SKU: CA.4043612
ISBN 9790007068172. Language: Latin.
Score available separately - see item CA.4043600.
SKU: ST.H312
ISBN 9790220218408.
A Spring Dance, a Summer Frolic, an Autumn Blues and a Winter March make up the contents of this, the sixteenth book in our Easy Festival Duets series. Beautifully imagined, written and fingered for small hands, both parts are fun to play and equally easy. In score, with page-turns painlessly shown, the suite will be an excellent five-minute concert item too. Author of The Art of Practising the Piano, Jeffrey Whitton is a well-known teacher and a talented composer of piano music for students.
SKU: GI.G-9390
UPC: 785147939009. English. Text by Jeffrey Honore.
Here is a beautiful setting written for the Year of Mercy (Immaculate Conception 2015 through Christ the King 2016). Sink into these simple, yet luscious, harmonies in an a cappella anthem that cries for God’s mercy and healing. A welcome text during Lent, Divine Mercy Sunday, or any time in gentle praise of God’s love for us.
SKU: GI.G-003417
UPC: 641151034171.
The beloved WLP hymn Where Charity and Love Prevail‚ has been part the Church‚ choral repertoire for over forty years. This haunting, chant-like melody has now been arranged for handbell choir by Jeffrey Honor?©.
SKU: AP.44799S
UPC: 038081517322. English.
A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in MakeMusic Cloud.
SKU: HL.1337656
ISBN 9781936604470. UPC: 196288199076. 9.0x12.0x0.164 inches.
In this book and video guide, Jeffrey Pepper Rodgers gives you an array of tools for making chord progressions more distinctive, deepening your grooves, and getting outside the box of strumming block chords. Over the course of six in-depth lessons, you'll learn how to build dynamics in an arrangement, play bass lines on guitar, and expand your harmonic vocabulary with slash chords and cluster chords. Along the way, you'll explore examples inspired by classic songs, so you can hear and see how these tools work in actual music. You'll discover how varying the technique of both your fretting and picking hands -- and often playing less -- can do so much to make your guitar parts more dynamic and musically satisfying. This comprehensive guide includes written instruction, notation and tab, plus more than 2 hours of accompanying video instruction for all music examples, performed by Jeffrey Pepper Rodgers.
SKU: KJ.SO335C
UPC: 084027041635.
Get in the holiday spirit with this unique Christmas selection from best-seller Jeffrey S. Bishop. Combining well-known carols with echoes of Haydn, The Christmas Symphony achieves the perfect union of familiarity and novelty. Sure to liven up your next holiday . 3:08.
SKU: GI.G-009417
UPC: 641151094175.
SKU: PR.114419890
ISBN 9781491134115. UPC: 680160684212. 9 x 12 inches.
Ravel’s TZIGANE is among the only concerto-like violin solos from the coloristically rich Impressionist repertoire. This exuberant showpiece is thoroughly infused with melodies and accompaniments in the style of Hungarian folk music, and Ravel composed the work with accompaniments for piano and for orchestra. Jeffrey Heisler’s brilliant transcription for soprano sax captures all the sparkle of Ravel’s violin writing and is fully compatible with both authentic versions, to allow optimum performance for saxophonists with either accompaniment. Heisler takes advantage of slap tongue and altissimo to create a dazzling showpiece, expanding the repertoire for the advanced saxophonist.
SKU: KJ.SO335F
UPC: 084027041659.
SKU: GI.G-9684
ISBN 9781622773350.
