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| Renaissance and Baroque Guitar Duets. 2 guitars 2 Guitars (duet) Classical guitar [Sheet music + CD] Music Minus One
For Guitar. Classical (chamber). Includes a high-quality printed music score wit...(+)
For Guitar. Classical (chamber). Includes a high-quality printed music score with both primo and secondo guitar parts; and a compact disc containing a complete performance with secondo guitar on the left channel, and primo guitar on the right channel. Either can be easily removed for your performance pleasure. Published by Music Minus One.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Baroque Christmas Concertos For Choir Choral SATB [Sheet music + CD] Helbling Musikverlag
SATB Choir SKU: BT.HBLC7142 10 berühmte Pastoralsätze bearbeitet...(+)
SATB Choir SKU: BT.HBLC7142 10 berühmte Pastoralsätze bearbeitet Für gemischten Chor SATB Orgel ad lib.. Book with CD. Helbling Musikverlag #HBLC7142. Published by Helbling Musikverlag (BT.HBLC7142). ISBN 9783850619837. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Frederick Noads Classical Guitar Treasury: Duets And Ensembles Guitar Ensemble Classical guitar [Sheet music] Chester
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164...(+)
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164 pages. Published by Chester Music.
$33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Music for Guitar Duet 2 Guitars (duet) [Sheet music + Audio access] Hal Leonard
Romantic, Baroque and Renaissance Music for Two Guitars in Standard Notation ...(+)
Romantic, Baroque and
Renaissance Music for Two
Guitars in Standard Notation
and Tablature. Composed by
Various. Guitar Collection.
Classical. Softcover Audio
Online. With guitar
tablature. 272 pages.
Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Voggy's First Recorder (baroque fingering) Voggenreiter
Recorder SKU: M7.VOGG-825 Edited by Voggenreiter. Musical instrument. Bar...(+)
Recorder SKU: M7.VOGG-825 Edited by Voggenreiter. Musical instrument. Barocke Griffweise. Voggenreiter #VOGG 825. Published by Voggenreiter (M7.VOGG-825). Der preisgünstige Einstieg! Mit barocker und deutscher Griffweise! Bunte Sopran-Blockflöte in C (barocke & deutsche Griffweise) aus strapazierfähigem Kunststoff, der ideale Begleiter beim Spielen und Toben! Für die einfache Reinigung kann die abwaschbare Flöte mit einem Handgriff einfach zerlegt werden, so ist sie auch nach heftigem Einsatz schnell wieder sauber und hygienisch einwandfrei. Im Set mit dabei: Mit praktischer Aufbewahrungstasche und Wischerstab zur Reinigung. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Bachaneer String Orchestra [Score and Parts] - Intermediate Belwin
Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; S...(+)
Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. 72 pages. Published by Belwin Music (AP.40496).
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa "Dies sanctificatus" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3069-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU: BR.CHB-3069-02 Urtext. Composed by Giovanni Pierl da Palestrina. Edited by Rudolf Ewerhart. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Renaissance/early Baroque. Choral score. 32 pages. Breitkopf and Haertel #ChB 3069-02. Published by Breitkopf and Haertel (BR.CHB-3069-02). ISBN 9790004403099. 7.5 x 10.5 inches. Palestrinas Missa ,,Dies sanctificatus steht in den ,,Missae ... Liber Sextus, dem sechsten Messenbuch, das 1594 in Rom erstmals gedruckt wurde. Die sechs Messen dieses Druckes sind dem kunstliebenden Kardinal Pietro Aldobrandini gewidmet, dem Neffen des Papstes Clemens VIII.Als Modell fur diese Messe diente Palestrina seine gleichnamige, vierstimmige Weihnachtsmotette, welche er im Jahre 1563 in den ,,Motecta festorum anni hatte veroffentlichen lassen. Die Themen dieser Motette bestimmen das melodische und harmonische Gefuge der Messe: fast alle Satzanfange sind vom Initialthema der Motette gespeist, und der jubelnde Dreiertakt des ,,Exultemus et laetemur beschliesst Gloria und Credo sowie das funfstimmige Agnus Dei, das nach Palestrinas Gewohnheit einen Kanon durchfuhrt, hier im Intervall der Oberquart zwischen Tenor und Alt 2.Bereits vor mehreren Jahrzehnten war die Missa ,,Dies sanctificatus in einer praktischen