Arrangeur: Matt Johnston. Par STRAUSS JR. JOHANN. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work, and there is also an optional percussion part included if you want to add even more fun to the action! A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work, and there is also an optional percussion part included if you want to add even more fun to the action!/ Répertoire / 4 Flûtes Traversières et Piano

Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss the Elder was born on March 15 1835 in Vienna. Originally Eduard looked for employment in the diplomatic service but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862 he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear) which he wrote in 1869 and a handful of other fast polkas (he excelled in this particular dance form) his music is not as well known as that of his brothers.

Trish Trash Polka ou Tritsh Tratsh Polka (op. 214) est une polka écrite en 1858 par Johann Strauss II, après qu'il ait effectué une tournée en Russie. Le titre peut être interprété comme `Chit-chat` et peut référer à une certaine passion viennoise pour les ragots. Johann Strauss II a peut-être également fait référence à la seule pièce burlesque « Der Tritsch-Tratsch » du dramaturge et acteur autrichien Johann Nepomuk Nestroy. D'autres prétendent que le titre ait pu être le nom du chien de la première épouse de Strauss?
La polka est une danse originaire de République Tchèque, à deux temps, de tempo assez rapide, aux rythmes bien articulés. Avec ses 160 numéros d'opus, Johann Strauss II est sans aucun doute le maître de la polka de la fin du XIXème siècle.
Ici, l'atmosphère de cette courte pièce est désinvolte et intrépide, comme beaucoup de polkas de Johann Strauss II. Trish Trash Polka est très contrastée au niveau des nuances, et les appuis sont donnés par les percussions, très présentes dans cette pièce drôle et légère. / Classique / Transcriptions pour piano de David Neyrolles / Partition / Agrafé /

La Valse was originally composed as a tribute to Johann Strauss Jr and in a style that is a parodic and apocalyptic view of wartime Vienna. Subtitled Poeme Choregraphique Pour Orchestre the piece employs the awesome forces of triple winds two harps and a host of percussion and was commissioned by Sergie Diaghilev in 1919 to be first performed in Paris in 1929. The full score is reproduced here in a convenient and attractively-priced miniature format.

Cziffra's transcriptions of -- Brahms: Hungarian Dances Nos. 1-6, 8-10, 12-13, 16-17, 19, 21; Rimsky-Korsakov: Flight of the Bumblebee: J. Strauss: Tritsch-Tratsch Polka; Vecsey: La valse triste; La Fantasie Roumaine (original composition)
'My most important desire and wish was to one day give my experience with the piano over to each pianist, and future young performer. But I have never seen myself as a teacher in the general meaning of the word. Rather I have seen in myself someone who sheds light, one who directs with a small lamp those similar to himself. My intentions may appear presumptuous to some, but it is what I have found my calling to be. ' - Gyorgy Cziffra. / Classique / Partition / Broché /

Classical Melodies for Saxophone Ensemble. 22 famous melodies arranged for Saxophone Ensemble

Classical Melodies for Trombone Ensemble. 22 famous melodies arranged for Trombone Ensemble

Classical Melodies for Flute Ensemble. 22 famous melodies arranged for Flute Ensemble

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

Instrumentation: Gesang • 1 / 1 / 2 (B) / 1 • 2 (F) / 2 (F) / 1 / 0 • Pk. • Streicher

Finale I (Nr. 7) RV 511A/B/C-7.A/BC-Instrumentation: 2 / 2 / 2 (B A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (Trgl. gr. Tr. m. Bck. kl. Tr.) • Streicher

Introduktion RV 511A/B/C-1.A/BC-Instrumentation: 2 / 2 / 2 (A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. • Streicher