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Shrek: Fairytale Opening Bassoon Quartet
Shrek: Fairytale Opening Bassoon Quartet
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King Kong - Opening theme
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Gurenge (By LiSA, Opening song of "Demon Slayer") for String Quartet
Gurenge (By LiSA, Opening song of "Demon Slayer") for String Quartet
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Philip Sparke: A Bandsman's Overture: Brass Band: Score & Parts
Brass ensemble
Anglo Music
A Bandsman’s Overture was commissioned by British Bandsman magazine to ...
(+)
A Bandsman’s Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012.It was premiered by Black Dyke Band conducted by Dr Nicholas Childs at a special anniversary concert held in Symphony Hall Birmingham on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field following an amalgamation of two magazines. The then owner John Henry Iles celebrated this new title by commissioning Ord Hume to write the famous march BB & CF. As a salute to this heritage A Bandsman’s Overture starts with thefour notes B(b)-B(b)-C-F a motive which permeates an opening fanfare which contrasts a busy opening with a more legato central section.This gives way to a bustling Vivo based on repeated staccato notes. A change of key heralds a central cantabile melody first on euphoniums and baritone and then played by the full band which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare decorated this time by florid muted cornets.
81.99 GBP - Sold by Musicroom UK
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Andrew R. Mackereth: High Flyers: Brass Band: Score
Brass ensemble
Gobelin Music Publications
From the composer: High Flyers are regarded as people with promise and potent...
(+)
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title as well as being a play-on-words implies the nature of the work. It is a bright optimistic and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised with flourishes from the euphonium and baritones representing swirling clouds shooting stars or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
14.99 GBP - Sold by Musicroom UK
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Rob Goorhuis: Peace for the World: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
The title and scope is not new but the message and the desire of the composer i...
(+)
The title and scope is not new but the message and the desire of the composer is clear. It is mainly that music can solve problems and can plead for peace in the whole world. Musically Peace for the World is a brief opening work with a fanfare-like opening followed by a melodious middle part and a end that refers to the opening.
84.99 GBP - Sold by Musicroom UK
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Andrew R. Mackereth: High Flyers: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
From the composer: High Flyers are regarded as people with promise and potent...
(+)
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title as well as being a play-on-words implies the nature of the work. It is a bright optimistic and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised with flourishes from the euphonium and baritones representing swirling clouds shooting stars or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
96.99 GBP - Sold by Musicroom UK
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2 sellers
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Rob Goorhuis: Peace for the World: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
The title and scope is not new but the message and the desire of the composer i...
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The title and scope is not new but the message and the desire of the composer is clear. It is mainly that music can solve problems and can plead for peace in the whole world. Musically Peace for the World is a brief opening work with a fanfare-like opening followed by a melodious middle part and a end that refers to the opening.
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Wolfgang Amadeus Mozart: Fantasy in F Minor K. 594: Woodwind Ensemble: Score &
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Southern Music Ltd
for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV...
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for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.
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Rob Goorhuis: Peace for the World: Fanfare Band: Score
Marching band
Gobelin Music Publications
The title and scope is not new but the message and the desire of the composer i...
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The title and scope is not new but the message and the desire of the composer is clear. It is mainly that music can solve problems and can plead for peace in the whole world. Musically Peace for the World is a brief opening work with a fanfare-like opening followed by a melodious middle part and a end that refers to the opening.
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Paul Smith: On History (from A New World): Mixed Choir: Vocal Score
Choral SATB
[Vocal Score]
Peters
VOCES8 singles series-An opening movement for SATB choir piano and timpani (wit...
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VOCES8 singles series-An opening movement for SATB choir piano and timpani (with solos for soprano tenor and alto). A calm opening leads to a dramatic conclusion with text by Cicero and Ovid in praise and recognition of their homeland. A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets. The music and texts link to form a narrative that questions what sort of ?New Worlds? have come into existence or could be created in our future and considers how we balance human traits of fear displacement isolation and conflict with equally human traits of love hope forgiveness and unity. The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble?s ethos and this is shown in their versatile concert programmes and innovative educational work. The ?VOCES8 singles? series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
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Hope Arises
Concert band
Southern Music
for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises...
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for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano. / Date parution : 2023-07-31/ Répertoire / Concert Band
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Phil Collins: You'll Be in My Heart: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
from Tarzan-The classic ballad from Tarzan by Phil Collins in a remarkable setti...
