Voici une partition musicale que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est O MA BELLE ITALIE - EXTRAIT DE L'OPERETTE 'LA CASTIGLIONE' a été composée par le célèbre compositeur Durand Paul. C'est l'éditeur Billaudot sous la référence EFM1469 qui a les droits pour éditer cette partition. / Musique Légère / Partition

[Klavierstücke - Klaviervariationen] / Classique / Editeur : G. Haberkamp / Doigtés : Klaus Schilde / Partition / Broché / Edition Urtext

La partition EN ROUTE POUR MONTE-CARLO est une oeuvre du compositeur Classique Lancen Serge. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Musique Légère / Partition

La partition PROMENADE EN AUTOMOBILE est une oeuvre du compositeur Classique Marcel-Stern . Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Musique Légère / Partition

Par SCHUBERT FRANZ. Editeur(s) d'origine: ScharwenkAlto, Philipp/ Répertoire / G et Orchestre

G-Dur. Par BASTON JOHN. Langue : o Spr/ Répertoire / Flûte à Bec C2 et Basse Continue

La partition LITHANIES DU SAMEDI SAINT est une oeuvre du compositeur Classique Dondeyne Désiré. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Musique Légère / Partition

Schubert only took ten days to write his String Quartet in G major one of his truly monumental chamber music works. With its almost symphonic dimensions this late quartet is reminiscent of his greatString Quintet in C major. As divulged in a letter Schubert actually wanted to 'pave the way for the large symphony' with this quartet and several other chamber music works that he composed around the same time. Writtenin 1826 the quartet was not performed in public during the composer’s lifetime; and it was only published long after his death. This Urtext edition with its accompanying study edition is therefore based on the survivingautograph.

Par OGAWA TAKASHI. / Niveau : Assez Difficile / Contemporain / Date parution : 2004-10-01/ Répertoire / Flûte Traversière Violon, Basson, Violoncelle et G

In autumn 1895 after returning from New York once and for all Dvo ák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the space of just four weeks hecomposed a new string quartet in G major. Together with the Quartet in A-flat major op. 105 it forms a glorious close to his chamber music oeuvre. Echoes of Bohemian folk music are here mixed with cantabile themes while hismotivic working shows him to be a master at the height of his powers. Even today it seems almost as if we can feel the composer?s satisfaction with this work: ?I am working so easily and it is going so smoothly that I could notwish it better?.

Tonalité : H-Moll - Twv 43:H1. Par TELEMANN GEORG PHILIPP. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : o Spr / Date parution : 1905-05-21/ Répertoire / Flûte Traversière, Violon ou Hautbois), Viole de G

für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.

It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?