Il s'agit de la collection ultime de Billy Joel, un must pour tout fan de : die hard. Il présente chaque chanson que Billy a jamais enregistré (c'est plus de 100 ans). Les scores ont été aranged pour piano chant et guitare. Cette version vient dans un coffret de présentation, ce qui pourraient plus demander un fan de Billy Joel. / Piano/Vocal/Guitare (PVG)

27 arrangements de mélodie corde en notation standard et tabulature. / Guitare / Partition

Description This fabulous collection contains 101 of the most popular and favourite songs, with complete lyrics, all of which can be played with a maximum of three chords! Take 3, a Bosworth German Language edition, contains a huge array of easy arrangements for the guitar, including melody line and chord boxes. With a rich vein of fantastic songs, and with tips, tricks and advice on performance, this volume is a must for buskers or professional musicians who want to add to their repertoire. Songlist A Horse With No Name Ab in den Süden Aber Bitte Mit Sahne All Along The Watchtower All Together Now Amazing Grace Anita Another Brick In The Wall Bad Moon Rising Balla Balla Banana Boat Song Bankuberfall Berlin Ist Eine Schone Stadt Blowin’ In The Wind Blue Suede Shoes Born To Be Wild Butterfly Bye Bye Love Cecilia Colours Cottonfields Die Gedanken Sind Frei Don’t Worry, Be Happy Down By The Riverside Down On The Corner Driver’s Seat EIN BETT IM KORNFELD Ein Bisschen Frieden Ein Bisschen Spaß Eleanor Rigby Fever Fiesta Mexicana Forever Young Gaudeamus Igitur Geisterreiter Get Back Give Peace A Chance Gloryland Goodnight Ladies Griechischer Wein Griffe-ubersicht Guantanamera Happy Birthday To You Hello Mary Lou Heute Hier, Morgen Dort Hey Baby Home On The Range I Feel Lonely I’m Walking Ich Will Spass Imagine Johnny B. Goode Katzeklo Knockin’ On Heavens Door Kreuzberger Nachte La Bamba La Paloma Blanca Lady In Black Lay Down Sally LiebeskummerLohnt Sich Nicht Live Is Life Macarena Mambo No. 5 Marmor, Stein... Matilda Matilda Memphis, Tennessee Mendocino Mercedes Benz Midnight Special Mull Of Kintyre Nah Neh Nah Nur Getraumt Ob-la-di, Ob-la-da Paperback Writer Plaisir D’Amour Power To The People Proud Mary Ring Of Fire Rivers Of Babylon Rock Around The Clock Rockin’ All Over The World Rote Lippen SollManKüssen Schickeria Schone Maid See You Later, Alligator Sloop John B. Surfin’ USA Sweet Home Alabama Teach Your Children This Land Is Your Land Tranen Lugen Nicht Tur An Tur Mit Alice Twist And Shout Über den wolken Und Es War Sommer Venus We Will Rock You Who’ll Stop The Rain Wild Thing Yellow Rose of Texas Yellow Submarine Zehn Kleine Fledermause

Das Liederspiel. Par HUMPERDINCK ENGELBERT. When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin. Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric” Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]”. She enclosed the corresponding verses with the letter and “for fun” also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April. This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment” (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note (E flat) instead of on the four notes of the chord.” The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form. / Niveau : Intermédiaire / Répertoire / 2 Voix et Piano

Une série très souple de livres conçu pour encourager les jeunes à jouer ensemble dans diverses combinaisons de chiffres et d'instruments, parfaits pour les frais de scolarité de groupe. Livre 1 offre 19 trios de simple intermédiaire pour saxophone alto et ténor à l'aide de mélodies familières disposés dans des styles classiques, de folkloriques et de jazz, y compris les pays Garden, Dieu reste Ye Merry Gentlemen, danse du chapeau mexicain Hornpipe de marin. Cette collection peut être utilisée pour solo, duo ou trio jouant et peut également être utilisée avec des dispositions correspondantes du même matériau dans le livre i pour Brass, violon, clarinette, flûte. Un livre d'accompagnement piano est disponible. / Niveau : Débutant / Méthode en anglais / Méthode / Saxophone

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Sib

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est, / Rép International / Recueil / Instruments en Do

Vingt-deux Corrs hits en mélodie simple ligne arrangements pour clavier électronique. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Les diagrammes de clavier facile à suivre sont regroupés au début de chaque pièce et montrent toutes les voicings gauche corde utilisés. / Chant Et Guitare / 48 pages / Partition

Par SUTCLIFFE JAMES HELME. 16 Easy Piano Arrangements For Beginners / Niveau : Facile / Recueil / Piano

A massive collection containing the best music from the 1980s presented in chord songbook format. From stadium rock to synth metal, indie pop to power ballads, now you can sing and play all your favourite hits from the eighties! With 80 songs in total, all arranged in the original keys from the actual hit recordings. This edition comes complete with full lyrics, guitar chord boxes and playing guide. / Chant Et Guitare

Plus de 60 grands pop et rock hits avec des formes de corde facile et strum des patrons d'ajouter cette touche professionnelle. Lignes de mélodie simple vous donnent la mélodie et les paroles complètes sont fournis. Il ne pouvait pas être plus facile à jouer ce que vous voulez... instantanément ! / Guitare / 160 pages / Partition

German singspiel in three acts-?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

German singspiel in three acts-?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)