Easier Piano Pieces 03-Cornelius Gurlitt was a German organist pianist and composer who wrote many instructional pieces and studies. He obviously composed at speed with considerable facility and it is not surprising that some of his output lacks individuality. Kleine Blumen however is one of his works which displays particular charm and character. No titles were originally given to the twelve pieces of Op.205 but in an Augener edition of 1936 names of flowers were used.

Grundlegende Technik spielend lernen!. Par BERG ANDREA. Supposedly rudiments are the basis for playing the drums at all . . . . but for students who are not so advanced, it’s an absolute mystery why they have to struggle with these boring technical exercises when all they really want to do is just play. Thisbook can be introduced early in the instructional process or used supplementarily if youre learning on your own. As soon as the first contact with notation has been made and youre playing your first grooves, you can then have fun jumping into theworld of rudiments. To this end, this book is separated into two Tours. Tour 1 contains simple exercises for the beginner, Tour 2 is directed at the advanced student who extensively knows and plays the rudiments. / Niveau : Tous Niveaux / All Styles - Technic / Recueil / Batterie et Percussions

For The Educationally Blind Student-Visually handicapped students will benefit from Dorothy J. Simpson's companion volume Guide For Piano Instruction For The Educationally Blind. Directly related to Beginning Piano For Adults this instructive text outlines specialteaching approaches such as awareness of keyboard topography assignments for tape recording 'piggy-back' playing and 'sensing.'

La référence GB3701 de l'éditeur Billaudot dont l'auteur célèbre est Andersen Joachim, qui a pour titre 24 ETUDES INSTRUCTIVES DANS TOUS LES TONS OPUS 30, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition

The demand for literature in Spanish is a reflection of our changing American culture. Here are twelve songs in two keys that can serve as an introduction to art songs in Spanish for a voice student. International PhoneticAlphabet is included for each song text as are translations for study. Laura Ward has recorded wonderful informed piano accompaniments on the companion CD. Before the accompaniment a excellently instructive pronunciationlesson recorded by a native Spanish speaker (a university Spanish professor) is heard. The songs are by Manuel de Falla Enrique Granados and Fernando Obradors with an additional two Mexican folksong arrangements. A beautifulVelasquez painting is seen on the cover.

This edition: spiral-bound. The most highly acclaimed jazz piano method ever published!. Instructional and Jazz. Instructional book (spiral bound). Chord names, instructional text, introductory text and black & white photos. 305 pages. Published by Sher Music Company (SR.JPB).
With chord names, instructional text, introductory text and black & white photos. Instructional and Jazz. 9x11 inches.
Mark Levine, long-time pianist with Cal Tjader, is a Concord Jazz recording artist who has recorded with such jazz greats as Joe Henderson, Camen McRae, Richie Cole, Mark Murphy, Houston Pearson, and many others. Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more!
One of the best jazz piano books I've ever seen -- very easy to understand. -Kenny Barron
Unlocks door after door of contemporary jazz piano sounds. -Down Beat
One of the finest new jazz instruction books. Written by an experienced, professional jazz player, it is practical and unpretentious. -Richie Beirach
It covers all the bases -- an invaluable resource for any keyboard player. -Jamey Aebersold
One of the most complete anthologies of jazz piano in recent years. -James Williams
Applause for one of the truly fine pianists of our time for putting his vast expertise, experience and musicality into book form. -Art Lande
Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more!
/ Méthodes et pédagogie / Piano et instrument à clavier / Piano / AEBERSOLD

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and RalphStanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley?s music in the late 1950s. This video begins with James Alan Shelton thecurrent lead guitar player for Ralph Stanley and the Clinch Mountain Boys picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his ?crosspicking? guitar technique. Georgedemonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard ?Will You Miss Me.? George and James then pick ?Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique.James then teaches a ?turnaround? to ?Rank Stranger? which utilizes the crosspicking technique to ?fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song ?Uncloudy Day ? and incorporatethe crosspicking technique between the melody notes. Next James teaches a crosspicking break to ?Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into acrosspicking solo using the song ?Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes ?Road to Coeburn? and ?Tom?s Creek.? This is followed by afingerstyle performance of Ralph Stanley?s favorite guitar number ?Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings picks and capos and provides ?tricks

Learn to play the blues in several styles-jazz Latin fusion rock and funk in all keys with step-by-step instructions practice tips and a play-along CD. Even if you are a complete beginner this easy-to-understandinstructional guide will get you improvising in no time. You'll learn how to create killer solos using the hundreds of great licks included; Get the sound of the blues under your fingers and into your ears; Improve your sound phrasing and rhythm through technical studies and rhythmic exercises; Join in a variety of styles with the rhythm section on the play-along CD.