Evis Sammoutis ' – Xylographies For Large Ensemble. Flute (=Piccolo=Alto Flute) Oboe (=English Horn) Clarinet In B Flat (=Bass Clarinet) Bassoon Horn Trumpet In B Flat Tenor Trombone Percussion (One Player: 2 Timpani 4 Woodblocks 2 Bongos Tam-Tam Wind Chimes Snare Drum 2 Suspended Cymbals Vibraphone And Crotales (Extension Of Vibraphone)) Piano Violin I Violin Ii Viola Violoncello Double Bass (Five Strings). Written For Klangforum Wien. Duration: 9'

For Narrator Children's Choir And Instrumental Accompaniment (Ensemble Version)-Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children?s Choir and Instrumental Accompaniment was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and MarciMeth?s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children?s Choir and Piano (AL30732) for Narrator Children?s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children?s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about ?Myla and the Boat-Tree?:

For Narrator Children's Choir And Instrumental Accompaniment (Choral Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and instrumental ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:

A Mass in Celebration of Mother Earth-Originally performed by the Paul Winter Consort Missa Gaia is a contemporary ecumenical and ecological Mass celebrating the Earth. The work features the Consort's trademark lyrical melodies with dynamic rhythms fromAfrican Brazilian and American gospel traditions incorporating Mass and biblical texts and interweaving the voices of wolf whale and harp seals. This publication contains newly edited and revised versions of the choralmovements set for mixed choir and keyboard with optional instrumental accompaniment enabling Missa Gaia to be performed in both liturgical settings and concert halls. Publications available: SATB score Sound Cues CD(animal voices) and Instrumental Score and Parts for Soprano Sax Oboe/English Horn Cello Piano Organ Guitar Bass and Percussion. Total Performance Time: Approx. 36 minutes.

Cantata for the 27th Sunday after Trinity-Violino piccolo - At sounding pitch E-flat majWachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New BachEditionStudy score format 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale

Christmas Cantata-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light andwashes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretivemovement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols ofAdoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1

Instrumental Accompaniment Set-Instrumentation includes: Full Score Oboe English Horn 2 Bassoon Violin Viola 2 Cello and Contrabass

Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23. Set of parts.

George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First World War started in 1914 he joined the Durham Light Infantry as a Lieutenant. In the trenches he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme but during the raidButterworth was killed by a sniper's bullet.Much of his music is influenced by folk-song. The idyll 'Banks of Green Willow' is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it.This pack comprises one full score string parts 4/4/3/4/2 and any wind brass and percussion parts.Orchestration:2 Flutes 2 Oboes 2 Clarinets in A or Bb 2 Bassoons2 Horns in F Trumpet in Bb Harp Strings (Violin 1 Violin 2 Viola Cello Double Bass)

Edition no.: BA 5899-90 ISMN: 9790006543502 Editor: Poetzsch, Ute Arranger: Köhs, Andreas Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: IX, 83 S. - 27,0 x 19,0 cm Georg Philipp Telemann?s two-part oratorio for St. John?s Day appeared as part of the ?great oratorio year? of 1730/31. Originally performed in two parts, before and after the sermon in the Divine Service, Telemann?s work now belongs rather to the concert hall repertoire. This hitherto unknown work, which lasts 45 minutes, is richly scored for soloists including 2 sopranos, alto, tenor and 3 basses accompanied by strings, flutes, oboes, horns and timpani, with further soloists and choirs also being employed. Performances are planned for the Magdeburg Telemann Festival in March 2014 and the Handel Festival in Halle in June 2014. ? Interesting addition to the repertoire for church as well as concert choirs ? Urtext edition based on the ?Telemann Musical Works? ? Performance practice orientated vocal score (Ger) ? Bilingual preface (Ger/Eng)

Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.