William Leavitt. Berklee Press. A continuation of the study begun in Phase 1. Two three four and five part arrangements are included.

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Get Your Band Together-Get Your Band Together. This first-ever guide will help teach musicians to play in a band. Whether you are a school music teacher or band leader or you coordinate a music program at a house of worship or summer camp this guidewill help you use the innovative Berklee Practice Method series to teach your students. Includes thoughtful and provocative lessons to help improve your band's overall sound timing cohesion and sense of groove. The CD containssample tracks from all of the different instrument volumes.

Cette collection unique de la célèbre harpiste Felice Pomeranz comprend 24 études contemporaines prêtes à être jouées pour les joueurs de leviers et de pédales ayant des capacités intermédiaires à avancées. Les études couvrent une variété de niveaux de difficulté et vous aident à maîtriser et à appliquer une variété de pratiques contemporaines. Les sujets abordés comprennent : Les gammes, harmonies et progressions contemporaines - Les pratiques rythmiques, telles que les multi-mètres et le swing par rapport aux sensations droites - L\'indépendance et l\'endurance des mains - Les techniques d\'improvisation, les motifs de composition et les lignes de basse - Les étouffements, les glissades et les articulations - Les effets timbriques, tels que le splat, les effets xylophoniques, le gong et les sons de basse claquée. / Partitions classique / Cordes / Harpe / BERKLEE

This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationshipsand help guitarists learn voicings quickly and thoroughly. Includes notes fretboard diagrams and tab for each chord.

Par TCHAIKOVSKI PIOTR ILITCH. Arrangement de Yoshiki Miyamoto du ballet du Tschaikowsky ' The Sleeping Beauty ' pour deux pianos est 3 en 1: c'est un livre de musique d'une part, c'est un livre d'images coloré en revanche et ainsi, c'est un livre d'histoire, qui raconte le conte de fées de Princess Aurora, qui est maudite par une fée à s'endormir pendant 100 ans.Cet ouvrage est construit de nombreuses scènes différentes. Chaque scène a des images colorées qui montrent la scène et un thème à être joué à souligner l'humeur de la scène. L'histoire commence avec les pièces simples. Comme le degré de difficulté augmente de pièce à pièce, les enfants sont désireuses d'améliorer leurs compétences pour découvrir comment l'histoire continue. Les deux parties sont égaux concernant le degré de difficulté./ Répertoire / Piano 4 Mains

L'authentique version de l'album légendaire de 1969 des Rolling Stones `Let It Bleed`, arrangé pour Piano, Voix et Guitare. Enregistré sans le membre original Brian Jones, cet album inclut les tops Gimme Shelter et You Can't Always Get What You Want, tout en introduisant Mick Taylor comme le nouveau guitariste des Stones. Chaque titre de l'album est arrangé pour Piano, Voix et Guitare, avec les boîtes d'accord.

Par . It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. The arrangements also include lyrics. This big edition includes 60 folk favorites: Auld Lang Syne · Aura Lee · Beautiful Dreamer · Buffalo Gals (Won't You Come Out Tonight?) · (Oh, My Darling) Clementine · Cockles and Mussels (Molly Malone) · Danny Boy · Deep River · For He's a Jolly Good Fellow · Frankie and Johnny · He's Got the Whole World in His Hands · My Bonnie Lies over the Ocean · My Wild Irish Rose · Nobody Knows the Trouble I've Seen · 'O Sole Mio · Sailing, Sailing · Scarborough Fair · She'll Be Comin' 'Round the Mountain · Simple Gifts · Skip to My Lou · Take Me Out to the Ball Game · Wayfaring Stranger · Wellerman · When Johnny Comes Marching Home · When the Saints Go Marching In · The Yellow Rose of Texas · and more. / Niveau : Très Facile / Date parution : 2022-01-14/ Recueil / Piano

Discover the techniques and nuances that make Albert Lee one of the most celebrated country-rock guitarists of all time. World-class performer and tutor Steve Trovato provides a candid analysis of the Albert Lee style including riffs licks and solos galore - all of which can be incorporated into your own unique sound! The disc includes a set of backing tracks allowing you to try some of Lee's characteristic techniques along with a full band backing as you jam.

Ex Maria Virgine was commissioned by Timothy Brown and the Choir of Clare College Cambridge with the generous support of Paul Lee. The first performance was given on 12th December 2008 in the Chapel of St John'sCollege Cambridge by the Choir of Clare College Cambridge with Simon Thomas Jacobs ( organ) conducted by Timothy Brown. The complete work Ex Maria Virgine (A Christmas Sequence) is also available Order No. CH73832.

Eric Lane Barnes has a very unique writing style and he has done it again with the choral Glee! This creative a cappella gem is quite entertaining hearkening back to the days of the glee club songs of Yale and Harvard.This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word “glee.” Novel yet eloquentin its style and performance possibilities Glee is “gleefully” a winner for any program.