Ausgabe von Hermann Bauerle im Verlag Breitkopf & Harte! veroffentlicht worden. Unsere Ausgabe geht auf den Druck von 1594 zuruck, der in den Exemplaren des Liceo Musicale in Bologna (Cantus) und der Proske-Bibliothek in Regensburg (Altus, Tenor, Bassus) vorlag. Durch die Transposition des hochgeschlusselten Satzes wird die Ausfuhrung durch einen gemischten Chor moglich. Die Notenwerte wurden auf die Halfte gekurzt; der Dreiertakt ist im Originaldruck durch Schwarzung angezeigt. Einige Druckfehler, so der Schluss des Alt im Credo, wurden verbessert. Die schwungvolle, von der freudigen Grundstimmung der Weihnachtsmotette inspirierte Messe zahlt zu den Werken des romischen Meisters, die auch fur verhaltnismassig einfache Chorverhaltnisse erreichbar, in der Praxis aber weniger bekannt sind. Unsere Neuausgabe, die das Original in einer moglichst getreuen Form ohne Zusatze bietet, mochte dieser Messe in weiteren Kreisen Freunde gewinnen.Rudolf Ewerhart, im Dezember 1959, Munster (Westf.). $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa in C major Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5295-02 Composed by Antonio Lotti. Edited b...(+)
Chorus a cappella SKU: BR.CHB-5295-02 Composed by Antonio Lotti. Edited by Anton Reinthaler. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Baroque. Choral score. 24 pages. Breitkopf and Haertel #ChB 5295-02. Published by Breitkopf and Haertel (BR.CHB-5295-02). ISBN 9790004412060. 7.5 x 10.5 inches. Lottis sacred music satisfies a demand for easily singable yet rewarding choral music in the classical a cappella polyphony of the stile antico. Anton Reinthaler's new edition takes its place alongside other late-Baroque choral works - Lotti's Missa in A (ChB 5186), for example - listed in our new brochure Source Criticism for Practical Use: Choir. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| St. John Passion SWV 481 Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.CHB-5350 Composed by Heinrich Sc...(+)
Chorus (with soloists) and piano SKU: BR.CHB-5350 Composed by Heinrich Schutz. Arranged by Arnold Mendelssohn. Choir; stapled. Chor-Bibliothek (Choral Library). Oratorio/passion; Renaissance/early Baroque; Baroque. Sheet Music. Breitkopf and Haertel #CHB 5350. Published by Breitkopf and Haertel (BR.CHB-5350). ISBN 9790004412800. 7.5 x 10.5 inches. German. The St. John Passion SWV 481, with its full title History of the Passion and Death of Our Lord and Saviour Jesus Christ According to the Evangelist St. John, is counted among the most frequently performed works of Heinrich Schutz. Other than the later passions by Johann Sebastian Bach, the original scoring does not include instrumental accompaniment. To enable a presentation of the passion by a wider circle of performers, however, the composer and church musician Arnold Mendelssohn (1855-1933) has developed this arrangement with organ or piano accompaniment, being a harmonic framework and new tone color at the same time. The edition also suggests chorales from the Evangelisches Gesangbuch for a possible active participation of the congregation. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Jesu, meine Freude Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5302-02 Motet. Composed by Johann Fr...(+)
Chorus a cappella SKU: BR.CHB-5302-02 Motet. Composed by Johann Friedrich Doles. Edited by Jurgen Neubacher. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Baroque. Choral score. 24 pages. Duration 18'. Breitkopf and Haertel #ChB 5302-02. Published by Breitkopf and Haertel (BR.CHB-5302-02). ISBN 9790004412220. 7.5 x 10.5 inches. Johann Friedrich Doles was the indirect successor of J.S. Bach as Thomaskantor in Leipzig. He must have been familiar with Bachs setting of Jesu, meine Freude BWV 227 when he wrote his Motet on this piece around 1775, since there are several stylistic parallels with its great precursor. Typical for Doless chorale motet is the fifth strophe (see example) with its sleek and elegant alternation between solo and tutti sections, whereby the composer and Thomaskantor probably only had eight able singers for the tutti in Leipzig around 1780, as Doles himself laments. The late 18th century was simply not the golden age of the Thomasschule! Doless motet fell into oblivion and was long held to be lost. This first edition supplements the publications from the late Baroque and early Classical eras (Graun, Bortnyansky a.o.) which were released in recent years in Breitkopfs Choral Library. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 Motets Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful ...(+)
