Par UNGAR JAY. Composed by Jay Ungar and Molly Mason and arranged for solo piano by Molly, this beautiful, romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requested tunes in concert. Perfect for weddings, this carefully prepared piano solo presents the theme 3 times through, beginning in G and modulating to D. The arrangement accurately captures the rhythms, harmonies and chord voicings of Jay and Molly's concert and recorded performances. Jay Ungar is nationally recognized for having composed and performed Ashokan Farewell, the theme of the PBS series 'The Civil War'. The Lover's Waltz is also available in a soloor duo violin edition with piano accompaniment. Composed by Jay Ungar and Molly Mason and arranged for solo piano by Molly, this beautiful, romantic waltz is the title cut of their critically acclaimed CD on Angel Records. This melody has become one of their most requestedtunes in concert. Perfect for weddings, this carefully prepared piano solo presents the theme 3 times through, beginning in G and modulating to D. The arrangement accurately captures the rhythms, harmonies and chord voicings ofJay and Molly's concert and recorded performances. Jay Ungar is nationally recognized for having composed and performed Ashokan Farewell, the theme of the PBS series 'The Civil War'. The Lovers' Waltz is also available in a soloor duo violin edition with piano accompaniment. / Niveau : Intermédiaire / Waltz - Solos / Recueil / Piano

Publié par Rudas Imre, Nagy Olivér Instrument: Basson et piano Genre: Baroque Pages: 26 pp Date du parution: 1963

Par OUZOUNOFF DANIEL. / Niveau : Assez Facile / classique / Date parution : 1987-12-01/ Répertoire / Basson et Piano

Par MEIER ARNAUD. Petite pièce amusante pour basson et piano. Le caractère de cette pièce rappelle le côté fier, majestueux et comique que prennent les flamants roses lors de leur danse de séduction. Dès la fin de la première année. - Arnaud MEIER - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Basson 1 Piano - Niveau de Difficulté : Facile - Durée : 2 mn 50 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Arnaud MEIER - / Niveau : Facile / Répertoire / Basson et Piano

Il s'agit de pièces agréables écrites par le hautboïste Suisse déjà légendaire, chef d'orchestre et compositeur pour les enfants et les jeunes. Vous pouvez également danser, parler ou tout sourire avec la musique - pièces pour piano solo et pour piano duo de rechange dans ce volume. Convient parfaitement pour la musique de jeunes à tous les âges ! / Piano 2 Et 4 Mains

Par BERNARD PATRICE. Une pièce adaptée pour une audition ou un examen de fin de 1e cycle. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Basson 1 Piano - Niveau de Difficulté : Intermédiaire - Durée : 2 mn 05 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Patrice BERNARD - / Niveau : Intermédiaire / Répertoire / Basson et Piano

Par PROUST PASCAL. Une courte histoire, une petite danse... tels qu'on les vivait jadis dans nos villages. Pour un petit concert ou pour les examens de début de 1er cycle des jeunes instrumentistes. - Pascal PROUST - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Basson 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 10 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Facile / Répertoire / Basson et Piano

Par BERNARD PATRICE. Une pièce adaptée pour une audition ou un examen de fin de 2e cycle. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Hautbois 1 Piano - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 2 mn 25 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Patrice BERNARD - / Niveau : Intermédiaire à Avancé / Répertoire / Hautbois et Piano

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for baritone and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. Two duos (?Alles Gold? and ?Gegenlicht in den Bergen?) come from the ?Ensemble-Book I? for baritone and 14 instruments with texts by Erika Burkart (1990).

The 10 duos do not form a complete cycle that can be heard only as an entire work.

Smaller groups can be put together and presented according to text-related or musical aspects. The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Baryton et Piano] / Classique / Partition / Agrafé /

Brahms? popular 16 ?Waltzes? opus 39 composed in 1866 for four hands were transcribed by Brahms one year later for two hands. At the request of his publisher Brahms also wrote an easier version of the work for solo piano. Brahms himself described the first version as suitable for 'reasonable hands' that is for proficient players and the easier version as 'perhaps for prettier hands' that is for domestic music-making. He initially described the latter version to his publisher as a 'children?s edition'. The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romanticrepertoire.Both versions of the ?Waltzes? op. 39 (BA 9602 BA 9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms an informative foreword on the genesis sources and significance of the works together with comments on the primary sources.A key work in the Romantic piano repertoireAll known sources and the latest research findings taken into accountWell-presented musical layout with optimum page-turnsIncludes fingeringSuggestions on performance practice and interpretation (Ger/Eng)Informative foreword (Ger/Eng) and critical commentary (Eng)The EditorChristian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.He has released 24 CDs to date including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold.

Gillock's On a Paris Boulevard may be played as a solo (Piano 1) or as a piano duo (the second piano part is slightly more difficult). A lyrical masterpiece that sounds effortless and fits well in the hands. Key: F Major.

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /