SKU: HL.49042437

ISBN 9783795794507.

Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was notconducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer,ritic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold.This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Webers music. Conforming to the standards of recent historico-critical editions, the textual material will be based on.

SKU: BT.1834-12-140-MS

9x12 inches.

The stands are packed, two world-class teams are on the field, the smell of hotdogs fills the air and fans chant and scream. All of these contribute to create stadium fever. The composer has conveyed these elements in the composition including the aspect integral to the fever: an atmosphere full of excitement.

De tribunes zitten stampvol, er staan twee teams van wereldklasse op het veld, de geur van hotdogs hangt in de lucht, de toeschouwers juichen - allemaal factoren die horen bij het verschijnsel ‘stadionkoorts’. De componist heeft indit uitbundige werk dan ook al deze elementen verklankt. Het meeslepende Stadium Fever zal in de concertzaal absoluut een opgetogen stemming creëren!

Volle Zuschauerränge, zwei Spitzenteams auf dem Rasen, der Duft von Imbissständen, Jubel und Gesänge - das sind Faktoren, die unweigerlich Stadionfieber“ auslösen. All diese Elemente - und das eindeutige Symptom der Krankheit“: eine tolle, überschäumende Stimmung - übertrug der Komponist in sein Stück Stadium Fever. Ein mitreißendes Stück, dessen Atmosphäre sich auch im Konzertsaal garantiert keiner entziehen kann!

Les gradins sont bondés, deux équipes de niveau international s’affrontent sur le terrain. Il plane une odeur de hot-dogs, les chants et les hurlements des supporters retentissent inlassablement - tous les éléments sont réunis pour engendrer la fièvre du stade. Le compositeur a su concentrer tous ces symptômes dans son œuvre afin d’inoculer tous les auditeurs, l’excitation et la fièvre du stade.

Thomas Doss descrive l’atmosfera unica di uno stadio prima e durante un incontro al vertice. Non solo il gioco, ma anche e soprattutto i tanti striscioni, e i canti provenienti dalle curve fanno da padroni in Stadium Fever, un brano dall’energia travolgente.