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful Attribution - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Baroque; Renaissance/early Baroque. Sheet Music. Breitkopf and Haertel #CHB 5343. Published by Breitkopf and Haertel (BR.CHB-5343). ISBN 9790004412732. 7.5 x 10.5 inches. German. Johann Kuhnau's extant vocal works will be fully complete in the Breitkopf & Hartel catalogue in coming years. These are cantatas as a rule, but at least works with instrumental accompaniment. The Three Motets in this volume are therefore unique, including in addition to the well known Tristis est anima mea, also the two other extant Kuhnau motets Ach Gott, wie lasst du mich verstarren, as well as Gott hat uns nicht gesetzt zum Zorn. Each one, of five parts (with the tenor or canto part doubled), these masterpieces round out the picture of Johann Kuhnau, Johann Sebastian Bach's predecessor as St. Thomas cantor. Really interesting. Kuhnau shows a real feeling for the texts he is setting, with effective chromaticism in the doleful 'Tristis est anima mea'.(Jeremy Jackman, Choir & Organ). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Unser Leben ist ein Schatten Breitkopf & Härtel
Chorus a cappella (SSATTB ATB - org ad lib.) SKU: BR.CHB-3533-02 Chora...(+)
Chorus a cappella (SSATTB ATB - org ad lib.) SKU: BR.CHB-3533-02 Chorale Motet. Composed by Johann Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Renaissance/early Baroque; Baroque. Choral score. 8 pages. Breitkopf and Haertel #ChB 3533-02. Published by Breitkopf and Haertel (BR.CHB-3533-02). ISBN 9790004404652. 7.5 x 10.5 inches. There can be no doubt about it: The Bachs were a family of musicians. One of them was Johann Bach, who lived from 1604 to 1673 and experienced the turbulent times of the Thirty Years' War. When he - as the first in the family - found joy and fulfillment not only as an organist, but also as a composer, he would certainly never have imagined what historically great steps his successors were to take, especially his great nephew Johann Sebastian.Johann Bach's motet Unser Leben ist ein Schatten was published in 1821, but was erroneously attributed to Johann Michael Bach. Unusual is the scoring with one six-part main chorus and one three-part off-stage chorus (Chorus latens) which gives the piece a spatial sound depth and thus a very particular atmosphere. $4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| St. John Passion SWV 481 Choral Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.CHB-5350-00 Composed by Heinrich...(+)
Chorus (with soloists) and piano SKU: BR.CHB-5350-00 Composed by Heinrich Schutz. Arranged by Arnold Mendelssohn. Choir; stapled. Chor-Bibliothek (Choral Library). Oratorio/passion; Renaissance/early Baroque; Baroque. Score. 60 pages. Breitkopf and Haertel #ChB 5350-00. Published by Breitkopf and Haertel (BR.CHB-5350-00). ISBN 9790004412800. 7.5 x 10.5 inches. German. The St. John Passion SWV 481, with its full title History of the Passion and Death of Our Lord and Saviour Jesus Christ According to the Evangelist St. John, is counted among the most frequently performed works of Heinrich Schutz. Other than the later passions by Johann Sebastian Bach, the original scoring does not include instrumental accompaniment. To enable a presentation of the passion by a wider circle of performers, however, the composer and church musician Arnold Mendelssohn (1855-1933) has developed this arrangement with organ or piano accompaniment, being a harmonic framework and new tone color at the same time. The edition also suggests chorales from the Evangelisches Gesangbuch for a possible active participation of the congregation. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Die Kunst des Kuessens Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5060-02 Composed by Andreas Hammerschmidt. ...(+)
