Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River? · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music. <br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard. <br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz MoseRanger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was bornblack in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all hiscreativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this bookand accompanying audio Ernie Hawkins has transcribed 18 of Rev. Davis' best known gospel arrangements. The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fuller to Dave VanRonk David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan Jackson Browne and others.

The songbook Piano Secrets by El Raphael contains 12 easy to intermediate-level Piano pieces inspired by the paintings of Peruvian artist Fernando De La Jara. The relaxing sound impressions suit a variety of moods but stylistically remain in the general 'New Age' bracket. Let these poetic pieces transport you to a calm and soothing world.   The full version of each song is included on the accompanying CD which also as a bonus features 6 more fantastic pieces by El Raphael. When El Raphael saw De La Jara's pictures at an exhibition she began to hear inexplicable music in her head as ifthe pictures were telling her stories through music. Although the Piano pieces stand alone as exceptional music it is wonderful to see how the images (some of which are included in the book) interact with the music to form a story. 

This gospel/jazz song written by Billy Taylor and Dick Dallas is best known for the 1967 Nina Simone recording and makes a wonderful choral showcase testifying to the longing for freedom and justice for all people.

A Step-by-Step Breakdown of Tom De Longe's Guitar Styles and Techniques. Get off your skateboard and pick up that guitar! This book/CD pack teaches the unforgettable riffs and licks of the kings of modern punk/pop! Includes thorough analysis of a dozen tunes: Adam's Song · All the Small Things · Anthem Part II · Dammit · Don't Leave Me · Dumpweed · First Date · Man Overboard · Pathetic · The Rock Show · Stay Together for the Kids · What's My Age Again? plus an introduction and info on Tom's gear.

for SATB unaccompanied The wonderful choral music of Howard Skempton has a unique voice that is instantly recognizable. Four by the Clock which sets words by Longfellow is a rich and brooding piece that although quiet and slow throughout fizzes with a barely contained energy and excitement for the 'dawn that is to be'.

With this method, you will finally learn and especially understand how to use the minor scale (natural) on bass, but also discover all its melodic potential to exploit it at best. After a few essential pages dedicated to theory, you will approach these 12 minor scales - which every bass player must master - in the most coherent and effective way. Thus, for each of them, you will discover on the left page the name and the location of the notes on the neck (22 boxes), as well as the chords on which the scale in question can be played safely. On the right page, as an illustration, you will discover a long bass line that uses this one and only range, accompanied by two recordings (to download), the first for the demonstration and the second for the implementation (playback support). You can then play your turn on this soundtrack not only the example offered, but also any other groove or bass line of your design... from the minor scale in question of course! All the recordings of this method (bass lines and playbacks) can be downloaded for free and very easily by following the instructions provided in the book.

Learn fun rock and country solos to supplement your piano lessons! Rock and Country Masters for Piano is a wonderful supplement to the student-level piano repertoire. It introduces you to colorful, fun-to-play pieces in a variety of rock and country styles. Take a guided tour through the important styles of the rock and country masters. You'll learn how they get their unique sound---while progressively arranged, original compositions give you a chance to try out these styles on your own. Accompanying every piece are listening suggestions, a biography of the artist who inspired it, and specially tailored preparatory exercises. Rock and Country Masters for Piano is recommended for students age 12 and older, but younger musicians can enjoy playing the pieces under the guidance of a teacher. The included CD demonstrates all the examples and allows you to play along (with solo keyboard or full band).* Perfect for curious piano students and self-learners* A great supplement to piano lessons * For both young and adult learners * Correlates with Alfred Music's best selling piano methods Each solo piano piece in the Masters for Piano series correlates to pages in Alfred's Complete Methods---such as Beginning, Intermediate, and Mastering Rock Keyboard---as well as Alfred's Basic Adult Piano Course and Alfred's Basic Adult Piano All-in-One Course. / Piano

Au fil des ans, Alfred Music Publishing et Myklas Musique Presse ont publié des solos pour la saison d'Halloween qui sont devenus les favoris de deux élèves et les enseignants. Les pièces incluses dans cette série représentent les solos les plus populaires et efficaces issus des catalogues des deux sociétés. Divisé en quatre collections gradués, des oeuvres marquantes sont inclus par Sharon Aaronson, Dennis Alexander, Christine H. Barden, Melody Bober, Anne Shannon Demarest, WT Skye Garcia, Marie Hauber, Bernadine Johnson, David Karp, Mier Martha, Juin Montgomery, Joyce Schatz Pease, Ruth Perdew, John Robert Poe, Catherine Rollin, Mary K. Salé, George Peter Tingley, Robert D. Vandall, et Kim Williams. Livre 4 comprend des pièces appropriées pour le début intermédiaire pour les étudiants intermédiaires. Les défis comprennent la lecture de rythmes syncopés et des triplets, effectuant de longues passages de croches, jouant triades et des inversions, et le développement de l'indépendance entre les mains. / Piano

Ce DVD propose un nouvel angle sur les frais de scolarité de musique et de répétition ! Quatre chansons classiques sont arrangés pour un groupe de 4 pièces pour effectuer en direct et les ressources pour apprendre chaque piste sont fournis pour chacun des 4 instruments - chanteur et batteur, guitariste Lead guitariste basse. Chaque instrument possède sa propre section mettant 3 types de ressource pour chaque chanson. Regardez-la, apprendre et il clou ! Tableau de bord - cela divise l'écran en aires visuelles. Pour les guitares, usure onglet de main à main de cueillette/plumaison idéogramme (en inverse ' view plus tête'), clé de la chanson, corde (changer dynamiquement par le biais de la chanson), d'animation, barre d'Etat pour localiser votre position. Pour le batteur, 3 vues de la caméra à l'écran - Birds eye, Snare et Hi Hat et des pieds. Pour le chanteur, plein écran du chanteur, paroles dynamiques s'afficher, mini vue de performance live et clés. Dans ce mode, le musicien peut écouter et basculer entre, 3 pistes de soutien pleine longueur - groupe entier, y compris leur instrument, pleine bande moins leur contondant... / Tout Instrument / niveau : Débutant / Dvd