Par HASSE JOHANN ADOLF. Johann Adolf Hasse est un des plus grands compositeurs du xviiie siècle, injustement méconnu, même si sa musique vocale, et notamment ses opéras, bénéficient d'une audience nouvelle Parmi les plus de mille oeuvres dénombrées, des centaines d'oeuvres de musique de chambre méritent d'être jouées, notamment ce ravissant concerto pour flûte, dont le manuscrit a disparu lors de l'incendie de Dresde causé par la guerre de Sept Ans. De nombreuses copies d'époque permettent de reconstituer sûrement l'oeuvre originale, dont une version Urtext est proposée ici, accompagnée d'une révision permettant à tous les flûtistes d'aborder ce remarquable répertoire sans difficulté./ Répertoire / Flûte et Piano

Par SCHMELZER JOHANN HEINRICH. SoliSATB ChSATB 3Violetta Kb Org Hr ad lib 3Pos ad lib/ Répertoire / Choeur

19 Stimmen. Par SCHMELZER JOHANN HEINRICH. SSATTB 2Vl 2Vla 2Clarini 2Hr ad lib 4 Pos Org/ Répertoire / Choeur

Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - Toccatas (And Fugues) contains the famous D-minor Toccata BWV 565. The editor of this volume the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707 this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments fingerings and a closing cadenza; this version is printed in the Appendix.The enclosed CD-ROM* contains early versions further ornamented versions and pieces that can clearly no longer be attributed to Bach.*Important Note for MAC usersThe version of the Edirom program delivered on CD can only run on Apple computers under the current operating system Mac OS X 10.6 (Snow Leopard).The installation of the Bach volume on Intel-based 64-bit-capable processors with Mac OS X 10.5 (Leopard) systems is only possible with an update which you can download here (c. 150 KB).Due to outdated Java versions older operating systems (Mac OS X 10.4 Tiger) unfortunately cannot be supported.

Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.

The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.

? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /

Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale

Cantata for Trinity Sunday-Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler.It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Par WEISS JOHANN SILVIUS. Langue: English, Format: 30, 5 x 28, 0/ Répertoire / Guitare, Cordes et Orchestre