Chorus a cappella SKU: BR.CHB-5060-02 Composed by Andreas Hammerschmidt. Choir. Chor-Bibliothek (Choral Library). Renaissance/early Baroque; Baroque. Choral score. 4 pages. Breitkopf and Haertel #ChB 5060-02. Published by Breitkopf and Haertel (BR.CHB-5060-02). ISBN 9790004409961. 6.5 x 9.5 inches. $3.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.ED-12658 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softbound. Mass; Requiem; Baroque. Piano/Vocal Score. 70 pages. Duration 55'. Breitkopf and Haertel #ED 12658. Published by Breitkopf and Haertel (BR.ED-12658). ISBN 9790220121760. 7.5 x 11 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-20 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-20. Published by Breitkopf and Haertel (BR.EOS-8047-20). ISBN 9790004789759. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Choral SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-15 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softcover. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 24 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-15. Published by Breitkopf and Haertel (BR.EOS-8047-15). ISBN 9790004789735. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 400 Years of Recorder Music Recorder [Sheet music] - Intermediate Mel Bay
by Dr. William Weiss. For soprano recorder. Classic, ensembles. Level: Intermedi...(+)
by Dr. William Weiss. For soprano recorder. Classic, ensembles. Level: Intermediate. Book. Solos. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.
(1)$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quartets for All Flexible Instrumentation [Sheet music] Alfred Publishing
By Albert Stoutamire and Kenneth Henderson. For C Instruments. Mixed Instruments...(+)
By Albert Stoutamire and Kenneth Henderson. For C Instruments. Mixed Instruments - Flexible Instrumentation. 24 pages. Published by Alfred Publishing.
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-19 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-19. Published by Breitkopf and Haertel (BR.EOS-8047-19). ISBN 9790004789742. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. -...(+)
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-26 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 16 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-26. Published by Breitkopf and Haertel (BR.EOS-8047-26). ISBN 9790004789766. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 Chants Breitkopf & Härtel
SKU: BR.CHB-5356 Composed by Siegfried Thiele. Stapled. Chor-Bibliothek (...(+)
SKU: BR.CHB-5356 Composed by Siegfried Thiele. Stapled. Chor-Bibliothek (Choral Library). Motet; New music (post-2000). Sheet Music. Composed 2017. Breitkopf and Haertel #CHB 5356. Published by Breitkopf and Haertel (BR.CHB-5356). ISBN 9790004412862. 7.5 x 10.5 inches. German. EnlighteningSiegfried Thiele's Three Chants are short, easy-to-learn yet harmonically intriguing pieces for three equal voices. They are thus suitable for small ensembles as well as female and male choirs if the violin clef is read an octave lower. In here, Thiele uses short poems by the Silesian mystic and theologian Angelus Silesius (1624-1677) whose epigrams belong to the most important lyrical works of Baroque literature. His works have been regularly set to choral music in recent times, for instance by Johann Nepomuk David (Three Settings from Cherubinischer Wandersmann, CHB 4810, and Mensch werde wesentlich, CHB 2856, both for male choir). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Das Weihnachtsliederbuch Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in ...(+)
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in der Zwickauer Ratsschulbibliothek. Composed by Cornelius Freundt. Choir; Softbound. Chor-Bibliothek (Choral Library). Following Arnold Mendelssohn's edition of the 'Altdeutsche Weihnachtslieder', this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. For this work we offer sample pages of the choral score for download. Song; Renaissance/early Baroque. Choral score. 64 pages. Breitkopf and Haertel #ChB 2950-02. Published by Breitkopf and Haertel (BR.CHB-2950-02). ISBN 9790004411865. 7.5 x 10.5 inches. German. Following Arnold Mendelssohns edition of the ,,Altdeutsche Weihnachtslieder (ChB 2782), this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. Freundt himself is the main composer in this 64-page collection, which also features pieces by his contemporaries, including some well-known composers.
