SKU: CF.CM9585
ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.
SKU: LM.24746
ISBN 9790230947466.
Bluff - Indocility - Opium - Pausing - Pull - Ta Douce image - Relax-Slow.
SKU: BT.MUSAM993850
ISBN 9781847725813.
A beautifully presented, full-colour illustrated collection of songs and poems, to soothe, calm and relax. Calming songs arranged for easy Piano and voice. Relaxing poems including A Cradle Song byWilliamBlake, Lullaby for Titania from A Midsummer Night's Dream by William Shakespeare and many more. Includes a sing-along CD.
SKU: PR.ZM35870
SKU: AP.48115S
UPC: 038081555263. English.
A relaxing day at the beach is the setting for this expressive piece. A solo trumpet presents the morning melody, the rest of the band picks up the activity level in the afternoon with a strong modulation, leading to peaceful conclusion at day's end. (2:15) This title available in MakeMusic Cloud.
SKU: CL.029-1555-01
A very relaxing and appealing concert band piece for younger concert bands. Full of lush scoring, this piece give everyone in the band a change to shine. Very accessible and sounds great!
SKU: BT.AMP-048-010
9x12 inches. English-German-French-Dutch.
The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience. Het werk Summer Isles is afkomstig uit de suite Hymn of the Highlands van Philip Sparke. Het is een dromerig deel voor euphoniumsolo, met als thema een kleine eilandengroep ten noordoosten van Schotland, die beroemdis vanwege de plaatselijke fauna. De warme klank van het euphonium komt in deze muziek prachtig tot zijn recht.Summer Isles erweitert die dreisätzige Suite Hymn of the Highlands, einem viersätzigen Werk von Philip Sparke über verschiedene Orte im schottischen Hochland, um einen weiteren Satz, kann aber auch wunderbar separat gespielt werden. Es handelt sich dabei um ein träumerisches Euphonium-Solo, das nach einer Inselgruppe vor der Nordwestküste Schottlands, die für ihre Tier- und Pflanzenwelt berühmt ist, benannt wurde. Hymn of the Highlands(“Hymne des Highlandsâ€) est une suite en sept mouvements composée la demande du Yorkshire Building Society Band et de son directeur David King. Le mouvement intitulé Summer Isles (du nom d’un ensemble d’îles situées au large des côtes nord-ouest de l’Écosse) est un superbe solo pour euphonium, aérien et fluide, qui célèbre la beauté sauvage de ces îles réputées pour la richesse de la faune et de la flore.
SKU: PR.114420240
ISBN 9781491136195. UPC: 680160682034.
Perfect for pops concerts, SUITE NO. 3 provides a quaint time capsule of jazz-inspired classical music from 1939, soon after Gershwin’s death, and just before the hard-edged modern jazz of the 1940s. In this fast-slow-fast suite, “Take Five†refers only to relaxing for a few minutes (not the song composed decades later), and “B-Bop Major†is a musical pun that must have been added later.
