The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Pratiquement toutes les chansons composées et jouées par les Beatles avec en plus les photos originales et des illustrations couleur. Inclus Let it Be, Give Peace A Chance, Penny Lane, All You Need is Love et Yesterday. Arrangements en ligne mélodique avec accords de guitare. A Day In The Life A Hard Days Night Across The Universe All I've Got To Do All My Loving All Together Now All You Need Is Love And I Love Her And Your Bird Can Sing Another Day Another Girl Anytime At All Baby You're A Rich Man Baby's In Black Back In The Ussr Ballad Of John And Yoko Because Being For The Benefit Of Mr Kite Birthday Blackbird Blue Jay Way Can't Buy Me Love Carry That Weight Come Together Continuing Story Of Bungalow Bill Cry Baby Cry Day Tripper Dear Prudence Dig A Pony Don't Let Me Down Dr Robert Drive My Car Eight Days A Week Eleanor Rigby End Every Little Thing Everybodys Got Something To Hide Except Me Fixing A Hole Flying For No One From A Window From Me To You Get Back Getting Better Girl Give Peace A Chance Glass Onion Golden Slumbers Good Day Sunshine Good Morning Good Morning Goodbye Goodnight Got To Get You Into My Life Happiness Is A Warm Gun Hello Goodbye Hello Little Girl Help Helter Skelter Her Majesty Here There And Everywhere Hey Bulldog Hey Jude Hold Me Tight Honey Pie I Am The Walrus I Call Your Name I Don't Want To See You Again I Don't Want To Spoil The Party I Feel Fine I Need You I Saw Her Standing There I Should Have Known Better I Wanna Be Your Man I Want To Hold Your Hand I Want To Tell You I Want You (She's So Heavy) I Will If I Fell If I Needed Someone I'll Be Back I'll Cry Instead I'll Follow The Sun I'll Get You I'm A Loser I'm Down I'm Happy Just To Dance With You I'm Just In Love I'm Looking Through You I'm Only Sleeping I'm So Tired In My Life Inner Light It Won't Be Long It's All Too Much It's For You It's Only Love I've Got A Feeling I've Just Seen A Face Julia Lady Madonna Let It Be Like Dreamers Do Little Child Love Of The Loved Love You To Lovely Rita Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Maxwells Silver Hammer Mean Mr Mustard Michelle Misery Mother Natures Son Night Before No Reply Nobody I Know Norwegian Wood Not A Second Time Nowhere Man Ob-La-Di Ob-La-Da Oh! Darling One After 909 Only A Northern Song Paperback Writer Penny Lane Polythene Pam Power To The People Rain Revolution Rocky Raccoon Run For Your Life Sexy Sady Sgt. Pepper's Lonely Hearts Club Band She Came In Through The Bathroom Window She Loves You She Said She Said She's A Woman She's Leaving Home Step Inside Love Strawberry Fields For Ever Sun King Taxman Tell Me What You See Tell Me Why Thank You Girl The Fool On The Hill There's A Place Things We Said Today Think For Yourself This Boy (Ringo's Theme) Ticket To Ride Tip Of My Tongue Tomorrow Never Knows Two Of Us Wait We Can Work It Out What Goes On What You're Doing When I Get Home When I'm Sixty Four With A Little Help From My Friends Within You Without You Word World Without Love Yellow Submarine Yer Blues Yes It Is Yesterday You Can't Do That You Like Me Too Much You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away

Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare

Now you can play over 250 of your favorite songs from Broadway, movies and television, all in one book! This book provides the lyrics along with piano and chord arrangements for some of the greatest hits ever written for the stage and screen. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

All 42 songs from the hit album, arranged for piano and voice, with complete lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

A huge collection of over 100 classics by the greatest rock and pop talent in the world, ever! From The Byrds' pioneering folk-rock of Eight Miles High and The Kinks' wry Dedicated Follower Of Fashion through to Radiohead's anthemic Creep and the cheeky Girls And Boys by Blur...just a handful of the memorable and celebrated songs that are featured within. Every song has been arranged for Voice and Guitar, complete with the full lyrics and a comprehensive chord guide. / Paroles Et Accords (Avec Grilles D'Accords)

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Il s'agit de la collection ultime de Billy Joel, un must pour tout fan de : die hard. Il présente chaque chanson que Billy a jamais enregistré (c'est plus de 100 ans). Les scores ont été aranged pour piano chant et guitare. Cette version vient dans un coffret de présentation, ce qui pourraient plus demander un fan de Billy Joel. / Piano/Vocal/Guitare (PVG)