New edition by Diethard Hellmann. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mass in A Op. 1 Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5366 Composed by Kurt Thomas. Choir; staple...(+)
Chorus a cappella SKU: BR.CHB-5366 Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Sheet Music. Composed 1925. Breitkopf and Haertel #CHB 5366. Published by Breitkopf and Haertel (BR.CHB-5366). ISBN 9790004412961. 7.5 x 10.5 inches. Latin. Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (CHB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Pesson Gerard - Cantate
Egale Pays N.2 - God's
Grandeur - Voix, Ensemble
Et Electronique Lemoine, Henry
Discipline / Instrument : voix, ensemble et électronique Nomenclature : S / Hc ...(+)
Discipline / Instrument : voix, ensemble et électronique Nomenclature : S / Hc / T / B / fl / hb / cl / hp / clav / perc / vlc / electr. Durée : 17' Genre : Contemporain Média : Partition Editeur : Lemoine Date de parution : 17/05/2010 Librettiste : Poèmes de Gerard Manley Hopkins (1844-1889) Commanditaire : Ircam-Centre Pompidou et Ars Musica Création : 07/06/2010 - Paris, Festival Agora, Centre Pompidou - Ensemble vocal Exaudi, l'Instant Donné, Daniel Lévy (mise en espace), Sébastien Roux (Réalisation informatique musicale, Ircam) ISBN / ISMN : 9790230988889 Notice Méditée depuis 2007, aiguisée par la lecture des cantates de Bach, la création de Gérard Pesson marque sa première rencontre avec l'électronique et la lutherie virtuelle. Toute la poétique du compositeur français, un théâtre de lumières et d'intermittences, investit l'espace scénique des cantates : une machinerie minutieuse de gestes instrumentaux, d'objets trouvés, détournés ou fabriqués - les ciels acoustiques, l'orgue de verre. La dramaturgie se souvient du découpage baroque avec ses mouvements à configuration variable, les rythmes de danse ou l'alternance entre solistes et ensemble. Dans ce pays-cantate qui est tout à la fois trace et mémoire, origine et destination, l'écriture vive du présent (les textes du jeune Mathieu Nuss ou d'Elena Andreyev) est interrompue par la visitation du passé, ici l'immense poésie de Gérard Manley Hopkins et sa vision d'une nature transfigurée. Extrait du programme du Festival Agora J'ai voulu ces cantates comme un théâtre intérieur, un théâtre de mots où le paysage de la musique, son mouvement panoramique, sa vitesse, sont le poème. Poème ami, d'abord supputé, appelé, discuté, biffé, dit et redit. Texte construit par lectures passionnées qui devient la préfiguration exacte du temps de la musique. Alors, musique et poème font territoire. Ils sont l'un à l'autre le pays. La cantate est opéra de climats, respiration articulée dans laquelle la musique devient didascalie du poème, son envers scandé. La cantate est une et fragmentée, c'est une narration librement relancée, souvent interceptée par son propre commentaire. Son fonds d'images serait comme partagé, ainsi que devait l'être, à l'époque de Bach, l'histoire biblique. J'ai souhaité que ces cantates, qui sont une dramaturgie sans action explicite, soient pourtant mises en profondeur, en lumières, en mots aussi, par un artiste venant du spectacle. J'en ai fait la proposition à Daniel Lévy avec qui j'ai déjà eu la chance de collaborer. Ces trois cantates sont distinctes, elles ont des effectifs vocaux et instrumentaux légèrement différents, mais une diagonale les traverse, qui passe par la poésie profonde et sidérante de Gerard Manley Hopkins (1844-1889) où se concentrent une méditation sur la présence de Dieu et une observation de la nature, de ses éléments dont la musique elle-même est une part atmosphérique. On retrouve un écho à la question de Dieu et au décor planté dans les deux textes contemporains des cantates 1 (Mathieu Nuss) et 3 (Elena Andreyev). Ces cantates adoptent une forme en numéros successifs, souvent brefs, enchaînés ou non. On trouve, par exemple dans la première, des chorals, des airs, des récitatifs, même si rien dans la musique (à part peut-être le son d'un orgue) ne fait allusion à l'univers baroque - si ce n'est aussi (dans la deuxième cantate) l'utilisation du poème de Manley Hopkins en hommage à Henry Purcell. L'électronique est ici la tentative qui prolonge et met en danger le poème (et non moins le musicien). Elle est pour moi l'aventure par excellence - ma première véritable incursion dans ce domaine. Foi en le poème, doute en l'électronique. Ce qui les lie est une sorte d'instrumentalisation dont la technique du sample devient le précipité poétique, changé ici en un clavier de sensations. Samples de voix, de vents, de pluies, de souffles, de train dans le lointain, d'horloges et d'oiseaux. Le murmure du monde - ce Naturlaut dont parlait Gustav Mahler - rentre tout entier dans une boîte à merveilles, laissant voir ses coutures (jusqu'aux gimmicks des boîtes à rythmes), mais non moins son aspiration presque enfantine à se fondre dans toutes les voix, à les épouser, à les déplier comme un de ces génies des contes orientaux qui sortent de la lampe à huile si on la frotte - et ici, on frotte beaucoup. Puis à son tour le sample, qui est affaire de cadrage serré, réensemence les instruments qui deviennent greffons de clavier. L'électronique, dans les trois cantates, est délibérément non spatialisée. Elle doit former avec les instruments et les voix, tous amplifiés, un son homogène et centré qui délimite l'espace du jeu, celui de la parole. L'électronique (sauf dans la cantate 2, où elle assume davantage la fonction d'un décor sonore) est le plus souvent fondue avec les musiciens en un méta-instrument. A aucun moment l'électronique n'affirme de puissance, de brillance. Sa présence, souvent indiscernable, est un point de fuite de l'écoute, comme une perturbation qu'on peut intégrer pleinement à l'image sonore, ou bien laisser opérer comme un venin légèrement urticant du timbre. God's Grandeur Cette cantate, d'après quatre poèmes de Gerard Manley Hopkins, forme un moment suspendu, découpé selon des unités poétiques auxquelles correspondent ce que j'ai appelé des ciels acoustiques, sortes de monochromes électroniques, cyclos sonores minimaux sur lesquels les voix et les instruments se posent : basse fréquence, ou hyper aiguë, impression sonore de ciel étoilé, bruit de vaporetto au loin, etc. Le son peut sembler parfois comme un léger parasite qui entame l'écoute. Un petit clavier de verre dialogue avec des échantillonnages d'orgue véritable. C'est la plus hiératique, la plus chantée et récitative, la plus sombre aussi des trois cantates. Gérard Pesson
37.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Classical Music for
Guitar Duet: Guitar Solo:
Instrumental Collection
2 Guitars (duet) [Sheet music + Audio access] Hal Leonard
Romantic Baroque and Renaissance Music for Two Guitars in Standard Notation and...(+)
Romantic Baroque and Renaissance Music for Two Guitars in Standard Notation and Tablature. This collection of 30 masterfully crafted duets is presented with a full score in standard notation and separate parts for each guitar in its own booklet, written in standard notation and tab. Essential fingerings are included throughout. The online audio includes 90 tracks: stereo mixed of each duet, plus individual guitar parts for all 30 arrangements performed by renowned classical guitarists Edward Flower and David McLellan. Pieces include: Andantino (Sor) · Canon (Telemann)· Duet in F (Rondo) (Carulli) · Fugue (J.S. Bach) · Lesson for Two Lutes (Anonymous) · Lord Willoughby's Welcome Home (Dowland) · Malaguena, Espana, Op. 165 (Albéniz) · Oriental (Granados) · Polonaise (C.P.E. Bach) · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
28.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Festival Collection
Book.2 Late Elementary
Repertoire Cd Piano solo FJH
La série 'Festival Collection' est composée de 8 volumes rassemblant des thèm...(+)
La série 'Festival Collection' est composée de 8 volumes rassemblant des thèmes couvrant les périodes : Baroque, Classique, Romantique et 20ème/ 21ème siècle. Cette série est étudiée pour correspondre au niveau du pianiste. Le CD audio contenant tous les morceaux du songbook guidera l'étudiant dans son interprétation. / Piano
13.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Festival Collection
Book.1 Elementary
Mid-Interm Repertoire Cd Piano solo [Sheet music + CD] - Easy FJH
