A setting by John Rutter of this traditional sacred text for Full Mixed Choir and Soprano solo with a Piano reduction included of the Orchetra or Chamber ensemble arrangement. The Magnificat - the canticle of the Blessed Virgin Mary (Luke I: 46-55) - traditionally formed part of the ancient service of Vespers in the medieval Roman rite. It has been set to music more often than any liturgical text other than the Mass itself. Rutter’s inspiration and motivation for this arrangement was the Mediterranean sunshine and the many exuberant festivals that are held throughout Europe to honour the Virgin Mary. The work is full of energetic syncopated rhythms andstrong melodies which evoke a celebratory and rejoiceful character.

John Rutter's Winchester Te Deum is a glorious work with a great sense of ceremony. Written for Winchester Cathedral this important setting is bright and joyful and equally suitable for church and concert performance. It pairs wonderfully in a concert half with Rutter's Gloria and provides perfect material for a festival evensong or occasional service. This can be performed by SATB choir accompanied by either organ organ with 5-part brass ensemble (2 trumpets horn trombone tuba) and optional timpani and percussion or orchestra.

John Rutter's The Music's Always There With You for SATB (with divisions) and Piano or Chamber Ensemble.Rutter's charming piece sets a secular text by the composer that emphasises the significance of music and harmony in an ephemeral world. A simple accompaniment figure in the Piano provides the backdrop to alternating unison and polyphonic verses that manage to capture both nostalgia for what was and optimism for what is to come.

John Rutter's The Quest for SATB (with divisions) Oboe and Organ.This poignant anthem was written in memory of the Revd Dr John Hughes (1978-2014) Dean of Jesus College Cambridge. The text combines the nineteenth-century poet and Christian minister George MacDonald's emotive poem Lost and Found with the 'In paradisum' antiphon from the Burial Service in the Liber Usualis. The music is at times ethereal melancholic poignant and life-affirming. The solo Oboe and Organ writing is integral to the emotive character of the piece and the word-painting and angelic chorus moments encourage the listener to reflect on the subject athand.The Quest is featured on the Collegium Records CD The Gift of Life. An orchestration for chamber ensemble (solo Oboe Harp and Strings) is available on hire/rental.

High voice book downloadable backing tracks. Par . for high voice and piano This beautiful collection of 14 songs for high voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for low voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano

John Rutter's One Voice for SATB with Orchestra (or Piano).  One Voice was written for performance by massed choirs and orchestra at the opening ceremony of the World Choir Games 2018. The theme of the composer's text is one of unity and the music is uplifting building to a ceremonial and majestic conclusion. 

John Rutter's Candlelight Carol for SATBB and Organ or Ensemble. Inspired by Geertgen's painting 'Nativity at Night' Candlelight Carol centres around the love of a mother on that first night in the stable. Orchestral material compatible with both the SATBB and SSAA versions is available on sale and on hire/rental. This is a new version of N3366 (ISBN: 9780193533660).

The vocal score for this popular and highly entertaining set of Madrigals for mixed chorus. Composed by John Rutter for the occasion of the 75th birthday of composer and musician George Shearing the set comprises five Madrigals written with an obvious and warming affection for the Renaissance secular polyphonic tradition. Some are unaccompanied and others have full Piano and optional Double Bass parts thus creating a rich and varied concert programme when performed as a set.

No. 3 or Three American Lyrics-John Rutter's The Terrible Tale Of Tom Gilligan for SATB choir and Piano.