SKU: SU.28060140
A colossal, single movement quartet that traces the five stages of grief. string quartet Duration: 35' Composed: 2013 Published by: Distributed Composer.
SKU: ST.LS9
ISBN 9790220204920.
CONTENTS Come ashore, merry mates (F - F) Deceitful fancy (duet) (D - D and G - C) Dialogue: Foe of mankind (duet) (D - F and G - B) Fortune and glory (E - G) Go happy man (C - G) How like a golden dream (D - E) In darkness let me dwell (duet) (E - G and A - D) My joy is dead (duet) (C - E and G - B) Oft thou hast (duet) (G - G and C - D) O grief (D - F) O poor distracted world (E - G) O sweet flower (duet) (E - G and G - D) O th' unsure hope (duet) (G - G and A - C) Send home my long-stray'd eyes (D - F) So parted you (D - E) 'Tis now dead night (D - G) When pale famine (D - F) While dancing rests (D - G).
SKU: HL.1424334
UPC: 196288200598.
Embark on an emotional journey with Edna St. Vincent Millay's evocative words from her acclaimed 'Collected Poems' (HarperCollins). This poignant text beautifully unveils the familiar vulnerability often entwined with grief. Composed for TBB choir and piano, this piece features accessible yet richly woven harmonies that aim to encapsulate the heartfelt and sorrowful essence of Millay's profound poem. Ideal for your middle or high school TB choir.
SKU: CA.4017110
ISBN 9790007063689.
Score available separately - see item CA.4017100.
SKU: GI.G-006247
UPC: 641151062471.
SKU: MN.56-0021
UPC: 688670220265. Latin. Lamentations 1:2; John 14:18.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women’s chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 (“Weeping, she hath wept in the nightâ€) and John 14:18 (“I will not leave you orphansâ€). Duration 7:12
SKU: MN.50-2501
UPC: 688670525018.
The accompaniment for this setting of the familiar American folk melody has a classical piano feel. And works beautifully with harpsichord. The spiritual is designed to flow along over the accompaniment without too much effort. The notes must be well in place before adding the keyboard. This anthem can be sung in church services, school or church concerts or with college groups. It also makes a very nice ensemble selection.
SKU: MN.56-0052
UPC: 688670220555. English, Latin.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement is a nicely accompanied, homophonic choral setting of the English text by John Henry Newman (1833). Anthem-like and entirely self-sufficient, it is ideal to perform separately apart from the entire work. Duration 2:14.
SKU: HL.275444
UPC: 888680744038. 5.0x5.0x0.15 inches.
From the musical Les Miserables, this powerful ballad is full of grief but also the hope that leads us to speak truth to power. This arrangement captures the raw emotion of one who has lost friends and carries the pain and guilt of the one who lives on. Here is a song for your concert or show choir that requires their full vocal ranges along with the full emotional ranges expressed by heartfelt lyrics.
SKU: HL.4007248
UPC: 840126969474. 9.0x12.0x0.831 inches.
“Masked†by Alex Shapiro is composed in the exact shape of a Classical Minuet and Trio waltz, though the music––a whimsical if somewhat demented masked ball (or, balls, in this case)––bears little connection to that of Mozart or Haydn. Historically, third movement Minuets gave way to the joke-like Scherzo, and the Trio section tips its hat to some welcome levity. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece.
SKU: BT.DHP-1053919-030
9x12 inches. English-German-French-Dutch.
Elegy I ‘Jealousy’ has been named after John Donne’s poem of the same name. This English poet (1572-1631) wrote an entire series of elegies, each with its own theme. Jealousy can trigger various emotions, ranging from disappointment, grief, or regret, to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne), a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l’ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new, isolated themes and sometimes through quotations of the original version Elegy I ‘Jealousy’ werd genoemd naar het gelijknamige gedicht van John Donne. Jaloezie (Jealousy) roept een hele rij emoties op. Van teleurstelling, treurnis en verdriet tot boosheid en woede. Het gedicht Jealousy van Donneen ook het gelijknamige schilderij van Edvard Munch inspireerden Jacob de Haan om dit werk te componeren. En het is hem goed gelukt om alle emoties die bij jaloerse gevoelens horen muzikaal te verklanken! Een treffend concertwerkdat u niet mag missen…Elegy I ‘Jealousy’ wurde nach dem gleichnamigen Gedicht von John Donne benannt. Eifersucht (Jealousy) vermag eine ganze Reihe von Emotionen auszulösen - von Enttäuschung, Trauer, Bedauern bis hin zu Ärger und Wut. Jacob de Haan ist es gelungen, all diese Gefühle in Musik umzusetzen. Ein bewegendes Konzertwerk, das Sie sich nicht entgehen lassen sollten. Elegy I: Jealousy (Élégie 1 : La Jalousie) a emprunté son nom au poème éponyme de John Donne. La jalousie peut déclencher de nombreuses émotions qui vont de la déception, de la peine et du regret la colère ou la folie. Toutes ces émotions ont trouvé leur place dans cette composition, inspirée de trois formes d’art différentes : la poésie (Elegy I), la peinture (La Jalousie - Edvard Munch) ; la chanson (Je ne l’ose dire - Pierre Certon). La résonance affective et émotionnelle est forte. En un instant, l’auditeur est touché par ce qu'il entend.