This publication contains arrangements of Vom Himmel hoch o Englein kommt one of the oldest German carols and Lobt Gott ihr Christen alle gleich written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 Câ?? FlutePart 1 Câ? OboePart 1 Eb Clarinet CornetPart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 F English Horn HornPart 2 Eb Alto Saxophone HornPart 3 C Bassoon Trombone EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet HornPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 4 C Bassoon Trombone Bass Double Bass EuphoniumPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

Here is the long awaited new method by LASSALLE Daniel, International Soloist, Teacher at Toulouse and Lyon Conservatoires. This method-catalog, with a preface by Michel BECQUET, offers many exercises, flexibilities, and all that is needed to organize its technical work, whatever your level and your goals are. Instruments: Trombone Difficuly Level: Medium Duration: Plus de 15 mns Musical Style: Educational Category: Original Composition, Method Composer: LASSALLE Daniel

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violoncelle

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon

Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Alto, Violon 3 et Ensemble

Activities for the Music Classroom-Set the groove with Remo's Sound Shapes and other percussion instruments! These professional quality pretuned drums are colorful building blocks for performance education recreation and FUN! Creative arrangements (This OldMan) and partner songs (Pay Me My Money Down and Hey Lolly Lolly) are combined with exciting and authentic rhythms for hours of percussive ensemble playing. Students will be their own drum sets as they playalong with original pieces written specifically for them. Ask for volunteers to be a Rock Drummer or play surfin' drums with Hang Ten! It's easy with the professionally-produced play along tracks on the enclosed CDthat sound like the “real deal.” Specific instructions for introducing each piece and suggestions for alternate instruments provide ultimate flexibility. AND there are even Bonus Trax that let you set the groovefor march rock 6/8 and Meter Mix-up. Let the creative juices flow! 8 songs. Available: Book/CD Pak (with reproducible pages). For Gr. 2-5.

The Path to Mastery and Individuality (For All Instruments)-Imagine if you could hear a musical phrase Visualize its layout on your instrument by “seeing” and “feeling” the fingerings and/or embouchure in your mind's eye know the names of the notes as well as the degrees of the key and feel the dynamics you want to include. All simultaneously in a millisecond and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in thisbook span a number of styles brain skills and practice technique – all presented using a kaleidoscopic learning style.Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from around the world. Julie's “Twelve-Key Practice” takes you on a journey to freedom one step at a time and before you know it you begin to experience that wonderful feeling of making music instead of just recreating someone else's music. You will become the well-rounded musician which is what we all aspire to be.–Jamey Aebersold jazz saxophonist and educator publisher of Aebersold Play-AlongsMastering an instrument – or a tune scale or riff – in all twelve keys remains the ultimate standard of fluency. Why? Because it works. When comprehensive knowledge combines with ease comfort and flexibility your anxieties disappear your ears become open and receptive and you are ready for any collaborative situation. Julie Lyonn Lieberman has created a remarkably organized stylistically diverse and holistic path for developing your ears eyes and fingers. By constantly changing variables and adding new layers your mind remains active and receptive as it grows ever more capable – even in the

Junior Just Brass No. 9-David S. Morgan's Miscellany One edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble seriesavailable. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specifically chosen andedited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instruments required.