Contributions by: Michael L. Alexander • William I. Bauer • Rhoda Bernard • Nikki Booth • Leonardo Borne • Frederick Burrack • Richard M. Cangro • Kyle Chandler • Samantha Clements • Obadias de Oliveira Cunha • Sally E. Daunt • Kirsty J. Devaney • Paul Doerksen • Martin Fautley • Keith Griffioen • Alice Hammel • Marshall Haning • Demaris Hansen • Michele L. Henry • John Holmes • Daniel C. Johnson • Joo Hyun Kang • Gail Kuppan • Andreas Lehmann-Wermser • Sharon Lierse • Jason Longtin • Jeffrey Marlatt • Melissa C. McCabe • Karabo Lucy Mogane • Helena Muciño-Guerra • Dorothy J. Musselwhite • Flávia Motoyama Narita • Emma Nenadic • Glenn E. Nierman • Helena de Souza Nunes • Kelly A. Parkes • Phillip D. Payne • Laura Navarro Ramón • Patricia Riley • Shelley Sanderson • Megan M. Sheridan • Stephanie L. Standerfer • David A. Stringham • Dennis Ping-Cheng Wang • Jeffrey Ward • Brian C. Wesolowski • Benjamin Weyel The Sixth International Symposium on Assessment in Music Education was hosted by the University of Florida and Birmingham City University. The symposium brought together 110 participants from 23 nations and six continents to learn of each other’s work, establish collaborations and professional networks, and shape new directions for research in this important area of music education in Birmingham, England, from April 18-21, 2017. The two keynote addresses and 35 papers published in this volume document music assessment practice and the measurement and evaluation of music learning across the world in local, state, and national contexts at all levels. The attendees also attended special work sessions to discuss the International Principles for Assessment in Music Education (developed and introduced by the co-chairs at this symposium), and their discussions are summarized in this collection. As music educators across the world come to terms with increased expectations for accountability of learning in music, the scholars and practitioners who have contributed to this volume provide insight to guide their work. Timothy S. Brophy is Professor of Music Education and Director of Institutional Assessment at the University of Florida in Gainesville, Florida. Martin Fautley is Professor of Education and Director of Research in Education at Birmingham City University in Birmingham, England.
SKU: PR.416415150
ISBN 9781598069020. UPC: 680160621743. 9 x 12 inches.
Inspired by the alluring, human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aims not only to highlight the modern flutist’s ability to play agile and brilliant passages, but also to emulate the delicate sound of the Ney, particularly in extended solo passages. The three-movement 27-minute concerto was commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner. The piano reduction (published separately) was designed by the composer to be practical in recital performances. CONCERTO for Flute and Orchestra has been recorded for Naxos by Érik Gratton with the Nashville Symphony conducted by Giancarlo Guerrero.The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
SKU: GI.G-9127
UPC: 785147912705. English. Text by Jeffrey Moss.
Written in a gospel style, this anthem can be performed with or without accompaniment. The lyrics of the middle section artfully layer the text “Thank you for one more day†with “Hallelujah,†creating an exuberant message of praise and thanksgiving to God. Treat your choirs to this joyful expression of gratitude to the Lord! This piece may be performed a cappella.
SKU: AP.45835
UPC: 038081524368. English.
This is the other version of Away in a Manger, the beloved Christmas carol, written by William J. Kirkpatrick. Arranged by Jeffrey E. Turner, it features a string quartet within the orchestra and its haunting beauty is mesmerizing. This is sure to become one of your holiday favorites. (3:00).
SKU: SU.YR5310
Music by Gustav Holst, arranged by Jeffrey Jones-Ragona, words by Christina RossettiSolo, TTBB, & piano Composed: 2001 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: AP.40197S
UPC: 038081457987. English.
One of the biggest hits of 2012 was this offering from the indie pop band fun. Jerry Burns gives us a big sounding arrangement that will be ready to perform today. (1:30).
SKU: AP.45835S
UPC: 038081524375. English.
SKU: AP.43765
UPC: 038081496450. English. [Based on the music of Antonio Vivaldi] By Jeffrey E. Turner.
This very accessible arrangement includes just enough of each movement to provide a taste of the original! Stirring the pot by the use of a common key for all four seasons and simplified rhythms create the perfect blend of seasonings to delight all as only Vivaldi can. (3:15).
