Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravel’s sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmother’s house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her “lover true”. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:”Stay, stay, my Nicolette, all this gold I give to thee”, and - “VIVO” - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 – 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: “We will not go into the woods since the old folks have frightened off all the beasts, anyway.”

Description English Songs Renaissance To Baroque - High Voice Thirty-four songs from 17 composers, complete with historical information. Songlist As I Walked Forth One Summer Day [Johnson, Robert] Blow, Blow, Thou Winter Wind [Arne, Thomas] Come And Trip It (G.F.Handel) Diaphenia (Francis Pilkington) Fain Would I Change That Note (Tobias Hume) Fair, If You Expect Admiring (Thomas Campian) Flow My Tears [Dowland, John] Hark! The Echoing Air [Purcell, Henry] Have You Seen But A White Lily Grow? Henry Lawes (How Happy Art Thou) Here Amid The Shady Woods (G.F.Handel) I Attempt From Love's Sickness To Fly [Purcell, Henry] If Music Be The Food Of Love [Purcell, Henry] I'll Sail Upon The Dog Star (Henry Purcell) In Sherwood Livde Stout Robin Hood [Jones, Robert] It Was A Lover And His Lass [Morley, Thomas] Jack And Joan (Thomas Campian) Let Me Wander Not Unseen (G.F.Handel) My Lovely Celia (George Munro) My Lovely Celia [Munro, George] Nymphs And Shepherds [Purcell, Henry] O Come, O Come, My Dearest [Arne, Thomas] Pastime With Good Company Rest Sweet Nymphs [Pilkington, Francis] Since First I Saw Your Face (Thomas Ford) Tell Me No More (John Blow) The Silver Swan [Gibbons, Orlando] Thou Soft Flowing Avon (Arne) Weep You No More, Sad Fountains [Dowland, John] What If I Never Speed [Dowland, John] When Daisies Pied [Arne, Thomas] When Laura Smiles (A Book Of Ayres) [Rosseter, Philip] Where E'er You Walk [Handel, George Frideric] Willow Song Wind, Tell My Sweetheart

Authentiques transcriptions pour piano de 15 chansons de Nina Simone. Partitions piano, chant et guitare (grilles d'accords). / Jazz / Arangeur : Christopher Hussey / Partition /

Les mots et les cordes à 63 chansons Beach Boys classiques, s'étendant sur trois décennies. Toutes les chansons ont été spécialement adaptés dans leurs clés originales. / Chant Et Guitare / 144 pages / Partition

Hardback-This volume contains newly edited versions of all William Walton's songs for voice and piano together with Anon in Love for voice and guitar and songs from radio plays. It also includes the first publication of the scores of the orchestral versions of Anon in Love and A Song for the Lord Mayor's Table.William Walton wrote songs throughout his life the first 'Tell me where is Fancy bred?' written when he was a chorister at Christ Church Oxford the last A Song for the Lord Mayor's Table a song-cycle for Elisabeth Schwarzkopf written in the early 1960s. They all reveal his earfor word-setting an imaginative response to the text and an ability to conjure striking musical images from his chosen material.Shakespeare: Tell me where is Fancy bred?Shakespeare: Tell me where is Fancy bred? - arr. pianoFour Swinburne Songs1. Child's Song2. Song3. A Lyke-wake Song4. The WindsWilliam Drummond: TritonsThree Songs to poems by Edith Sitwell1. Daphne2. Through Gilded Trellises3. Old Sir FaulkShakespeare: Under the Greenwood Tree - low voiceShakespeare: Under the Greenwood Tree - medium voiceLouis MacNeice: Beatriz's SongLouis MacNeice: Beatriz's Song - arr. pianoAnon.: Anon. in Love1. Fain would I change that note2. O stay sweet love3. Lady when I behold the roses4. My Love in her attire5. I gave her Cakes and I gave her Ale6. To couple is a customA Song for the Lord Mayor's TableThomas Jordan: 1. The Lord Mayor's TableWordsworth: 2. Glide GentlyArley: 3. Wapping Old StairsBlake: 4. Holy ThursdayCharles Morris: 5. The ContrastAnon.: 6. RhymeAnon.: Anon. in Love - orchestral version1. Fain would I change that note2. O stay sweet love3. Lady when I behold the roses4. My Love in her attire5. I gave her Cakes and I gave her Ale6. To couple is a customA Song for the Lord

Timba: Modern Cuban Conga Rhythms. Par CRUZ TOMAS. Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section and especially the congas. The recordings of Tomás Cruz are considered the most advanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Tomás Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, this 'labor of love' eventually reached fruition as Volume III. Volumes II and I were then written to trace the roots of the style and to understand the path Tomás took to arrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the 'clave', and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step DVD Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take working with only written music and audio recordings. / Niveau : Avancé / Latin American - Methods / Méthode / Conga

Features 27 top hits from this pop icon's highly successful solo career, including: 1. Against All Odds (Take a Look At Me Now) 2. I Wish It Would Rain 3. Two Hearts 4. Two Worlds 5. Son Of Man 6. You'll Be In My Heart (Pop Version) 7. Both Sides Of The Story 8. Everyday 9. Hang In Long Enough 10. The Roof Is Leaking 11. We Wait And We Wonder 12. Who Said I Would 13. Another Day In Paradise 14. Take Me Home 15. Do You Remember 16. Don't Lose My Number 17. Easy Lover 18. One More Night 19. A Groovy Kind Of Love 20. I Cannot Believe It's True 21. I Don't Care Anymore 22. I Missed Again 23. In the Air Tonight 24. Separate Lives 25. Something Happened On The Way To Heaven 26. Sussudio 27. You Can't Hurry Love / Piano voix guitare / Hal Leonard