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from Tarzan-The classic ballad from Tarzan by Phil Collins in a remarkable setting for more advanced choirs! Opening as a gentle lullaby the vocal lines build into an expansive concert work with fully voiced choral harmonies andsweeping piano arpeggios. The arrangement builds through several exciting modulations before returning to the gentle strains of the opening. Available separately: SATB div. SSAA TTBB. Duration: ca. 4:25.
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Andrew R. Mackereth: Keep me Praising: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
A majestic opening which gets a thoroughly sparkling musical follow-up captivat...
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A majestic opening which gets a thoroughly sparkling musical follow-up captivating ensemble and a very well-known hymn are the ingredients of Keep me praising by Andrew Mackareth from the English town of Nuneaton. His music sets itself apart through it scintillating vitality and spontanity. His feeling for style and melody makes this flashing work into a beautifully balanced composition which will undoubtedly find its way into the concert-stage. Influences from both jazz and rock furthermore make it an absolute hit. Een majestueuze opening een spetterend vervolg bekende hymnes en technische uitdaging zijn de ingrediënten van Keep me Praising. De muziek vanAndrew Mackereth uit het Engelse Nuneaton kenmerkt zich door veelzijdigheid. Gebaseerd op Sing Hosanna en Praise my soul. Een aanrader!
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Jerome Kern Oscar Hammerstein II: All the Things You Are: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
Your audience will be swept away with this inviting setting of the Jerome Kern/O...
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Your audience will be swept away with this inviting setting of the Jerome Kern/Oscar Hammerstein classic! Opening with a warm rubato piano intro followed by vibrant opening chords from the singers this chart settles into a freshswing treatment that will make everyone smile! Available separately: SATB SSA ShowTrax CD. Rhythm parts available digitally (pno gtr b dm). Duration: ca. 4:20.
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Jacques Offenbach: The Tales of Hoffman (Les Contes d'Hoffmann): Mixed Choir:
[Vocal Score]
Schirmer
German-born French composer Jacques Offenbach is remembered for his nearly 100 o...
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German-born French composer Jacques Offenbach is remembered for his nearly 100 operettas of the 1850s 1870s and his uncompleted opera The Tales Of Hoffmann. Part of the standard opera repertoire Offenbach?s masterpiece is now also published as a ?G. Schirmer Opera Score Edition? for Voices with Piano accompaniment.A monument to E.T.A. Hoffmann this opera fantastique in three acts prologue and epilogue combines three of his grotesque tales moulded into a creative and provocative dramatic entity. The librettist Jules Barbier and Michel Carré chose Hoffmann as the hero of the famous musical fantasy adding the erratic essence ofthe author himself to the stories. Hoffman becomes the narrator and the main protagonist at the same time as he tells the three stories The Sandman The Lost Reflection in the Mirror and Councillor Krespel of his three loves.In setting the superb libretto to music Offenbach raced against time and finally lost dying only four months before the opening with the manuscript in his hand. The opera was an immediate success and saw 101 nights of performance in its opening year in Paris with subsequent premieres all over the world Geneva Budapest Berlin London New York Mexico Buenos Aires and many more.
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Douglas Court: New Horizons: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
New Horizons was written to commemorate the opening of the Sinclair Secondary Sc...
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New Horizons was written to commemorate the opening of the Sinclair Secondary School in Whitby Ontario Canada. The school operates under the philosophy 'Quality education today - for tomorrow' and is looking toward new directions in education for the 21st century.The school offers a wide range of learning opportunities where the integration of curriculum stresses academics athletics and the arts. This piece was performed at the official opening of the school in May of 1995.
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Scottish Highland Overture: Orchestra: Score
Orchestra
Southern Music Ltd
This overture is based on a Scottish sounding folk melody by the composer. The o...
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This overture is based on a Scottish sounding folk melody by the composer. The opening theme is lively and articulated based loosely in the Dorian mode. The slow middle section features solo horn followed by a return of the opening material marching the music forward to its rousing conclusion.
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John Wasson: Silver Celebration: Concert Band: Score
Concert band
Hal Leonard
Commissioned by the Richardson (Texas) Community Band Silver Celebration commem...
