SKU: HL.49005311
ISBN 9790001057103. 9.0x12.0x0.062 inches.
Diese Anleitung, die diatonische Modulation behandelt, ist in erster Linie fur die Stegreif-Modulation gedacht, wie sie besonders im liturgischen Orgelspiel oft benotigt wird. Es werden dabei nur geringe theoretische Kenntnisse vorausgesetzt.
SKU: BA.BVK02126
ISBN 9783761821268. 24 x 17 cm inches.
Mit einer vom Autor entwickelten Modulations-Drehscheibe.
SKU: PR.417049100
UPC: 680160682836.
SKU: BR.BV-368
How do I get from A (minor) to B flat (major)? The Theory of Modulation is a kind of musical roadmap that not every student is able to master with facility. Doris Geller's concise book is based on her many years of teaching experience.
ISBN 9783765103681. 6.5 x 9.5 inches. German.
With the help of many music examples, the author explains the various modula-tion techniques and challenges the student to experiment with the material on the piano at all times. In the end, the student will not only be able to run through the circle of fifths like a virtuoso, but, in Gellers opinion, will have learned something even more important: Whoever has learned how to modulate has also become knowledgeable in harmony and harmonic analysis - a by-product that should not be underestimated!
SKU: LM.VV147
ISBN 9790560051475.
HAENDEL G.F. : Sarabande - BACH J.S. : Polonaise - HAYDN F.J. : Andantino - SCHUMANN R. : Le poete parle - GRIEG E. : Arietta - Melodie Populaire - KABALEVSKI D. : Toccatina - BARTOK B. : Chanson a boire - Ronde - HINDEMITH P. : La Marche - LUMET D. : Ballade a 5/4 - DESORMIERES B. : Modulations - CHARTREUX A. : 18 images/secondes - LEVY K. : La petite plaisanterie - FLENDER D. : Rochers dans la brune.
SKU: LM.VV216
ISBN 9790560052168.
DESORMIERES Bernard : Modulations - Opus six - CHARTREUX Annick : 18 images par secondes - FLENDER Reinhard David : Rochers dans la brume - GAGNEUX Renaud : Carillons lointains - Signal continu - LEVY Krishna : La petite plaisanterie - LUMET Dominique : Ballade en 5/4.
SKU: CA.9240600
ISBN 9790007238384. Language: all languages.
SKU: HL.1341904
UPC: 665760908494. 3.5x5.0x3.0 inches.
Radius goes far beyond traditional ring modulation. With precise control over the balance and frequency ratios of both sidebands, you'll have more advanced control than with any ring mod that has come before. Organic, complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds are all on tap. Pitch tracking, a push-to-tune footswitch, and picking dynamics make it responsive and predictable in concert. In the studio, Radius has well-spaced controls for tabletop use and a full MIDI implementation for DAW integration. The 24-bit 96 kHz codec, audiophile op amps and stereo input/output make it equally at home in the studio or control room. Radius is a musical ring modulator and frequency shifter that lets you modfy the timbre of your instrument in new ways. With a multi-waveform LFO, step modulator, and MIDI-playable carrier oscillator, Radius modernizes classic electronic techniques for the future. Features: • Stereo ring modulator and frequency shifter • Continuous mix between ring modulation and frequency shifting • Selectable 2X frequency ratios for upper and lower sidebands • Frequency shifting with feedback • Three carrier frequency ranges (low, high, quantized) • Carrier frequency pitch tracking (monophonic, +/- 100%) • Pust-to-tone carrier oscillator • MIDI-playable carrier oscillator • Multi-waveform LFO (triangle, square, random, intelligent random, X mod +/-) • Step modulator (1-8 steps), programmable via front panel • Tap tempo and MIDI clock sync • Envelope follower • Envelope-triggered LFO (one-shot ramp, pulse, random, step mod) • Configurable AUX switch (tap, tune, preset, LFO) • USB and TRS MIDI • Full MIDI implementation • 96 kHz sampling rate • Web editor with preset upload/download • User-installable firmware updates (USB) Designed and assembled in USA. Requires a 9V DC 250 mA power supply (not included).