La série 'Festival Collection' est composée de 8 volumes rassemblant des thèm...(+)
La série 'Festival Collection' est composée de 8 volumes rassemblant des thèmes couvrant les périodes : Baroque, Classique, Romantique et 20ème/ 21ème siècle. Cette série est étudiée pour correspondre au niveau du pianiste. Le CD audio contenant tous les morceaux du songbook guidera l'étudiant dans son interprétation. / Piano / Partition + Cd
11.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Quartets For All - Viola
Ensemble Alfred Publishing
Any combination and any number of instruments can play together in harmony. Wood...(+)
Any combination and any number of instruments can play together in harmony. Woodwinds, brass, strings, and mallet percussion can have fun playing in like-instrument or mixed-instrument ensembles. Quartets for All covers a wide range of styles and music by composers from baroque through contemporary eras. Difficulty ranges from grades I through III. The pages are laid out in an identical manner in each book so that performers can quickly locate a point for discussion or rehearsal. No page turning is required while playing. Quartets for All meets the needs of classmates, friends, family, and neighbors who wish to play together for festivals, concerts or just for fun.
11.60 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Allegro for Double
Orchestra (VIVALDI
ANTONIO / SIEVING ROBERT
(Arr) Orchestra Hal Leonard
FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVI...(+)
FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre
70.98 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Sophie Dufeutrelle: Rue
Traversière - The Flute
Way 2: Flute:
Instrumental Tutor 2 Flutes (duet) Leduc, Alphonse
The Flute Way-Encouraged by the incredible success of Rue Traversière 1 compos...(+)
The Flute Way-Encouraged by the incredible success of Rue Traversière 1 composer Sophie Dufeutrelle Professor of Flute at the Ecole Nationale de Musique de Villeurbanne is back with a second volume entirely focused on double and triple tonguing – a technique fundamental to the airy pearled and nimble sounds of the Flute. Determined to avoid a dry approach the creator of Rue Traversière 2 opted for a progressive development that limits the role of exercises per se. The book begins with five short focused studies with five more disseminated throughout the rest of the work. Allegros from the Baroque repertoire however are given pride of place withBoismortier Handel Quantz and Telemann (and many others) bringing a vital touch of vibrancy and sensuality to the learning experience. Instrumental practice is all too often reduced to solitary repetition with no other companion than the all-intrusive metronome. There’s nothing like that there: all of the pieces are arranged for two Flutes and the last two pieces are even for trios. Because sharing is an essential part of the pleasure of music!
16.99 GBP - Sold by Musicroom UK | |
| Suzuki Viola School Viola
Part Volume 2: Viola:
Instrumental Tutor Viola Alfred Publishing
Viola Part from the Suzuki Viola School Volume 2. Transcribed for Viola and Pia...(+)
Viola Part from the Suzuki Viola School Volume 2. Transcribed for Viola and Piano by Doris Preucil. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language through repetitive listening. This simple method of teaching has developed into a worldwide movement with proponents in many countries across many instruments. The first three volumes of The Suzuki Viola School have been directly transcribed from Shinichi Suzuki's Violin method by Doris Preucil and contain many popular Baroque melodies in addition to the necessary exercises and studies. Suitable for bothbeginner adults and young children.
8.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Pietro Castrucci: 2
Sonaten: Recorder
Ensemble: Score and Parts Treble (Alto) Recorder, Basso continuo [Sheet music] Universal Edition
Two sonatas for Treble Recorder and Continuo by Italian Baroque composer Pietro...(+)
Two sonatas for Treble Recorder and Continuo by Italian Baroque composer Pietro Castrucci as edited by Myriam Eichberger. This edition has been selected for the ABRSM Treble Recorder examination grade 8.
