Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

Accompaniment for piano or strings and organ ad. lib. The string accompaniment may be used with W91 (SSA) and X169 (SATB).

Par WEISMANN WILHELM. 2 Flutes (Picc), Oboe (Cor Anglais), 2 Bassoons, 3 Trumpets, 2 Trombones, Timpani, Percussion, Organ, Harp and Strings - Durée: 25 min / Contemporain / Répertoire / Grand Ensemble Contemporain et Orchestre

Set of parts: vln I, vln II, vla, vc, db.. Par RUTTER JOHN. for SATB or SSA and strings, with opt. organ Set of parts for John Rutter's much-loved Nativity Carol, one of the composer's earliest pieces. The string accompaniment is compatible with both SATB and SSA versions of Nativity Carol, and this set includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db. / Date parution : 2022-04-01/ Répertoire / SATB ou SSA et Cordes, Orgue optionnel

Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

Creative Techniques for Keyboards-A member of the Rock 'n' Roll Hall of Fame Bernie Worrell is a musical genius who has performed on over 300 records with artists such as Parliament The Pretenders Buddy Guy Buckethead Les Claypool Gov't Mule Albert King Keith Richards Dee-Lite Jack Bruce Talking Heads and many others. Learn how he uses Clavinet Organ Piano and strings to enhance his music.Bernie teaches you his groundbreaking techniques like bass line doubling repetitive themes with variations syncopated upbeat stabs octave jumps and staccato. He shows you how to build grooves layer sounds and apply them over progressions. See how he adds colour with effects like wah phaser flanger fuzz and much more! By the end of this program you'll be the funkiest keyboard player around!Features include: iPod-ready video free lifetime membership for online lesson support authored for Zone 0 and more. 2 DVDs 2 hours

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,

Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence of music. ' -W. A. Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus, strings, and organ, this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style, with careful attention to dynamics, makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity, young bands LOVE to play truly greatmusic, and it just doesn't getmuch better than the mastery of Mozart. / Niveau : 2 / Répertoire / Concert Band

Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

Written in 1899 for the Cambridge Degree of Doctor of Music and prepared by Alan Tongue from the composer's manuscript A Cambridge Mass is the largest work written by Ralph Vaughan Williams before A Sea Symphony of 1909 and amongst his most ambitious. The opening Credo is set for SATB soloists double chorus and orchestra on the broadest and most dramatic scale. The Offertorium that follows is for orchestra only in lyrical sonata form. These two contrasting movements are balanced by a third part: a solemn Sanctus for double Chorus Brass Timpani and Organ and a choral-orchestral Hosanna which returns da capoafter a serene Benedictus for soloists wind and strings to crown the work with a jubilant fugal conclusion.

Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored for SATB soloists Mixed Choir (SATB) Trumpet (2) Trombone (3) Kettledrum Strings (without Viola) Organ. Full score performance material (BA5340) and vocal score (BA5340-90) based on the Urtext New Mozart Edition is available for sale.

Editor: Tivadar Nachéz Dedication: Jacques Thibaud gewidmet Instrumentation: violin, strings and organ Edition: piano reduction with solo part 22 Pages - Saddle stitching

Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative full score version is set for Soprano solo Alto solo Tenor solo Bass solo Mixed Choir-SATB Bassoon 3 Trombone Strings and Organ.

'Melody is the very essence of music.' -W.A.Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus strings and organ this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style with careful attention to dynamics makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity young bands LOVE to play truly greatmusic and it just doesn't getmuch better than the mastery of Mozart.