By ABRSM. For viola, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Benjamin Godard (1849-1895). Arranged by Egbert van Groningen. For flute and concert band. Baton Music Instrumental Series. From the Suite de Trois Morceaux. Grade 4. Score. Duration 4:00. Published by Baton Music

Composed by Peter Dodd. Score & parts. Published by United Music Publishing (UM.13869).

Violin 2 (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str)

SKU: BR.OB-4738-16

Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library).

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Symphonic poem; Romantic. Part. 10 pages. Duration 15'. Breitkopf and Haertel #OB 4738-16. Published by Breitkopf and Haertel (BR.OB-4738-16).

ISBN 9790004319925. 10 x 12.5 inches.

What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Guitar

SKU: UT.CH-299

First Series (2003). Composed by Fabio Renato d’Ettorre. Saddle stitching. Classical. Ut Orpheus #CH 299. Published by Ut Orpheus (UT.CH-299).

ISBN 9790215326033. 9 x 12 inches.

Preludio; Canzone d’autunno; Ballet; Ispanica; Dreamland; Soliloque; Idyll (Pop Song); Charming; Vento del Nord; Alpestre

(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar.3.dble bsn - 4.3.3.1 - perc(4) - hp - pno - str: 10.10.8.8.6)

SKU: BR.PB-5714

Music for Orchestra with String Quartet. Composed by Helmut Lachenmann. Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Dances/marches; Music post-1945. Sheet Music. Composed 1979/80. 176 pages. Duration 36'. Breitkopf and Haertel #PB 5714. Published by Breitkopf and Haertel (BR.PB-5714).

ISBN 9790004216514. 10.5 x 14 inches.

More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Quartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.

World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980.

Men's choir and piano

SKU: M7.AV-5800

Aus der Operette Lysistrata. Composed by Paul Lincke. Edited by Martin Fouque. Sheet music. Score, (piano part). 9 pages. MDS (Music Distribution Services) #AV 5800. Published by MDS (Music Distribution Services) (M7.AV-5800).

ISBN 9790203916246. German.

Horn

SKU: HF.FH-5015

Richard Wagner. Edited by Stosser. Arranged by Stosser. Sheet music. Friedrich Hofmeister Musikverlag #FH 5015. Published by Friedrich Hofmeister Musikverlag (HF.FH-5015).

ISBN 9790203450153. 9 x 12 inches.

1. Richard Wagner: Rienzi; 2. Richard Wagner: Der fliegende Hollander; 3. Richard Wagner: Lohengrin; 4. Richard Wagner: Tristan und Isolde; 5. Richard Wagner: Siegfried Idyll.

Violin (V)

SKU: HL.49030729

For solo violin. Composed by Cyril Scott. This edition: Saddle stitching. Sheet music. Edition Schott. 8 pages. Schott Music #ED 1950. Published by Schott Music (HL.49030729).

ISBN 9790001141314. 9.0x12.0x0.05 inches.

Organ

SKU: HL.14011756

Music Sales America. Classical. Music Sales #EA36452. Published by Music Sales (HL.14011756).

3 Performance scores included Electric Guitar; Electronics; English Horn; Flute (Performance Score)

SKU: HL.48025045

For amplified flute, electric guitar, and live electronics 3 Perf. Composed by Iris ter Schiphorst. Boosey & Hawkes Scores/Books. Classical. Softcover. 30 pages. Duration 600 seconds. Bote & Bock #M202536018. Published by Bote & Bock (HL.48025045).

UPC: 196288021742.

The composer calls My Sweet Latin Lover an 'ironic and tender homage to love - and its pitfalls...'. An 'unpleasant idyll that ... intelligently continues Zappa's legacy' (Suddeutsche Zeitung). Sometimes tender and mild, sometimes fast and evil - these are some of the performance instructions -, the duet partners weave an introverted braid of sound which is occasionally broken up by jagged attacks. The flute also whispers short texts by Iris ter Schiphorst, Thomas More and William Blake ('The Sick Rose') into the amplifier microphone. The 2002 Musica viva concert series in Munich saw the world premiere of the original version with keyboard, 4 percussionists and 5 electric guitars, to which the composer added this 'more manageable' version that same year.

By Frederick Delius. (Vocal Score). Boosey and Hawkes Stage Works. 25 pages. Published by Boosey & Hawkes.