for Guitar Solo-Forward by the composer: “The reqyest by Graham Wade for a new work for Guitar followed closely on the death of Sir William Walton whose Bagatelles for Guitar I admire greatly. The resulting pieces are intended as atribute to Walton and I have tried to capture something of the character of the composer and his music.”

für Solostimme bzw. Frauenchor mit Begleitung. Par RHEINBERGER JOSEF GABRIEL. Of the works presented in volume 6, the Four elegiac Songs op. 128 for solo voice and organ, with their arialike characteristics, are musically among the most demanding compositions. The Marian Hymns op. 171 display a variety of scorings for small ensembles, a trait which characterizes all the songs in this volume: This opus contains pieces for one, two or three voices. In addition, No. 1 [Ave Maria] appears in versions for either low- or high-registered voice. The appendix of this volume includes alternate versions for a few works in this volume, some of which are first editions, including Quam dilecta, which is a Latin version, with harp and organ, of the hymn Wie lieblich sinddeine Wohnungen op. 35./ Répertoire / Soliste bzw. FrauenChoeur avec Begleitung

Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.

Sinfonisches Tongemälde. Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s first Symphony was among the most successful and frequently performed new symphonies following its premiere in 1866. This “symphonic tone painting” in four movements [Prelude, Thekla, Wallenstein’s Camp, Wallenstein’s Death], which is based on Schiller’s trilogy of dramas, was Rheinberger’s only excursion into the realm of programme music. The influence of Beethoven is unmistakable, the lively 3rd movement [scherzo/trio] depicts with much humour the life of a soldier, and the sermon portrays of the zealous capuchin monk./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar

Tonalité : As-Dur - Op.: 94 -. Par RHEINBERGER JOSEF GABRIEL. “We consider Rheinberger’s new Piano Concerto to be one of his most significant and inspired works, ” wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life./ Répertoire / 2 Flûtes Traversières, 2 Hautbois, 2 Clarinettes,

Tonalité : As-Dur - Op.: 94 -. Par RHEINBERGER JOSEF GABRIEL. “We consider Rheinberger’s new Piano Concerto to be one of his most significant and inspired works, ” wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life./ Répertoire / 2 Flûtes Traversières, 2 Hautbois, 2 Clarinettes,

Tonalité : As-Dur - Op.: 94 -. Par RHEINBERGER JOSEF GABRIEL. “We consider Rheinberger’s new Piano Concerto to be one of his most significant and inspired works, ” wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life./ Répertoire / 2 Flûtes Traversières, 2 Hautbois, 2 Clarinettes,

Tonalité : As-Dur - Op.: 94 -. Par RHEINBERGER JOSEF GABRIEL. “We consider Rheinberger’s new Piano Concerto to be one of his most significant and inspired works, ” wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life./ Répertoire / 2 Flûtes Traversières, 2 Hautbois, 2 Clarinettes,

Professionnel ou amateur de Jazz & Blues vous apprécierez cette partition de musique. Editée par ID Music cette partition est idéale pour les joueurs de Diverses Formations. Si l'instrumentation Instruments En Eb correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Instruments En Eb / Partition

A selection of Christmas Carols and Traditional Classics with backing CD. This instrumental series is arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The instrumental parts can be used along with the CD or in any combination.