SKU: MA.EMR-47404
The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...
SKU: MA.EMR-44970
SKU: XC.EJE2201
12 x 9 inches.
This is a catchy blues with a bridge from respected composer and educator Jack Cooper. Interesting angular lines abound in this unique chart along with inventive rhythmic elements. Stark dynamic contrasts throughout the chart go from a whisper to a roar to keep the band and the audience engaged. Great as a selection for a festival as well as being a terrific chart to teach form.
SKU: ND.CBDS1-SET
SKU: ST.Y248
ISBN 9790220222351.
Commissioned by Bromsgrove Concerts with financial assistance from Arts Council England 1st perf: Smith Quartet, Artrix, Bromsgrove, 27 February 2009 Favoured by English composers from Purcell to Vaughan Williams and Britten, the ground-bass form receives a contemporary makeover in Morgan Hayes's Dances on a Ground. Artfully four-square, a cello ostinato stays stubbornly true to its original thoughts. Meanwhile, above it a capricious ensemble of two violins and viola swaggers its way through flights of melody and jumpy pizzicati to an ecstatic conclusion. Commissioned by Bromsgrove Concerts with funding provided by Arts Council England, Dances on a Ground was first performed by the innovative Smith Quartet at the Artrix, Bromsgrove, on 27 February 2009.
SKU: XC.RCB2104
UPC: 812598036992. 9 x 12 inches.
Day of Infamy fits perfectly on any concert commemorating our heroes. Sean O'Loughlin’s dramatic writing jumps off the page!
SKU: FJ.B1599S
English.
Take a heart-pounding adventure into the minds of two base jumpers who set a world record before safely landing on the ground. Fantastic musical imagery sets the mood for each section as the piece unfolds, keeping your audience on the edge of their seats. A stellar new work!
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5