Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble of soloist mixed choir and instruments (minimum: vocalist and organ). Programme Note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig: ?The Year? and ?Choral Hymn?. These three tunes were derived from the same material as the second movement of the 3rd Symphony and could be harmonized together in several different tempo relationships at the same time - like fractals which inspired me to write several choral and instrumental works in the following decade based on thesemelodies: ?Frost Psalm? ?Winter Cantata? ? Winter Hymn? ?Cantica? and others. One of these ´Sarvig melodies´ is now included in the new Danish Hymnbook under the title ?Året?(The Year). Ole Sarvig´s poem ?Året? (The Year) is Danish perhaps Scandinavian in character but its symbolic atmosphere is global (now snow is covering the whole earth). The basic composition of this cantata based on Sarvig´s many verses was done by letting soloist choir and instruments change in feelings and moods: from the almost silent inward-looking beginning (I: Chorale dolorosa) to a dancelike and happy optimism (II: A heaven germ on winged foot thrust deep into the earth its root) followed by nightmarish tone rows as the ?year-wheel of fortune? is turning (III: Sacrifice The Year) and the temptations of the snake (IV: In Paradiso) to the allegorical fights between egoism and altruism (V:The Cycle Autumn. Purgatory) before the ?waiting for a disaster?- atmosphere at the end of this choral Odyssé. Winter Cantata was from the beginning (1976) designed as an open work to be arranged by different combinations of soloists choir and (different) instruments. The printed version by Per Nørgård and Ivan hansen for soloist mixed choir and instruments (obo violin trombone vibraphone/percussion and organ) is from 1990. The work

For Flute Tenor Trombone (or Horn) Cello 2 Percussonists and 2 Pianists.Published in 1986.Commissioned by Flederman and first performed in Sydney 1986.Score.

Schirmer Choral Classics-Scored for SA Choir with Piano accompaniment the second movement from Bach's Cantata No. 4 Christ Lag in Todesbanden is a wonderful example of Baroque call-and-response and will provide both a learningexperience and a musical highlight for treble singers of all ages.

Originally recorded by Peggy Lee in 1960 this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton's standout arrangement was recorded by Queen Latifah on her album Trav'lin' Light.

The Boogie and Blues Piano Collection contains carefully transcribed boogie-woogie classics by Pinetop Smith, Hersal Thomas and Jimmy Jancey, along with new arrangements by Wolfgang Wierzyk. German boogie experts Axel Zwingenberger and Gottfried Böttger have their say in a fast-paced way. The first 10 pieces are arranged more easily and are suitable for getting started or for refreshing one's skill and knowledge. As you progress, surprises await, including classics like Happy Birthday, Silent Night and Für Elise... / Piano

Gods of Olympus was commissioned by the Really Big Chorus for performance at London’s Royal Albert Hall in July 2012. In keeping with the spirit of the 2012 Olympiad the piece is based on ancient Greece birthplace of the Olympic Games. The movements are inspired by four of the twelve Olympians the mythical Gods that dwelt on Mount Olympus: Zeus Ruler of Olympus; Hermes the Winged Messenger; Aphrodite Goddess of Love; Hephaestus Blacksmith & Fire-God. The text uses Jenkins’ own ‘mythical’ language first used in Adiemus. Performance materials are available on hire at www.boosey.com.Content - Zeus Ruler of Olympus:Part I: Fantare - Part II: Procession - Hermes the Winged Messenger - Aphrodite Goddess of Love - Hephaestus Blacksmith & Fire-God

Famously recorded by Ella Fitzgerald with Louis Armstrong, heres a medium swinger from the early days of jazz that makes a perfect showcase for a charismatic vocal soloist (optional duet for female and male). Everyone will have fun with this nostalgic romp!
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Hortus Musicae - Book 2 by Robert Saxton for solo Piano.Composed and published in 2016.Duration: 35 minutes.1: The Flowers appear on the Earth2: Light on the Water Garden3: The Garden of Changing Perspective4: Beech Bank (a la recherché)…5: Light in the hedge garden6: The Garden at twilight7: Hortus Animae Alis Fugacis [The Garden of the Swift-Winged Spirit] Hortus Musicae Book 2 was premiered by Clare Hammond at the 2016 Presteigne festival with funds provided by the RVW Trust.

Your students can sound like the great Count Basie Band in a short amount of rehearsal time with this very easy swinger. Range demands are low with the lead trumpet going only to a 3rd space C and lead bone to a D. The chart is scored to work for three saxes and four brass. Check out the performance notes for exact instrumentation.

Designed to introduce the young intermediate-level pianist to playing the blues Jazzin' the Blues presents fifteen original blues compositions in various keys styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part so the student can play along with a professional rhythm section which includes piano vibraphone alto flute drums andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory blue notes grace notes pedal-points tremolos trills syncopation anticipation delayed beats slash chords boogie-woogie left-hand patterns walking bass stride piano style straight eighths swingeighths passing tones rolled chords riffs 'filler' chords substitutions and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping); in addition the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping practice and jazzsoloing plus a list of noteworthy jazz pianists a key to chord symbols and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book you will be by the time youcomplete it! Includes access to online audio.

Dritter Teil: Nr. 1-120, vierter Teil: Nr. 121-294. / Recueil / Voix, Instruments

Par JANACEK LEOS. This Urtext edition of Janácek's works includes lesser-known piano pieces and miniatures from his late years. They complete our picture of Janácek the piano composer, best known for the cycles 'On an Overgrown Path” and 'In the Mists”. The late miniatures, entered in the album of Kamila Stösslová, reveal his compositional style at its most concise. The editor Ondrej Pivoda, the curator of the Moravian State Museum in Brno, has taken the autograph manuscripts as his principal sources while consulting other accessible sources, such as historical editions and copyist's manuscripts. This series of piano miniatures appears for the first time in a scholarly-critical edition./ Répertoire / Piano