Jazz Play-Along Vol.116. 2 CDs and book. What do you play when you have one chord for 8 or 16 bars? The Modal Jazz era presented new challenges for improvisers, spawning a fruitful period rich in new ideas, concepts, and harmonic exploration. This play-a-long includes several 'Standard' forms and important practice tracks; many of which are 'period accurate' and others which are stylistically more contemporary. These practice tracks are designed to foster understanding, facility and familiarity. Many of the first tracks are slow, making them perfect for beginners. Intermediate and advanced players will enjoy the opportunity to doubletime and experiment with an endless array of chord/scalesubstitutions over the otherwise simple tracks. / Niveau : Débutant / Méthode en anglais / Méthode / Tout Instrument

Par DUNCAN CRAIG. Ces solos artistiques, stimulants et belles quinze ont été pris pour l'intermédiaire à la violoniste de niveau avancé. Accompagnement de clavier est inclus. Certains des morceaux contiennent des arrêts doubles. Les sélections comprennent les deux pièces écrites à l'origine pour violon et des transcriptions idiomatiques. Ces mélodies familiers sont des oeuvres de J.S. Bach, Borowski, Brahms, Debussy, G.F. Haendel, Marcello, Moszcowski, Mouret, Mozart, Purcell, Saint-Saens, Strauss et Tchaïkovski. / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon

Les volumes de cette nouvelle série contiennent des duos , trios et quatuors , leur degré de difficulté allant de facile à travers intermédiaire à avancé . Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était de fournir une collection de compositions intéressantes et utiles , comme variable sous la forme possible en ce qui concerne l'instrumentation , pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir . La gamme et la hauteur des pièces permettent les travaux à exécuter sur n'importe quelle combinaison requise ou possible des instruments proposés . Niveau avancé Quatuors propose de véritables friandises ( Mazurka de Chopin , Träumerei de Schumann ) . Les difficultés techniques et musicales ne dépassent pas le niveau d'un musicien amateur bien formés et expérimentés , et les possibilités de luxe de variations dans les modalités de quatre parties pour les différentes familles d'instruments (cordes , vents, percussions ) proposent de la musique collective prise pour homogène ou ensembles mélangés . Caractéristiques spéciales sont Polka d'Anna par Johann Strauss Jr. et Ragtime de Joplin , qui enrichissent le répertoire de musique de chambre avec la nouvelle couleur . / Quatuor

Rockschool is about playing the styles of music you love.This pack contains the songs for Level 3, covering grades 6, 7 and 8. This level is tailored to those of you who are looking to develop advanced skills and techniques as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 3 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Ligne Mélodique, Paroles Et Accords

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par GREENE BARRY. Ecrit pour l'intermédiaire à avancé guitariste de jazz, ce livre suppose une connaissance suffisante des échelles de corde et théorie de jazz. Les sujets comprennent jouant modal, substitutions de corde, John Coltrane, substitutions, diminuées et mélodiques mineur échelles ainsi que traitant de la pentatonics. Companion CD inclus. / Niveau : Intermédiaire à Avancé / Jazz - Improvisation / Recueil / Guitare

Par ROTH DANA. This chart provides the bass player with a wealth of scales and modes. Included are all major and minor scales - all the church modes including Mixolydian, Dorian Lydian, Phrygian, and Locrian - harmonic and melodic versions of the minor scale - major and minor pentatonic scales - blues scale - diminished, augmented and chromatic scales - Neopolitan major and minor scales - the whole tone scale - and the Enigmatic scale. This chart is excellent not only for the beginner but also for the advanced player. / Niveau : Tous Niveaux / All Styles - Theory and Harmony / Etude / Guitare Basse

Duos für klassische Gitarre 2. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr’s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions—from stylistically varied periods and for a range of original instrumentations—are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach. / Niveau : Moyen-Difficile / Date parution : 2020-11-16/ Recueil / 2 Guitares

Expand your guitar knowledge with the Guitar Lesson Goldmine series! Featuring 100 individual modules covering a giant array of topics each lesson in this Acoustic volume includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremely useful tips scale diagrams chord grids photos and more to reinforce your learning experience plus 2 full audio CDs featuring performance demos of all the examples in the book! A huge variety of acoustic guitar styles and techniques are covered including: strumming techniques basic to advanced chords chord embellishments basic to advancedfingerstyle alternate tuning hybrid picking Carter style percussive techniques Travis picking block-chord style fingerstyle arranging and much more!

Par DAVIS JANET. This book covers all of the major scales in depth as applied to the 5-string banjo, answering potential questions concerning the use of major scales for any level of player, beginning through advanced. It features finger-strengthening exercises, chords, licks, practical applications of the scales and corresponding exercises which will increase the player's speed, accuracy and ability. While this is not a dictionary of all scales for the banjo, it will teach you how scales work in songs and will help you play in any key. With this knowledge and these skills, you should have a solid foundation and the necessary background for understanding and using all scale types. Written in tablature only. / Niveau : Débutant à Intermédiaire / Acoustic Music - Technic / Tablatures / Banjo Tablatures à 5 Cordes

Larry Coryell discusses and illustrates scales, modes, finger exercises, improvisation and chords. This book offers notation, tablature, and three audio CDs for the intermediate to advanced student. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par HADLEY J.CASTILLE. Learn from a Cajun Fiddle Master himself, Hadley J. Castille, as he explains your favorite Cajun Songs!! Hadley J. Castille is one of the finest exponents of authentic South Louisiana Cajun fiddle music. Ever since his epiphany during a tour of Canada in the early 80s, Hadley J. Castille has represented a rare side of Cajun music history. While most practitioners follow the typical accordion-fiddle model, culling tunes from the standards vault, Castille's roots are a direct link to the Cajun Swing era of the late 30s, specifically those of Cajun swing fiddle king Harry Choates. In this interactive DVD, Hadley and his band The Sharecroppers perform original and favorites as well as an explanation of how and why Hadley plays these songs. When being used as a fiddle teaching tool, this fully interactive DVD can teach both intermediate and advanced students. / Niveau : Intermédiaire à Avancé / Cajun-Zydeco - Methods / Méthode / Violon

Level 4 of Hal Leonard's Essential Elements for Strings series is perfect for your advanced-level students. Each book includes:- A detailed practice routine for scales- Three-octave major and minor scalesand arpeggios- A systematic fingering system for scales- Extensive shifting exercises for advanced positions- Shifting reinforcement in a musical context using unison orchestra excerpts- Advancedtechnical development- Sequenced rhythmic and bowing studies- and much more!