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Commissioned by the Richardson (Texas) Community Band Silver Celebration commemorates 25 years of service by their conductor George Jones. The work combines elements of traditional march style and also the bravura of epic film scores resulting in a piece that is both festive and celebratory in nature. The opening is a rousing 6/8 march featuring various sections of the band and exciting cross rhythms and then contrasted with a beautifully flowing lyric statement. A brief percussion feature leads to the final section recapping the opening themes with a flourish and dramatic appeal. Dur: 5:00
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James L. Hosay: Fanfare Britannica: Brass Band: Score
Brass ensemble
Curnow Music
This regal and stately fanfare-opener is a sterling new offering for band. Sixt...
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This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finish that will set a noble yet festive tone for your concert or special event. It even makes a great graduation recessional.Let FANFARE BRITANNICA be the crown jewel of your next performance!
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Melody Bober: Spanish Rhapsody: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate/advanced
FJH
Dramatic and rich in style and texture Spanish Rhapsody is a terrific showpiece...
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Dramatic and rich in style and texture Spanish Rhapsody is a terrific showpiece. Open octaves rolled chords and cross-hand arpeggios add up to a rousing opening introduction preparing for the waltz theme to make its entrance. The sweeping melody is full of expression and rhythmic tension great for rubato study. Tenutos appear in the R.H. (thumb) for voicing as the Rhapsody develops. Watch for the opening flourishes to return in a triumphant cadenza.
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Philip Sparke: South Down Pictures: Brass Band: Score
Brass ensemble
Anglo Music
South Down Pictures was commissioned by Millenium Brass 2000 an organisation co...
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South Down Pictures was commissioned by Millenium Brass 2000 an organisation comprising three brass bands from the county of Sussex England.The bands (Patcham Silver Hangleton and Brighton Silver) had got together to organise many events to mark the new millennium and these culminated in a concert in Hove Town Hall on July 9th 2000 when all three bands combined to give the first performance of South Down Pictures. The composer spent much of his childhood amongst the South Downs a range of hills in Sussex which runs parallel to the sea.Opening with a strong unison passage interrupted briefly by faster figures based on the interval of a fifth South Down Picturesdevelops with an often-passionate legato melody. Reaching a climax this is then followed by the main vivo section of the work whose main theme is based on the earlier ‘fifth’ figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive cornet solo over staccato chords. This theme is taken up by the whole band and leads back to a recapitulation of the main theme and earlier material. The cornet tune returns triumphantly in the major key before the opening unison passage reappears to provide a stirring coda.
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Michael Sweeney: Spring City Overture: Concert Band: Score
Concert band
Hal Leonard
Celebrating its 130th anniversary the Woodstock City Band of Woodstock Illinoi...
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Celebrating its 130th anniversary the Woodstock City Band of Woodstock Illinois (at one time known as Spring City) commissioned this dynamic overture honoring the long-standing tradition of summer concerts in the historic town square. Joyous and celebratory in nature Spring City Overture features a dramatic opening segment that builds to the tuneful main theme. A brief reflective lyric section provides a moment of calm before returning to the energetic opening theme. Beautifully paced for maximum emotional impact and providing challenging parts for all sections this powerful work is equally suitable for festivals or casual concerts. Dur: 5:00
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Andrew R. Mackereth: Keep me Praising: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
A majestic opening which gets a thoroughly sparkling musical follow-up captivat...
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A majestic opening which gets a thoroughly sparkling musical follow-up captivating ensemble and a very well-known hymn are the ingredients of Keep me praising by Andrew Mackareth from the English town of Nuneaton. His music sets itself apart through it scintillating vitality and spontanity. His feeling for style and melody makes this flashing work into a beautifully balanced composition which will undoubtedly find its way into the concert-stage. Influences from both jazz and rock furthermore make it an absolute hit. Een majestueuze opening een spetterend vervolg bekende hymnes en technische uitdaging zijn de ingrediënten van Keep me Praising. De muziek van AndrewMackereth uit het Engelse Nuneaton kenmerkt zich door veelzijdigheid. Gebaseerd op Sing Hosanna en Praise my soul. Een aanrader!
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Jodie Blackshaw: Letter from Sado - Score Only: Concert Band: Score
Concert band
BandQuest
Letter from Sado is an exciting new piece for young band based on a Japanese hai...
