SKU: HL.1117984

UPC: 847986000170. 8.0x10.0x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Maximum clarity for your drum sound The DTP 340 TT accurately captures the sound of your drums and percussion instruments with maximum clarity. This results in authentic instrumental sounds with sonic detail and character. Punch and clarity in a compact mic The DTP 340 TT gives you a well-balanced drum sound, in the studio and on stage. The supercardioid pattern reduces bleed coming from the other parts of your kit. As a result, you get a focused sound with punch and clarity. On top of that, the DTP 340 TT also sounds fantastic on guitar cabinets and its compact size helps to keep things tidy. Durable materials for longevity To assure your beloved microphone survives drops and unintended hits, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing structure-borne noise. Supercardioid pattern The supercardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.

SKU: HL.1117983

UPC: 847986000842. 8.0x10.0x7.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. For powerful bass drum sounds The DTP 340 REX accurately captures the sound of your bass drum and other bass-heavy sources. Switch between two sounds for more flexibility in the studio and onstage. Switchable sound characteristics A switchable EQ delivers massive sound by emphasizing frequencies from 70 to 150 Hz and from 3 to 5 kHz, optimizing the mic for use on the bass drum. You'll get an amazing sound right away, perfectly tailored to your application. Cuts a fine figure on your bass With the DTP 340 REX, you'll get massive yet clear kick drum and bass recordings, in your studio and onstage. The capsule is specifically designed to replicate low frequencies with precision and punch. Cardioid polar pattern The cardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.

SKU: HL.1117985

UPC: 847986000859. 8.25x10.0x7.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Exceptional sound for bass drums and other bass-heavy instruments The DTP 640 REX is a dual-capsule microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. Both capsules can be adjusted to emphasize your sound for studio and live applications. Dual-capsule bass drum microphone The DTP 640 REX features two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the bass drum, while the condenser element captures more of the body resonance and decay. Each element has a dedicated output. This enables you to shape the bass drum sound in unique ways. Three switchable sound characteristics =//= Both elements with neutral frequency response. +//= Dynamic element boosts frequencies between 3 and 5 kHz; condenser stays neutral. +//+ Dynamic boosts the range of 3-5 kHz, condenser boosts frequencies 70-150 Hz to deliver full-bodied sound. Great on all kinds of bass-heavy instruments With the DTP 640 REX you get massive yet clear bass drum and bass recordings, in the studio and on stage. Both capsules, dynamic and condenser, are specifically designed to replicate low frequencies with precision and punch.

SKU: CF.YAS19

ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: HL.1117969

UPC: 847986001719. 13.75x8.5x5.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Your mic for pure studio sound. The LCT 440 PURE uses the same high-end components and capsule technology as LEWITT's prestige models. You will fall in love with its larger-than-life sound and build quality right away. No doubt about it; this is a mic for life. LCT 440 PURE stands for class-defining sound. The LCT 440 PURE provides larger-than-life sound for vocals and instruments. Its 1″ true condenser capsule captures your signal with an impressive amount of depth and clarity. Every single capsule is measured and tested according to the highest quality standards. This way, you capture your individual personality and all the emotion you've put into your performance. Nothing limits your performance. You can record anything with the LCT 440 PURE as it is a true studio allrounder. It features a very low self-noise value of only 7 dB (A) and handles ear-shattering sound pressure levels of up to 140 dBSPL. This results in an outstanding dynamic range of 133 dB (A). What's in the box? The LCT 440 PURE comes with a shock mount that minimizes structure-borne noise, a transport bag, a windscreen, and a magnetic pop filter that perfectly integrates with the design of the microphone.

SKU: HL.1117971

UPC: 847986001962. 9.5x10.75x8.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Experience a whole new level of musical detail. The LCT 540 S lets you create ultra-resolution recordings of your vocals and instruments. It makes even the subtlest nuances sound crystal clear. Every single part of the microphone is meticulously calibrated pushing this microphone to capture even more details than human hearing. A new benchmark is set. The LCT 540 S is the flagship single-pattern 1″ true condenser studio microphone in LEWITTs product line. Its cutting-edge circuit design is an outstanding achievement on all technical levels and drops self-noise below the threshold of human hearing at a sensitivity of 40 mV/Pa, -28 dBV/Pa. Fit for extreme processing. With its cutting-edge circuit and capsule design, the LCT 540 S features an impressive dynamic range of 132 dB to capture everything from loud to subtle. You won't hear the self-noise of the mic even after heavily compressing the signal. What's in the box? The LCT 540 S comes in a mil-spec transport case with a shock mount that minimizes structure-borne noise, a transport bag, a windscreen, and a magnetic pop filter that perfectly integrates with the design of the microphone.