SKU: MB.93203
ISBN 9780871663634. UPC: 796279000222. 8.75x11.75 inches.
Now clearly at the intermediate level, Grade 4 begins by introducing the E major scale in three octaves plus the principal chords in E major. The C# harmonic and melodic minor scales are introduced followed by a wealth of carefully arranged solo and duet study material in various keys in the fourth, fifth, seventh, and ninth position. Three basic shapes for major and minor chords are reviewed through chord studies in various keys through the seventh position. Theory lessons address identification of intervals, the dominant seventh chord, and modulation. Written in standard notation only.
SKU: BT.PWM12271010
English.
The handbook Scale, Arpeggio, Interval and Modulation Studies for clarinet is addressed to teachers and pupils of music schools. It includes suggestions for exercises based on major and minor scales, arpeggios, and intervals, inchromatic progressions from e to eb1. All the exercises are in the form of studies, which enables them to be tailored to the player's ability. Text presented in Polish and English.
SKU: CF.CAS113
ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor.
Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS113F
ISBN 9781491151693. UPC: 680160909193. 9 x 12 inches.
SKU: HL.49047195
ISBN 9781705199725. UPC: 842819102922. 9.0x12.0x0.151 inches.
These 4 Préludes for flute (treble [alto] recorder or txistu in f) and piano are originally written for txistu and follow the ambitus of the Basque instrument. The initial Prélude, Allegro, is marked by its joyous character, its aksak rhythm (3+3+2), its generous modulations and its uninterrupted flow in the spirit of the Humoresque. The second Prélude, Moderato, is distinguished by asofter expression, a principle of ornamental variation, combined with a search for tonal diversity. The third Prélude, also Moderato, is in ternary rhythm with long expressive melodic lines accompanied by chords in amphibraque rhythm. The conclusive Prestois a saltarello developed in a game of tight modulations.
SKU: CF.CAS36
ISBN 9780825863646. UPC: 798408063641. 8.5 X 11 inches. Key: F major.
A warm and richly scored setting of the popular Christmas carol Bring a Torch Jeanette, Isabella, this full sounding arrangement will greatly enrich seasonal programming. Roy Phillippe has employed a broad palette of harmonic and instrumental colors to craft a memorable holiday selection.Bring a Torch is a lovely Christmas carol. Using techniques such as suspensions, re-harmonization and modulations, my goal is to provide an interesting showcase for this familiar melody. the introduction in F major features sustained violins with a pattern of moving eighth notes in the violas and cellos. This pattern recurs throughout the piece. The first statement of the melody is in the first violins. The second violins supply harmonic support along with the viola/cello pattern. Measures 13-29 feature a section of tutti chordal playing. Measure 30 crescendos into the modulation to D major at m. 32. Here, the dynamic is forte, and the viola/cello pattern returns. At m. 40, the violas and cellos have the melody with violin accompaniment. A crescendo begins at m. 44 and builds to fortissimo at m. 48, featuring a modulation to G major. At this point the melody should soar. A descrescendo at m. 60 is followed by a ritard at m. 64. The final four measures are in the original tempo ending on a tutti chord.Careful attention to dynamics, especially in the accompanying parts, will result in a fine performance.
SKU: GI.G-003039
UPC: 641151030609.
A very practical collection for accompanying hymns. Composer Edward Eicker has taken ten familiar and frequently-used hymn tunes and provided each with an artful introduction and a free harmonization, often used for a final stanza. In addition, there is a modulation provided for each tune that takes the hymn up one step. The modulation is followed by the same free harmonization in the new key. This collection provides organists with great flexibility—any one of the four items provided for the hymns can be used by itself or in any combination with the others.
