Stille Nacht-C?est en 1818 à l?église du village d?Oberndorf près de Salzbourg que retentit pour la première fois Douce Nuit. Le maître d?école du village et organiste Franz Gruber dont nous commémorons en 2013 le 150e anniversaire de sa mort en composa la mélodie juste avant Noël sur un poème de Franz Mohr. Nul ne pouvait alors imaginer le triomphe qu?allait remporter cette poignante mélodie. Douce Nuit est chanté aujourd?hui dans plus de 300 langues et ce dans le monde entier. L?arrangement particulièrement réussi de Lorenzo Bocci ne saura que contribuer à cet incroyable succès.

Choeur Satb [Solistes Tb] et Piano Ou Orgue. Par MOHR / GRUBER. Arr. : J. -P. Paquet/ Répertoire / TB, SATB et Piano ou Orgue

Par SUZUKI SHINICHI. Titles: Twinkle, Twinkle, Little Star Variations (Suzuki) - Lavender’s Blue - Lightly Row - The Honeybee - Mary Had a Little Lamb - Crickets’ Song (Waddington) - Lightly Row - London Bridge (Folk Song) - Go Tell Aunt Rhody - Silent Night (Gruber) - Long, Long Ago (Bayly) - Little Playmates (Chwatal) - Chant Arabe - Good-Bye to Winter - The Good Little King of Yvetot - Andante Waddington) - Christmas-Day Secrets (Dutton) - Allegro (Suzuki) - Musette - Gigue (Waddington). / Niveau : Débutant / Méthode / Méthode / Harpe

Trumpet trio only (different instrument parts are not interchangeable) Includes: Fanfares (Cacavas) · Pop Goes the Weasel · Silent Night (Franz Gruber/Joseph Mohr) · Deep River (African-American Spiritual) · Swanee River (Old Folks at Home - Stephen Foster) · Sailor's Song (Edvard Grieg Op. 8 No. 1) · Joshua Fit the Battle of Jericho (Spiritual) · We Wish You a Merry Christmas · Choucoune (Mocking Bird - Haitian Folk Song) · Lonesome Road (Spiritual) · America (My Country 'Tis of Thee) · The Star Spangled Banner (J.S. Smith/F.S. Key) · The Marine's Hymn (based on a melody of Offenbach) · Minuet No. 1 (from Notebook for Anna Magdalena Bach) · Deck the Hall · For He's a JollyGood Fellow (Traditional) · The Red River Valley (Cowboy Song) · Skip to My Lou (Traditional) · Frankie and Johnny (Anonymous Blues Ballad) · Auld Lang Syne (Scottish Melody) · Yankee Doodle · Hail Hail the Gang's All Here (Arthur Sullivan)

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB

Raccolta di composizioni per flauto (violino, oboe, chitarra) e 2 chitarre destinate a giovani esecutori.22 composizioni trascritte per strumento melodico e due chitarre obbligate, eseguibili anche per tre chitarre. L'intento di questa pubblicazione è quello di fornire materiale musicale per lo sviluppo della musica d'insieme dal primo anno di pratica stale. La scelta dei brani è incentrata prevalentemente sulla letteratura Classica, le elaborazioni sono tratte da celebri opere didattiche per chitarra. Inoltre sono presenti piacevoli composizioni di E.Cominetti, G.Manzi, V.Vinay, F.Gruber, A.Diabel / Flûte Traversière Et Guitare

Here is the treasured Franz Gruber folk carol as arranged for the King's Singers. Includes original German and optional English texts. Arranged for SATTBB choir.

Unique en son genre, la méthode Écouter, lire & jouer se distingue, entre autres, par des publications supplémentaires contenant des morceaux parfaitement adaptés aux trois volumes de base. Les Chants de Noël, un recueil de chansons festives comprenant au moins un chant correspondant chaque leçon, s'ajoute aux livres existants pour instrument solo (Les Chansons célèbres, Les Solos et Les Styles musicaux) ainsi qu'aux éditions pour petits ensembles (Les Duos et Les Trios). Outre de nombreux chants bien connus choisis et arrangés un niveau approprié, ce recueil contient bon nombre de chansons plus faciles spécialement composées pour convenir aux premières leçons de Écouter, lire & jouer. Des accompagnements festifs disponibles sur le CD joint au livre, mais aussi en ligne en format MP3, permettront même aux débutants au saxophone alto de présenter un beau concert de fête après quelques leçons seulement. Vivement Noël !1. Flocons de neige [Markus Schenk]2. Sapin de Noël [Markus Schenk]3. La plus belle des fêtes [Markus Schenk]4. Vive le vent [James Pierpont]5. Au marché de Noël [Markus Schenk]6. Gâteaux de Noël [Markus Schenk]7. Le calendrier de l'Avent [Markus Schenk]8. Venez les enfants [Johann Abraham Peter Schulz]9. Mon beau sapin [Markus Schenk]10. Noël nouvelet [Markus Schenk]11. We Wish You a Merry Christmas [Markus Schenk]12. Peuple fidèle [Markus Schenk]13. In dulci jubilo [Markus Schenk]14. Un flambeau, Jeannette, Isabelle [Markus Schenk]15. Away in a Manger [William J. Kirkpatrick]16. Deck the Halls [Markus Schenk]17. Dans une étable obscure [Markus Schenk]18. Entre le boeuf et l'âne gris [Markus Schenk]19. Trois anges sont venus ce soir [Augusta Holmès]20. Les anges dans nos campagnes [Markus Schenk]21. Quelle est cette odeur agréable [Markus Schenk]23. Hark! The Herald Angels Sing [Felix Mendelssohn Bartholdy]24. Douce nuit, sainte nuit [Franz Xaver Gruber] / Clarinette / Dehaske

Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for

This arrangement of Silent Night is the 2009 Setting by Stephen Cleobury for SATB Choir with Organ Ad Lib. A setting of the enduring Christmas carol with lyrics by Joseph Mohr and melody by Franz Gruber a full performance lasts around 3 minutes.