SKU: HL.1117960

ISBN 9781705180907. UPC: 847986002051. 6.75x10.0x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Well-balanced sound with pleasant high-end. The LCT 040 MATCH stereo pair provides professionally refined sound right from the moment you hit the “record” button. The tailored small diaphragm condenser capsule with its well-balanced frequency response gets you professional results in no time. About the matching process. LEWITT measures the frequency response and sensitivity of all their mics. The measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH. An algorithm compares all measured frequency responses and puts together the perfect pairs for flawless stereo recordings. Easy drum recordings. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. You will get a punchy and precise reproduction of your drum kit's unique sound. Made for acoustic guitar recordings With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound more crisp and defined than ever. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix. What's in the box? The LCT 040 MATCH stereo pair comes with two snap-in mic clips, two windscreens, and a transport bag with two compartments.

SKU: HL.1117973

UPC: 847986001085. 7.0x19.5x18.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Your tube mic that sounds even better than it looks. If you are looking for larger-than-life tube sound, look no further. The LCT 840 stands for exceptionally warm and classic tube sound. The dual triode 12AX7 tube delivers comforting sound with smooth high frequencies, while still preserving the ability to cut through the mix. Low self-noise and high dynamic range exemplify how the LCT 840 is classic design brought into the present. The LC10 capsule is precision taken to a new level. The externally polarized dual-diaphragm 1″ capsule captures every nuance of your performance thanks to its 3-micron-thin, gold-layered, low-mass diaphragms. It handles everything from vocals to full orchestras. Dual triode 12AX7 tube for warm sound The LCT 840 is fully devoted to warm tube sound. We use a dual triode 12AX7 tube to create that warm and comforting sound with smooth high frequencies while still preserving the ability to cut through the mix. Remote control and power supply in one The user interface on the remote control with integrated power supply allows a quick setup of polar pattern, pre-attenuation, and low-cut. It is easy to check or change the settings even in complete darkness due to its illuminated user interface.

SKU: HL.44005140

ISBN 9789043120685. UPC: 073999223897. English-German-French-Dutch.

These book/CD packs feature cool tunes for those who haven't been plaing very long, but still intend to steal the show! Includes solos with accompaniment and accompaniment only on CD for each of the 23 pieces in the book.

SKU: CF.YAS19F

ISBN 9780825854866. UPC: 798408054861. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patterns in the violas and low strings. An AABA form begins at m. 5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the 13 section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: HL.1117965

UPC: 847986001696. 8.0x10.25x4.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Studio quality recordings made easy. The LCT 240 PRO sounds fantastic on all sources commonly used in a project studio situation like vocals, acoustic instruments, amplifiers, piano, etc. Whatever you record, you will accomplish great sounding results; fast and uncomplicated. Always on the safe side. No source is too loud or too subtle for the LCT 240 PRO. It can handle ear-shattering sound pressure levels up to 142 dBSPL. With its high sensitivity capsule it is able to reproduce every sound source in a clear and precise way at any volume. Used in high-end studios around the world. LEWITT microphones are being used for recording in countless studios around the world, like Atlantic Records in NYC, Echobar Studios in North Hollywood, Black Bird Studios in Nashville, Metropolis Studios in London, the list goes on and on. What's in the box? The 240 PRO comes with a mic mount, a transport bag, and a windscreen that you can use to reduce plosives.

SKU: HL.1117962

UPC: 847986002228. 9.5x20.0x17.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Imagine getting the perfect sound every time. Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision. •Record with premium sound from high-end components and 1″ true condenser capsule •Create the perfect sound for different vocalists and instruments using 4 all-analog tube characteristics and a crystal-clear FET circuit •Adjust all settings from your sweetspot via the remote control A wide range of outstanding tube tones developed in close cooperation with world-renowned engineers and producers. •Clear - Tube works at technical optimum •Warm - Smooth and pleasant high-end •Dark - Tamed highs for bright sources •Saturated - Rich harmonics and subtle compression Together, these 100% all-analog tube characteristics are designed to cover all applications and styles recorded in the studio - from the finest violin to roaring Rock voices. They are the result of LEWITT's close cooperation with industry professionals and the global audio community. Extra punch and precision with the blendable FET circuit. Tweak your sound to perfection. You can dial in the FET circuit via the Circuit control whenever you're looking for that extra punch or precision for your voice or instrument. Tweak all settings from your sweetspot via the remote control Set up the LCT 1040 in the recording room where the artist performs. Detach the remote control from the PSU and connect them via your standard 3-pin XLR cable. Now you can finetune your sound from your sweetspot via the remote control, ensuring a smooth-running session. Seamless polar pattern control to get exactly what you want. Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario using the Default/Reverse flip switch. Two XLR outputs for full flexibility in post-production. To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. •The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. •The FET output delivers 100% pure FET independent from the Circuit control. Shock mount with carbon fiber elements and quick release mechanism •Quick release mechanisms for the microphone and the adjustment of the angle. •Carbon fiber elements support efficient decoupling of the microphone. •The microphone can be turned by 360 degrees when inside the shock mount. Dual-layer magnetic pop filter for clean recordings. The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer desig.