Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There along the coastline Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality.

Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.

Du som Troner - Kantate / Cantata by Rued Langgaard scored for Baritone solo Mixed Choir SATB and Chamber Orchestra. BVN363. Manuscript copy.

Rendu célèbre par le Stan Kenton Orchestra et un morceau préféré du circuit de Drum Corps depuis des années ce numéro latin est simplement le meilleur disponible ! L?arrangement impressionnant de Jay Bocook contient plusieurs styles et textures enun vrai tour de force.

Par RAVEL MAURICE. Maurice Ravel semble avoir été particulièrement attiré par l?atmosphère musicale de Vienne. Entre le commencement d?une ?uvre, en 1906, qui devait s?intituler Wien et son achèvement sous le titre de La Valse, en 1920, il écrivit les Valses nobles et sentimentales pour piano en 1911. Ravel orchestra les Valses en 1912 qui, du même coup, se transformèrent en ballet au titre de Adélaïde ou le langage des fleurs. / Date parution : 2022-07-23/ Répertoire / Piano

Cantus Mysticus was commissioned by The Foundation for the Cuenca Religious Music Week. First performance on 22nd March 2005 as part of the XLIV Cuenca Religious Music Week by Joan Enric Lluna (clarinet) Patricia Rozario(soprano) and the Madrid Community Orchestra conducted by the composer. The composer writes: Cantus Mysticus sets a text by Goethe concerned with the Eternal Feminine: Das ewig Weibliche sichuns hinan (TheEternal Woman draws us upwards). Many of my recent works have been concerned with meditation on the Creative Feminine which according to esoteric metaphysics reveals the 'child of the soul' and thus God. The slow contemplativeand very intense opening of Cantus Mysticus leads gradually towards a 'still centre' with much use of 'silence'. This is followed by an ecstatic celebration of the Divine Feminine the Virgine Madre of Dante and Christianity theMaha Maya of Hinduism and Maha Prajavati of Buddhism. The Jazz-style passages for clarinet express Lîla or Divine Play. Cantus Mysticus is scored for B flat clarinet soprano and strings (violins and cellos only).

Mendelssohn Concerto No. 1 in G Minor Op. 25. Performed by David Syme, piano Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Felix Mendelssohn's famous G-minor concerto is a showpiece which demonstrates the composer's pianistic brilliance. In three movements, it is one of the most revered concerti of the early Romantic Era. Lovely writing for the instrument abounds at every turn, and a thrilling finale makes for a great pianistic workout! Much of this concerto is of only moderate difficulty. Includes a printed music score and audio containing a complete version with soloist, in digitally remastered stereo, then a second recording of the orchestral accompaniment, minus the soloist for practice purposes. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Par MORSCHECK PETER. Classics Forever is a collection of famous classical works that are arranged for acoustic guitar. You know many of these beautiful melodies from radio and TV advertisements. In transcribing these pieces special attention has been given to preserving the 'original” composition as much as possible. In spite of this, the pieces have been kept at a level between easy and medium in difficulty. Through the duets and the ability to divide up the parts in the solo compositions, this book can also be used for group instruction. In order to give an impression of an almost authentic rendition of the work, the pieces on the CD have been recorded so that you play along with an orchestra. In English and German. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Shelter Island is a small island situated near the end of Long Island a few hours drive east of New York. In the summer it becomes a crowded tourist trap but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic shrouded in sea mists and driving rain. This brass band transcription by Phillip Littlemore is of the first movement of East Coast Pictures originally written for wind band and was commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’sEast Coast an area that provides great extremes in the geography and the people.

The magical atmosphere of a cold and snowy Christmas Eve is brought to life in this rich and melodic song from Home Alone. All of the music all of the magic all of the family home here with me. Use the recorded accompaniment or perform live with the string orchestra.