SKU: HL.48013880
UPC: 073999559415. 9.0x12.0x0.121 inches.
Violin and Piano.
SKU: HL.48013837
UPC: 073999138375. 9.0x12.0x0.181 inches.
Contents: Gottes Segen * Von der Liebe * Das Wolkchen * Reiterlied * Mittag * Schelmenliedchen * Heimat * Das Magdelein und der Spatz * Abendlied * Wunsch * An den Fruhlingsregen * Der Postillon * Brunnersang.
SKU: HL.48013982
UPC: 073999139822. 9.0x12.25x0.115 inches.
Piano Solo.
SKU: HL.49002242
ISBN 9790001032414. UPC: 073999597097. 9.0x12.0x0.264 inches.
Violin, viola and piano.
SKU: HL.48013838
UPC: 073999165968. 9.0x12.0x0.137 inches.
Contents: Klein-Marie * Lutschemund * Soldatenlied * Schlaf ein * Zwei Mauschen * Ein Tanzchen * Knecht Ruprecht * Die funf Huhnerchen.
SKU: HL.48013989
UPC: 073999967838. 9.25x12.25x0.117 inches.
Organ Solo.
SKU: HL.49006639
ISBN 9790001071895. 9.25x12.0x0.04 inches.
SKU: HL.48013836
UPC: 073999138368. 9.0x12.25x0.162 inches.
Contents: Gluck * Wenn alle Welt so einig war' * In einem Rosengartelein * Hans und Grete * Es bluht ein Blumlein rosenrot * Minnelied * Des Kindes Gebet * Zwiesprach * Abgeguckt * Friede * Der Schwur * Kindeslacheln * Die Mutter spricht * Schmeicheclkatchen * Vorbeimarsch.
SKU: HL.49009259
ISBN 9790001092609. UPC: 884088083892. 8.75x12.0x0.423 inches.
SKU: HL.48014287
UPC: 073999868814. 9.0x12.0x0.331 inches.
For 2 violins, 2 violas, and 2 cellos.
SKU: HL.49045562
ISBN 9783901974052. German.
Richard Strauss (1864–1949), the composer of large-scale operas and tone poems, also wrote lieder throughout his life. His entire oeuvre stretching over a period of 78 years is framed by lied compositions: the Weihnachtslied dating from December 1870 (the secondentry in the chronological catalogue of Strauss's works) and the lied Malven written in November 1948 (Strauss’s last completed composition). His lied compositions include lieder with piano accompaniment, genuine orchestral lieder and subsequent orchestrationsof original lieder with piano. Strauss frequently conducted his own operas and orchestral works and also gave public performances ofhis lieder both as pianist and conductor. As was customary in the concert practice of the time, he combined lieder with larger-scaleworks: it was not uncommon for tone poems and lieder to appear on the same programme. Music publishing houses were active in the dissemination of Strauss lieder across the world: in the first prints, the early lieder were published in their original register, mostly only with German texts, but numerous editions were subsequently issued for other vocal registers or with additional texts in English, later also in French, Italian and Russian translations. The broad spectrum was rounded off by arrangements of lieder (such as purely instrumental piano arrangements by Max Reger and Walter Gieseking), arrangements and orchestrations by other composers andlieder albums containing collections of Strauss lieder not ordered chronologically according to their opus numbers. The fact that Strauss is to this day one of the most frequently performed composers is not only due to his operas and tone poems, but also his lieder, particularly the most treasured favourites. A number of these pieces are contained in this volume: Zueignung op. 10 No. 1,Nichts op. 10 No. 2, Die Nacht op. 10 No. 3, Allerseelen op. 10 No. 8, Ständchen op. 17 No. 2, Ruhe, meine Seele! op. 27 No. 1, Cäcilie op. 27 No. 2, Heimliche Aufforderung op. 27 No. 3, Morgen! op. 27 No. 4 and Traum durch die Dämmerung op. 29 No. 1.
SKU: HL.48013833
UPC: 073999259612.
SKU: HL.48013924
UPC: 073999139242. 9.0x12.25x0.106 inches.
Contents: Toccata * Fuge * Kanon * Melodia * Capriccio * Basso Ostinato * Intermezzo * Praludium * Fuge.
SKU: HL.49004040
ISBN 9790001031233. UPC: 073999336733. 9.0x12.0x0.132 inches.
SKU: HL.48013909
UPC: 073999139099. 9.25x12.0x0.24 inches.
SKU: HL.49047222
ISBN 9798350106831. UPC: 842819118282. 9.0x12.0x0.334 inches.
The String Quartet in G minor Op. 8 dates from the time when Joseph Haas studied with Max Reger (1905). While reflecting the clear influence of his teacher as to form, it also shows the young composer as an artist with an independent personality as well as a truemaster of his craft.
SKU: HL.48014248
UPC: 073999752489. 9.0x12.0x0.257 inches.
SKU: HL.48013981
UPC: 073999870190.
SKU: HL.49004044
ISBN 9790001031240. UPC: 842819115137. 9.0x12.0x0.058 inches.
SKU: HL.49004719
ISBN 9790001049610. 6.5x10.25x0.02 inches. German.
SKU: ST.H491
ISBN 9790220224874.
Organist Richard Hills introduces this reissue of a neglected Edwardian classic with a timely note on performance-style, the composer and his works. Varied in colour and mood, and written with an idiomatic command of the instrument, these Three Impromptus reinforce the impression of Coleridge-Taylor not only as a versatile presence on the Edwardian scene, but also as a composer whose music is an enduring part of our British musical heritage.
SKU: AP.1-ADV7054
UPC: 805095070545. English. Transcribed by Trent Kynaston.
Romanze has been transcribed for alto saxophone and piano by Trent Kynaston.
SKU: CF.PL1072
ISBN 9781491160244. UPC: 680160918836.
An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone.
SKU: BO.B.3726
Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha.