Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performed along with the similarly scored setting of psalm 100, Jauchzet dem Herrn, alle Welt [CV 39. 106]./ Répertoire / Solo B, Trompette, Violon, Alto et Basse Continue

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performed along with the similarly scored setting of psalm 100, Jauchzet dem Herrn, alle Welt [CV 39. 106]./ Répertoire / Solo B, Trompette, Violon, Alto et Basse Continue

Based on the ancient words of Psalm 100 and Prayer a poem by Gerard Manley Hopkins this piece wonderfully combines public rejoicing with intimate personal praise.A medium scale concert work for Soprano or Tenor Solo supported by a full SATB choir and Brass Ensemble or Piano accompaniment. This deeply moving work reinforces Chilcott’s reputation as a composer of beautiful music with integrity.

Psalm 100. Par SCHUTZ HEINRICH. / Répertoire / 3 Choeurs Mixtes à 4 Voix et Basse Continue

Dan Forrest's Jubilate Deo brings to life the global aspect of the traditional Psalm 100 by setting it in seven different languages and drawing from a wide spectrum of musical influences. Here movement 4 shifts to Africa setting portions of the text in Zulu and drawing from African vocal and drumming traditions. Works well in the context of the entire work or standing alone.

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performed along with the similarly scored setting of psalm 100, Jauchzet dem Herrn, alle Welt [CV 39. 106]./ Répertoire / Solo B, Trompette, Violon, Alto et Basse Continue

Uses: General Thanksgiving EastertideScripture: Colossians 3:16-17; Psalm 100:4; I Thessalonians 5:18Springing from the pages of Scripture this anthem evokes a spirit of thanksgiving in its musicaland textural approach. Beginning with a free-formed passage that acts as a vocal introduction the anthem eventually surrenders to a lilting 6/8 theme that has a memorable contour and gait. The rhythmic energy of thisceltic-styled praise song creates a vibrant call to praise for any worship service. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for guitar flute [penny whistle] percussion violin cello). Duration: ca. 3:03.

Based on Psalm 100 and texts by Christopher Smart this hymn anthem is scored for mixed voices with organ and trumpet. The congregation also gets to join in for a final stanza with soprano descant.

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performed along with the similarly scored setting of psalm 100, Jauchzet dem Herrn, alle Welt [CV 39. 106]./ Répertoire / Solo B, Trompette, Violon, Alto et Basse Continue

Uses: General Call To WorshipScripture: Psalm 66; Psalm 100This call to praise is a great opener or special anthem for service or concert use. Leaping from the page in a joyful 6/8 lilt the themeand piano accompaniment give the anthem a quasi-Celtic feel. This motivating message of adoration and worship is crowned with the repeated acclamations of “Jubilate Deo” (Shout to God with Joy!) Duration: ca. 2:21.

Uses: General MissionsScripture: Psalm 67:1-3; Psalm 145:11-13; Acts 1:8A perfect balance of ministry and artistry this sacred choral song reminds the listener that we must share the Good News. This melodicallyattractive selection is enriched with hymn-like four-part writing that makes even smaller choirs sound amazing. Sing to serve the Lord and set your alleluias free.

Psalmen und Choralsätze zu Liedern der Gemeinde, zum 100-jährigen Bestehen des Niedersächsischen Kirchenchorverbandes 1989/ Répertoire / Choeur Mixte

Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv.1–3 6–8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival September 1st 2017. Duration: c. 3 minutes. 'Last September in one weekend in Utrecht settings were sung of all 150 Psalms by 150 different composers covering 1000 years of choral music. The Tallis Scholars were one of the four choirs taking part and among their contributions was this new piece by Nico Muhly. The words are from the Book ofCommon Prayer version of Psalm 63 with the title teasingly taking one word from ‘My soul shall be satisfied even as it were with marrow and fatness.’ Cries of ‘O God’ provide a fluid background to an almost plainchant-like proclamation of the text at start and finish with other voices gradually joining the psalm text in the central section until all unite on ‘when my mouth praiseth thee with joyful lips’. For a choir happy to subdivide into 4S 2A 2T and 2B it is a setting of imagination and beauty.' - Sunday by Sunday

An arrangement of a religious song (Psalm 81) always stirs the imagination especially when sounding as intimate atmospheric and harmoniously as in Now to God our King.