This extremely comprehensive blues solo collection features 260 pages and over 50 fingerpicking Guitar solos in notation and tablature in country blues, Delta blues, ragtime blues, Texas blues and bottleneck styles. Online audio tracks are included to download.

In this intimate portrait Rory Block talks about her life and music. She reminiscences about the legendary bluesmen she met and learned from as well as how her own music developed. She performs a wide variety of songs from her repertoire that show the power and elegance of her playing and singing. Titles include: Crossroad Blues Titanic Stones In My Pathway Moon's Goin' Down Preachin' Blues Canned Heat Mississippi Blues Frankie Future Blues County Farm Blues If I Had Possession Over Judgement Day Me And the Devil From The Dust Love and Whiskey Spider Boy Like A Shotgun Silver Wings and Crossroad Blues (Take 2).

Par MILLER JOHN. When John Hurt was rediscovered in 1963, he was presented with a very rare opportunity to expand and re-write his musical legacy, late in life. And he did just that, recording over seventy songs previously unrecorded by him, adding to the repertoire of thirteen titles he had recorded in 1928. In The Guitar of Mississippi John Hurt - The Rediscovery Years, John Miller focuses on performances that John Hurt recorded in between 1963 and his death in 1966, presenting transcriptions of 24 of those performances. The richness and variety of John Hurt's music is showcased in these songs, with everything from low-down blues in E to raggy numbers in C to waltzes in D featured. Transcriptions are provided in TAB and standard notation, lyrics for all of the songs are provided, and where verse accompaniments are provided in the transcriptions, indications are given to show where the vocal sits relative to the accompaniment. Audio clips of Mississippi John Hurt playing each transcribed song are available via a download link. If you're a fan of Mississippi John Hurt's music, The Guitar of Mississippi John Hurt - The Rediscovery Years will give you the most complete collection of his later performances available anywhere. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare

Accords sabrer chiffres de diapositives et de battre Bukka White sont capables de générer un niveau élevé d'excitation, capable de laisser joyeusement danseurs épuisés. Mais il ya aussi une sensibilité et un sens de la dynamique de sa musique. Paroles de Bukka couru toute la gamme de la perceptive au surréaliste. La combinaison de ces deux endroits voix Bukka parfaitement dans la tradition du blues et dans sa niche propre et unique.Dans cette leçon, Tom Feldmann vous emmène à travers 10 de mélodies Bukka White. En partant de réglage Vestapol vous obtiendrez sa main droite, en train battu ramasser le bout des doigts avec Special Streamline. Ensuite, vous devrez apprendre à maîtriser en jouant à Cross-Note tuning avec Swing Jitterbug, Aberdeen Mississippi Blues, Boogie mondiale et Sic chiens Em On.Bukka approche de Cross-tuning Notez le distinguait de ses contemporains et ajoutera une nouvelle dimension à votre propre jeu. Vous apprendrez truc Bukka de freiner la 3e corde, derrière la glissière ainsi que sa signature 'Spank the Baby' technique, un réel plaisir pour la foule. S'engager dans G Open Tuning vous apprendrez Poor Boy, Fixin 'To Die Blues et Gibson Hill. La leçon se termine par Quand puis-je changer mes vêtements et Strange Place Blues en accordage standard.Ces chansons triés sur le volet ont été choisis sur la base que Bukka utilisé des modèles similaires pour un grand nombre de ses chansons, et en apprenant ces 10 vous êtes vraiment apprendre la totalité de ses oeuvres enregistrées. Les enregistrements originaux vieux de tous les morceaux sont inclus.Les titres comprennent: OPEN TUNING D: Special Streamline CROIX-TUNING REMARQUE: Swing Jitterbug, Aberdeen Mississippi Blues, Boogie mondiale, Sic chiens Em Le G Open Tuning: Poor Boy, Fixin 'To Die Blues, Gibson Colline STANDARD TUNING: Quand puis-je changer mes vêtements, blues endroit étrange112 minutes - Niveau 2/3 - Détail de l'onglet / la musique au format PDF sur le DVD / Guitare

90 minutes pour apprendre le style de Mississippi John Hurt. Cette leçon se fait à travers les chansons qui l'ont rendu populaire : Spike Driver's Blues, Got The Blues, Coffee Blues, Richland Woman Blues, My Creole Belle, Monday Morning Blues, O'm Satisfied, Stack O'Lee, Candy Man, Avalon Blues, Make Me A Pallet On Your Floor. / Guitare

Stefan Grossman vous ammene à la rencontre de maître de la country blues guitar : Scrapper Blackwell, Blind Blake, Big Bill Broonzy, Rev. Gary Davis, Blind Lemon Jefferson, Lonnie Johnson, Charley Jordan, Josh White. Biographie de chaque guitariste, partitions en solfège et tablatures, CD audio enregistrements originaux des morceaux étudiés. Blue Day Blues Kokomo Blues Georgia Bound Big Bill Blues Mississippi River Blues Mr. Conductor Man Saturday Night Rub Stove Pipe Stomp Worryin' You Off My Mind Cincinnati Flow Rag Italian Rag Sally, Where's You Get Your Liquor From Two Step Candyman Easy Rider Blues Hot Dogs One Kind Favor Go Back To Your No Good Man Life Saver Blues Hunkie Tunkie Blues Keep It Clean Jesus Gonna Make Up My Dying Bed Little Brother Blues

The Mississippi Delta of the 1920s-1940s was a treasure chest of powerful blues performances. These lessons detail tunes by Willie Brown, Tommy Johnson, and Mississippi John Hurt. This book features notation, tablature, and three compact discs of phrase-by-phrase audio instruction for the intermediate guitarist. / Guitare (Fingerpick) / 16 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par CARR JOE. Alors que la mandoline n\'est pas comme un synonyme du blues comme la guitare, du violon tracassés vénèrent pourtant cousin était une voix de plomb important dans nombreux groupes de blues de chaîne des années 1920 à travers les années 1940 dont le Mississippi Sheiks, les Memphis Jug Band et la bande de chaîne de Dallas. Dans les mains de grands joueurs dont Carl Martin, Charlie McCoy, Yank Rachell, Howard Armstrong et Johnny Young, la mandoline était un membre convaincant de l\'ensemble de blues. Tous les styles de ces joueur sont présentés ici comme innovateur de musique bluegrass Bill Monroe, Jethro Burns (Homer et Jethro,) Tiny Moore (Bob Wills Texas Playboys) et des articles de Johnny Gimble spécial couvrent blues base shuffle rythmique, la création de vos propres solos de blues, les délais et les introductions. La musique est écrite en tablature et notation standard. / Niveau : Débutant à Intermédiaire / Blues - Methods / Tablatures / Mandoline Tablatures

Solos-This DVD lesson is for the intermediate and advanced fingerstyle guitar player. It is for the student who feels comfortable with an alternating bass technique and wants to expand and explore ideas in blues and ragtime using moreadvanced right and left hand techniques. The four instrumentals featured in this lesosn are all extended compositions offering a variety of musical ideas. Piano sounding blues in the key of A are presented in 'Mississippi Blues'and 'Blues For The Mann'. A Blind Blake approach in the key of C is used for the 'Glory Of Love'. 'Struttin' Rag' in the key of E Brings together thress distinct sections. It opens with a blues piano sounding motif and then stepsinto a more country atmosphere. It finishes with a series of bass licks reminiscent of Merle Travis's 'Walkin' The Strings'.

Willie Dixon is the man who changed the style of the blues. As a songwriter and producer the man was a genius. He took big band music and Mississippi blues and melded them into something new opening the door for Motown and others to walk in and take it even further. Songs include: I Got the Blues • Peace • Jungle Song • and more.

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare