Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

Par MOZART WOLFGANG AMADEUS. / Niveau : Elémentaire / classique / Répertoire / Piano

Rondo aus der Sonate A-Dur KV 331-Alla Turca (March from Piano Sonata in A major KV 331).The new edition of Mozart's well-known march has been prepared from the urtext and supplemented for the sake of an easier interpretation by fingerings in few places.

The sonatas in C Major (KV 545) and A Major (KV 331) are among the most popular of all Mozart’s Piano sonatas. KV 545 is a firm favourite with Piano teachers and their pupils (for many pianists this represents their first introduction to the sonata repertoire) and KV 331 with its famous variation movement and the renowned Rondo alla turca is one of the most popular works of the whole Viennese classical period.Both sonatas are now also available individually as part of the new Wiener Urtext edition of all Mozart’s Piano sonatas. These editions are based upon the latest research into original documents and are notable for music that is clear and welllaid out with page turns in convenient places making the music more readily accessible to beginners and amateur pianists too.

Finale, Sonata No. 11, KV 331, Turkish March. Par MOZART WOLFGANG AMADEUS / PERCONTI BILL. Finale, Sonata No. 11, Kv 331, Turkish March/ Répertoire / 4 Saxophones (SATBar)

Mozart for Guitar 'est le deuxième volume de compositeurs Schott de la série qui rend plus célèbres chefs-d'oeuvre les accessible aux joueurs de guitare de grâce à un régime spécial pour la guitare. Les élèves, les étudiants et les amateurs de musique sont bien sûr intéressés à apprendre à mieux connaître à la fois la musique de guitare original et des oeuvres célèbres et leur musique. La guitare se déplace de la musique dans une zone de tons qui donne à la musique un caractère assez intime et parfois rêveur. L'album idéal pour les amoureux de Mozart jeu de guitare! / Guitare