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Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists religious and military leaders were sent in exile many years ago. The island has historically had a strong community of taiko drummers and as such the piece incorporates optional homemade taiko drums. Blackshaw writes: To capture the idea of interpretation and the concept of reading between the lines the students are invited to become decision makers about particular sections in the music. For example the opening and closing sections of the piece use the same material which is a selection of repeated melodic figures.The students themselves decide how to play these figures as individuals in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast?) dynamics (how loud?) and articulation (smooth short or hard?). To inspire them we use the haiku poem; i.e. the opening section invites the students to play the material as if it were a 'stormy wild sea' and the closing section invites the students to play the same melodic figures but this time draw their inspiration from 'Heaven's River ' or as we know it the Milky Way. In-between there is an elaborate heavily textured section that becomes increasingly powerful. The music doesn't rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas that would have surrounded those individuals sent to Sado Island in exile the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance. Embrace your players' creativity offer them your trust and see how far Letter from Sado can take your band!
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Nun Komm, Der Heiden Heiland (I)
Solistes STB, Choeur SATB, ou Basson, Instruments
[Sheet music]
Carus Verlag
Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the fi...
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Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year./ Répertoire / Solistes STB, Choeur SATB, ou Basson, Instruments
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Ludovico Einaudi: Le Onde: Piano: Instrumental Album
Piano solo
Ricordi
Solo Piano work written in 1996 by the acclaimed Milanese composer. Einaudi writ...
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Solo Piano work written in 1996 by the acclaimed Milanese composer. Einaudi writes 'The idea of Le Onde was to write something inspired by Virginia Woolf's novel The Waves. I was really intrigued by the form of the novel which is very complex and interesting because some parts are written in italics and others in normal text. The parts in italics are like a cadence running through the book. The book is a description of what people see during one day starting from the light of the morning and by the end of the book night has fallen. Every time the italic chapters come back you see a different change of light on what's happening on the shore.' He started writingall the pieces for Le Onde inspired by this idea but reached a point when he felt there was still a piece lacking from the overall picture. 'I said 'yes it's missing Le Onde' which had in its opening the cadence of a wave. The idea was that the music flowed and was developing by itself from the opening arpeggio like when you see a wave developing in its space it's developing because it has to. It's perpetual motion.'
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Roland Kernen: French Carol: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Engel auf den Feldern singen-This beautiful arrangement begins with a festive op...
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Engel auf den Feldern singen-This beautiful arrangement begins with a festive opening following which the chorale melody is introduced. A lofty intermezzo follows after which the chorale returns with the joyful atmosphere of the opening. The work concludes with a splendid climax that creates a true Christmas mood for both musicians and audience.
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Simon Dobson: Four Sketches: Brass Band: Score and Parts
Brass ensemble
[Score and Parts]
Faber Music Limited
Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of ...
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Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of Brass at the Royal College of Music in recognition of the 25th anniversary of Benjamin Britten’s death. The first movement 'Fanfare' quotes directly from the opening violin melody from Britten’s song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement 'Prayer' is a definite contrast being and much more reflective and pensive in it’s mood and featuring a dream like euphonium cadenza. The third movement 'Funeral March' builds from a soft chordal opening to a chaotic and confusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off with its jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax making for an exciting conclusion to an excellent new work for the medium. Simon Dobson’s 'Four Sketches' was the winning entry in the European Brass Band Composer Competition held in Brussels in March 2002.
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Simon Dobson: Four Sketches: Brass Band: Score
Brass ensemble
[Sheet music]
Faber Music Limited
Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of ...
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Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of Brass at the Royal College of Music in recognition of the 25th anniversary of Benjamin Britten’s death. The first movement 'Fanfare' quotes directly from the opening violin melody from Britten’s song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement 'Prayer' is a definite contrast being and much more reflective and pensive in it’s mood and featuring a dream like euphonium cadenza. The third movement 'Funeral March' builds from a soft chordal opening to a chaotic and confusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off with its jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax making for an exciting conclusion to an excellent new work for the medium. Simon Dobson’s 'Four Sketches' was the winning entry in the European Brass Band Composer Competition held in Brussels in March 2002.
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Allan Robert Petker: I Will Sing: SATB: Vocal Score
Choral SATB
[Vocal Score]
Fred Bock Music Company
Designed and commissioned as a concert opening piece “I Will Sing ”...
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Designed and commissioned as a concert opening piece “I Will Sing ” demands attention and drafts even the most reserved into singing. Available with optional brass (2 tpts 2 tbns) and percussion the accompaniment iscrisp and rhythmic. The choral sentences are exuberant and driving and soon break into canon. A soft and reflective middle section exalts the oneness of God before a return to the opening fanfare. Ending with strength andexcitement it is great for festival and general use.
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