16.99 GBP - Sold by Musicroom UK | |
| Fleet Foxes: Fleet Foxes:
Piano Vocal Guitar:
Album Songbook Piano, Vocal and Guitar - Intermediate/advanced Amsco Wise Publications
This Fleet Foxes sheet music is the matching folio for the eponymous début albu...(+)
This Fleet Foxes sheet music is the matching folio for the eponymous début album by Seattle band Fleet Foxes. This book includes every song from the album as well as their E.P. Sun Giant andincludes the full lyrics. This Fleet Foxes?sheet music songbook features every sublime song from their debtu album by far the most critically acclaimed band of 2008. The album featured inseveral of the most trusted 'best-of-year' polls such as Uncut Pitchfork Mojo Q Drowned In Sound and Rolling Stone. This esteem has translated into commercial success as despite being signed to indie labelBella Union the band have achieved Gold sales in the UK and become a popular live act across the European festivals.The band's sound is a unique blend of vocal harmonies and truly timeless songwriting craft echoing The BeachBoys and is described by the band as 'Baroque Harmonic Pop' and translates beautifully in this Piano Vocal and Guitar songbook. The book includes fan favourite songs like White Winter Hymnal as well as Sun It Risesand Quiet Houses. Not only this but our Fleet Foxes Piano Vocal and Guitar sheet music also features the songs from their EP Sun Giant letting you learn all the Fleet Foxes tunesyou could want.With a simply brilliant blend of folk lush vocal harmonies and traditional Guitar-based alternative rock the album is genuinely excellent with many critics labelling it an instant classic. FleetFoxes?is great to hear but take it from us it's even better to play. The vocals allow room for embellishments and improvisation while the harmonies created by the Piano and Guitar parts sound justdivine.?So for aspiring folk-bands or fans of great music this book of?Fleet Foxes sheet music is a real winner. To learn every song from indisputably the best album of 2008 pick up this folio
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| Antonio Vivaldi: Sonata
In C Minor RV 53: Oboe:
Instrumental Work Hautbois et Basse Continue [Sheet music] Breitkopf & Härtel
It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to t...(+)
It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date.This edition is based on a manuscript preserved in the Sächsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in themanuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change.
13.80 GBP - Sold by Musicroom UK | |
| Amazing Solos - Double
Bass And Piano Double bass, Piano (duet) Boosey and Hawkes
Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazi...(+)
Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazingly wide-ranging selections of easy pieces. From Bach to Bernstein, a great variety of musical styles is included - folk melodies from England and Peru, baroque and classical 'lollipops', jazz and modern classics. A unique collection of exciting and varied music for the early grades! The edition is part of the Trinity syllabus 2007 (grade 3-6) and of the ABRSM Summer 2006 (grades 2, 4-7). Content : La donna è mobile (Verdi) - Three Moravian Folksongs (Janácek) - Allegro (Mozart) - Allegro (Vivaldi) - Amazing Grace (Trad.) - America (Bernstein) - Basse Danse (Warlock) - Braul, Bucsum Dance (Bartók) - Caprice 24 (Paganini) - Come Neighbours All - Cool (Bernstein) - Ein Jungling liebt ein Madchen (Schumann) - Ein Madchen oder Weibchen (Mozart) - Fiddler's Song (Humperdinck) - Grand March (Verdi) - Green Gravel (Trad.) - Lilliburlero (Trad.) - Minuet (Bach) - Peruvian Dance Tune (Trad.) - Pop goes the Weasel (Trad.) - Solveg's Song (Grieg) - Stars no Moon (Trad.) - There was a Crooked Man (Trad) - Troika (Prokofieff) - Tune Town Shuffle (Basie)
20.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Classical Music for
Guitar Duet: Guitar Solo:
Instrumental Collection 2 Guitars (duet) [Sheet music + Audio access] Hal Leonard 29.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Music Of The High Baroque
Era 2 Sopranos Et Flûte A Bec Alto
Ou 3 Autres Instruments
Mélodiques (Violons, Vielles,
Violes De Gambe Et Guitares) Schott
/ 2 Sopranos Et Flûte A Bec Alto Ou 3 Autres Instruments Mélodiques (Violons,...(+)
/ 2 Sopranos Et Flûte A Bec Alto Ou 3 Autres Instruments Mélodiques (Violons, Vielles, Violes De Gambe Et Guitares)
18.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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