on poems by Guillaume Appolinaire. The overall piece lasts 10 and a half minutes and the book includes the score for Voice and Piano. Each work is dedicated to a different person and has its own story: I. L'Espionne / The Spy & 1'32 II. Mutation / Mutation & 0‘ 40 III. Vers le Sud / Toward the South & 1'40 IV. Il pleut / It's raining & 1' V. La grâce exilee / Grace in exil & 0'28 VI. Aussi bien que lescigales / As well as crickets & 1'40 VII. Voyage / Travel & 2'20 Each piece can be work on its own or the whole book can be played at once. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('The does') as well as some Orchestral works./ Répertoire / Voix Moyenne et Piano

Recueil Piano. Par POULENC FRANCIS. Nocturnes is a set of 8 pieces for piano by Francis Poulenc. Composed between 1929 and 1938 for intermediate players, this set was composed as a cycle and represents night scenes of different events. They can be differentiated from most of the other nocturnes as they are not romantic tone-poems. Nocturnes 's eight pieces are: - 1st Nocturne (C Major) - 2nd Nocturne & Young girl's ball / Bal de jeunes filles (A Major) - 3rd Nocturne & Maines' bells / Les Cloches de Maines (F Major) - 4th Nocturne & Ghost's Ball / Bal fantome (C minor) - 5th Nocturne& Moths / Phalenes (B minor) - 6th Nocturne (G major) - 7th Nocturne (Cb major) - 8th Nocturne (For Coda) Francis Poulenc is French compositor and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some Orchestra works. / Répertoire d'Examen / Répertoire / Piano

Voix Moyenne Et Piano-Recueil. Par POULENC FRANCIS. Poulenc 's five songs, Poèmes De Ronsard were composed in 1925 during the post-war euphoria. The cycle is essential to aspiring, advanced vocalists of the French art song. Francis Poulenc (1899-1963) was a highly prolific composer, and remains popular to this day. Poèmes De Ronsard was composed towards the beginning of the composer's career, based on poems by prolific French poet, Pierre de Ronsard. Poèmes De Ronsard is made up of five songs which alternate between lively and slow tempos; 1) Attributes, 2) The Tomb, 3) Ballet, 4) Ionly have the Bones, and 5) On his page. As a song cycle with much variation, Poulenc 's Poèmes De Ronsard is an exciting addition to the Vocal repertoire./ Répertoire / Voix Moyenne et Piano

Poèmes de Guillaume Apollinaire. Par POULENC FRANCIS. « Tant qu’il y aura des poètes, il y aura des mélodies. Si l’on mettait sur ma tombe : “Ci-gît Francis Poulenc, le musicien d’Apollinaire et d’Éluard”, il me semble que ce serait mon plus beau titre de gloire », déclarait le compositeur en 1945. Depuis l’enfance, son amour de la poésie l’égalait presque à celui de la musique : c’est à partir de 1919 que le jeune Poulenc en vint à la mélodie. Son catalogue compte enfin 150 mélodies, un corpus de haute tenue, contrasté dans son unité, qui fait sans doute du compositeur le dernier grand représentant du genre. Ces éditions appartiennent à la collection « Musique vocale française », consacrée au repertoire vocal français ici proposé soit en ton original soit transposé. La collection est conçue pour les étudiants et les enseignants ainsi que pour les professionnels./ Répertoire / Voix Haute et Piano

Par POULENC FRANCIS. Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Trois Pièces for Piano were composed in 1928, towards the beginning of his career and paved the way for exceptional Piano works from the composer. Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Trois Pièces for Piano is made up of three movements, 1. Pastorale, 2. Hymne and 3. Toccata, all of which exploit the Piano to its full potential. Being an imaginative and evocative composition, TroisPièces for Piano is a pleasure to play for all pianists./ Répertoire / Piano

Pour voix élevée et piano-« Tant qu?il y aura des poètes il y aura des mélodies. Si l?on mettait sur ma tombe : ?Ci-gît Francis Poulenc le musicien d?Apollinaire et d?Éluard? il me semble que ce serait mon plus beau titre de gloire » déclarait le compositeur en 1945.Depuis l?enfance son amour de la poésie l?égalait presque à celui de la musique c?est à partir de 1919 que le jeune Poulenc en vint à la mélodie.Son catalogue compte enfin 150 mélodies un corpus de haute tenue contrasté dans son unité qui fait sans doute du compositeur le dernier grand représentant du genre.Le présent volume offre une sélection des mélodies les plus célèbres de Francis Poulenc soit en tonalité originale soit en transposition avec de nouvelles gravures poèmes originaux et traduction anglaise inclus.« Musique vocale française » est une collection conçue pour les étudiants les professeurs et les interprètes professionnels.

This is an updated edition of Francis Poulenc's 1962 work Sonata For Clarinet And Piano edited by Millan Sachania. Featuring the full score and separate Clarinet part this exclusive editionalso includes a download card giving you instant online access to demonstration and accompaniment tracks.   Originally completed in 1962 Poulenc tragically passed away before it could bedefinitively engraved leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition published just a year later. A number of revisions have taken place but this expertly editedby Millan Sachania aims to provide a playable legible precise and authoritative score that reflect closest Poulenc's intentions.   This new edition includes accidentals that may havebeen intended by Poulenc within square brackets as well as cautionary accidentals and the deletion of redundant accidentals. Other amendments like the redistribution of notes between the Piano staves extendingslurs so as to incorporate second or final tied notes in contrast to the previous edition. At all points Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection ofwhat Poulenc himself may have intended.   What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive onlineaccess to demonstration and accompaniment audio tracks. Professionally-recorded by renowned clarinettist Joy Farrall and pianist Huw Watkins the demonstration track allows you to hear exactly how the piece as a whole shouldsound before the independent Piano-only track lets you take the place of the clarinettist in your very own performance. This is a unique opportunity for clarinettists to learn from an authoritative score and play along to a