Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

Par SHAIN JON. Award-winning guitarist and folk-blues songwriter Jon Shain shares his personal approach to fingerstyle guitar. Using detailed exercises and his own songs as examples, Shain offers an intimate look at his technique and a glimpse into the influences and thought process that helped develop his style. Excellent instruction for the beginning fingerstyle guitarist, as well as offering challenging pieces for more experienced players. Includes access to online audio. / Date parution : 2023-08-12/ Méthode / Guitare

38 bekannte musikalische Themen. Par HOLZER-RHOMBERG ANDREA. / Date parution : 2022-01-14/ Recueil / Violin et Piano

Concert Repertoire for Violin combines imaginative arrangements with original pieces all of which have been carefully selected and written for players of Grade 4-7 standard. The pieces are varied and fun and will help players to improve technically as they move towards tackling the more advanced repertoire.Air From Suite In D BWV 1068 (JS Bach)Badinerie From Suite In B Minor BWV 1067 (JS Bach)Chanson De Matin (Elgar)Corrente From Sonata Op 2 No 4 RV 20 (Vivaldi)Habanera (Bizet)Hungarian Dance No 4 (Brahms)Serenade (Solo) (Sculthorpe)Serenade (Tchaikovsky)Sicilienne (Paradis)Solveig's Song(Grieg)Torch Dance (German)Without Care (Reinecke)

PraiseCharts Series-The Contemporary Worship Classics series features six compatible books that can be used alone or in any combination. The arrangements are designed to aid the flow of live congregational worship and the level is suitable for amateurs and pros alike. Section numbers and lyric cues are included in each book so musicians can play together easily. Use the downloadable audio tracks in lieu of a live band or to enhance the sound of your band for rehearsal and performance. 10 songs: Amazing Grace (My Chains Are Gone) · Blessed Be Your Name · Forever · God of Wonders · Here I Am to Worship (Light of the World) · Holy Is the Lord · In Christ Alone · Mighty to Save · Sing to the King ·Your Name.

Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass

The All Music Guide raves that Tomlin's fourth CD is the one that firmly seals his place as the ultimate innovator in P