Seven evocative piano solos minimalist in style. Easy to play film music style.Composer's Notes:The PromiseA promise of unconditional love between two people. Although dynamics are marked they are a guide. Please play freely.After The RainThe rain has stopped the air is fresh leaves glisten in the sun. Play simply with an initial air of stillness taking care with articulation and left hand note placement.Moonlit DanceA waltz with some rubato. This piece was written for a young friend who was experiencing a great loss to convey to her a sense that all will be well.Night KissImagine a romanticmoonlit walk with a little flirtation and a stolen kiss here and there.A Celtic DreamLoch Lomond was enchanting. I hardly slept a wink because of the spectacular view from our room window. When I play this I am transported there.A New DayWritten November 14th 2015 following devastating news headlines from Paris. 'A new day' is about new beginnings.Mia Bella (Beautiful Light)Playful but sensitive. Mia Bella brightens any darkness with love and joy. When her work here is done she returns to the light.I really hope you enjoy playing these pieces as much as I have enjoyed writing them.

Par ARENS BARBARA. Nothing succeeds like success! The great popularity of Barbara Arens? One Hand Piano (EB 8646) has encouraged the composer to produce a further collection of pieces for left or right hand alone. The forty pieces are playful, lyrical, haunting or romantic; in tango, waltz, or gavotte dance rhythms; in rock, celtic, jazz and film music styles? A very special feature: the four one hand pieces by Nikolas Sideris, Alison Mathews, Garreth Brooke and Clemens Christian Poetzsch adding a further contemporary depth to the collection. Original one hand pieces by C.P.E. Bach, Abbé Vogler, Farinelli, Mandyczewski, and Sartorio and arrangements of folk songs and a cello suite by Max Reger will prove a welcome and satisfying challenge to all those wanting to improve their weaker hand, or who are temporarily or permanently only able to play with one hand. / Date parution : 2022-11-15/ Recueil / Piano

Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

This delightful collection of Celtic tunes for Flute features many beautiful songs dances and airs originating from Ireland and Scotland. Designed to make playing Celtic Flute easy this book contains Pianoaccompaniments and Guitar chords for all of the pieces. Play-along audio is also included featuring a full arrangement of each piece for use in the performance or studio setting. Celtic Flute Made Easyincludes the timeless works Bonnie Doon She Moved Thro' the Fair The Irish Washerwoman Danny Boy Down By the Salley Gardens and more.

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

A hand-picked collection of the finest old airs and dance tunes from the Celtic tradition. The music has been arranged for easy Harp but it is suitable for Piano and Keyboard or most other melody instruments. A wide variety of styles and flavours are included in this book and it is a perfect addition to the repertoire of any musician who has interests in Harp Music. This represent the various fashions and approaches of musicians in Ireland Brittany England Wales Cornwall and the Isle Of Man.This edition is complete with a CD of professional demonstration recordings to further help you capture that authentic Celtic character.

Sleepsong is a rich Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge.Released by Secret Garden in 2005 the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit You Raise Me Up. This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012.The piece is perfect for choruses looking to take their singing forward with specific directions for staggered breathing throughout offering an added challenge forensembles. Although designed to be sung A Cappella the arrangement includes a piano reduction for easy rehearsal.