SKU: GI.G-003413
UPC: 641151034133.
Handbell series editor Jeffrey Honor?© has arranged this attractive handbell setting for use with a narrator. Inspire your congregation and wow your handbell choir with this exceptional work. To the foundation of Come, Holy Ghost,‚ the standard hymn LAMBILLOTE, Jeff has added a narration based on the Pentecost account found in Acts 2. Even smaller handbell choirs will be able to play this one.
SKU: AP.48054S
UPC: 038081555072. English.
Beethoven's Fifth . . . four iconic notes recognized instantly. Now in V by Jeffrey Turner, the same motif is used as a theme in this piece, set in an epic musical landscape more fitting to a cinematic superhero battling evil. Driving ostinatos, menacing cellos, and pulsating rhythms will be great fun for the musicians and audience alike. Players will also have a chance to showcase their spiccato bowing skills, and the optional percussion will add extra drama. This title is available in MakeMusic Cloud. (3:50).
SKU: KJ.SO322C
UPC: 8402703220.
Erebus was an ancient demigod, most often represented as Night, the son of Chaos. Here, Mr. Bishop composed a work representing the attributes ascribed to Erebus: pensive anticipation, sullen darkness, driving passion. He features the ever-popular tritone to help create the sense of unease and with other dissonance, offers students an amazing opportunity to create an ensemble sound like no other.
SKU: AP.43765S
UPC: 038081496467. English. [Based on the music of Antonio Vivaldi] By Jeffrey E. Turner.
SKU: CR.984182
UPC: 078777087180. 7 x 10.25 inches.
A new setting for the classic Palm Sunday hymn by Jeffrey Blersch for two-part mixed voices and piano. With a driving accompaniment, this arrangement captures the regal pomp of the day, while a stanza incorporating the traditional tune Winchester New provides a contrasting sense of the impending events of Christ's suffering and death.
SKU: PR.111402850
ISBN 9781491132005. UPC: 680160680627. What the Living Do by Maria Howe.
The poetry of Marie Howe has a special place in Ricky Ian Gordon’s heart and mind, both haunting and soothing. WITHOUT MUSIC is a five-movement work in which Howe’s words and Gordon’s music together give voice to longterm grieving for a loved one lost to AIDS. The work was commissioned by Music Academy of the West for their 2019 Marilyn Horne Song Competition Winners’ Recital Tour.For a long time, I have been in dialogue with the poems of Marie Howe. Some poets speak so directly to you that they become a second voice inside you. I have so many of her poems memorized, and I speak them so often because at certain moments I know she will say it better than me.Many I have set or tried to set and felt dissatisfied and put them away. Marie’s poems are so plain spoken, you want them to feel, if you are taking the trouble to set them to music, that the songs are plain spoken as well... because it would be criminal to set Marie’s poems in a way that obscures the words and makes them feel distant or remote.I first heard Kelsey Lauritano in a Master Class that Stephanie Blythe was giving at Juilliard. I was bowled over by her poise, the beauty of her voice, her engagement with her body and her connection to text. She is a real artist through and through. I wanted to create a cycle for her where it felt like she was talking to the audience in the most intimate way possible. I wanted to be able to see her heart.These five poems are from Marie’s book, “What the Living Do,†the book which was published eight years after her brother Johnny died at 28 from AIDS. The book is impossibly beautiful, as clear as a spring in a remote forest... the poems simply tell the story of Johnny’s illness and Marie’s relationship with it, and him... as Marie would put it, they are “how some of it happened.â€I lost my partner Jeffrey Grossi to AIDS in 1996, so needless to say, this book, and Marie’s poems were balm for me... one of the myriad ways I got through an excruciating time, as Jeffrey’s death followed practically, the death of my entire community. I feel bad, and even awkward, that this is still so much a part of my story, but it is. Is it PTSD, or just, not wanting to forget? I don’t know. But these songs are steeped in that time.