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Georg Friedrich Händel: Opera Arias: Mezzo-Soprano: Vocal Album
Vocal duet
[Sheet music]
Barenreiter
Based on the Bärenreiter vocal scores the three volumes in this series contain...
(+)
Based on the Bärenreiter vocal scores the three volumes in this series contain some of Handel's best-known arias for mezzo-soprano/contralto tenor and bass together with some less well-known numbers of equally high musical quality. The arias in these volumes contain works from Handel's thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias placed in the chronological order of the operas display various distinctive technical features and are mostly presented with the pre-ceding recitative or in a few cases in the context of an entire scene. The forewords by DonaldBurrows contain detailed notes on Handel's singers and on the context of the arias of the operas. Mio cor (Goffredo Rinaldo)Sorge nel petto (Goffredo Rinaldo)Pena tiranna io sento al core (Dardano Amadigi)Quando mai spietata sorte (Zenobia Radamisto)Già che morir non posso (Zenobia Radamisto)Fatemi o Cieli almen (Zenobia Radamisto)Deggio dunque oh Dio lasciarti(Zenobia Radamisto)Che colpa è la mia (Teodata Flavio Re de’ Longobardi)Priva son d’ogni conforto (Cornelia Giulio Cesare in Egitto)Par che mi nasca in seno (Irene Tamerlano)No che sei tanto costante (Irene Tamerlano)Crudel più non son io (Irene Tamerlano)Quanto più fiera tempesta freme (Eduige Rodelinda Regina de’ Longobardi)Orgogliosetto va l’augelletto (Matilde Lotario)Arma lo sguardo (Matilde Lotario)S’è delitto trar da’ lacci (Idelberto Lotario)Per tutto il timore (Valentiniano Ezio)Verdi allori (Medoro Orlando)Vorrei poterti amar (Medoro Orlando)Se l’inganno sortisce felice (Polinesso Ariodante)Dover giustizia amor (Polinesso Ariodante)Or che siete speranze tradite (Amastre Serse)Anima infida tradita io sono (Amastre Serse)Cagion son io del mio dolore (Amastre Serse)Meglio in voi col mio partire (Arsamene Serse)Non so se sia la speme (Arsamene Serse)Quella che tutta fé (Arsamene Serse)Sì la voglio e la
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Franz Joseph Haydn: Six Divertimenti For Violin: Violin: Study Score
String Trio: 2 violins, cello
[Study Score / Miniature]
G. Henle
Though not nearly as well-known as the 'London Trios ' these six delightful dive...
(+)
Though not nearly as well-known as the 'London Trios ' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit they are a treasuretrove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and otheritems from his opera 'Il mondo della luna' ('The World on the Moon').
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Pedagogia Musical V.2 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento ...
(+)
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento de la música y desarrollo del sentido musical - Desarrollo de las facultades expresivas y creadoras del niño - Despertar el sentido del ritmo y del equilibrio, a través de la música. El plan dejo que el presente volumen desarrolla está constituido por una serie de temas que siguen un orden de dificultades a superar: formación rítmica, formación auditiva, vocalizaciones, audiciones musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Pedagogia Musical V.3 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento ...
(+)
Par ESCUDERO MARIO. Los objetivos que persigue esta colección es: Conocimiento de la música y desarrollo del sentido musical - Desarrollo de las facultades expresivas y creadoras del niño - Despertar el sentido del ritmo y del equilibrio, a través de la música. El plan dejo que el presente volumen desarrolla está constituido por una serie de temas que siguen un orden de dificultades a superar: formación rítmica, formación auditiva, vocalizaciones, audiciones musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Georg Friedrich Händel: Ariodante HWV 33: Mixed Choir: Vocal Score
Opera
[Vocal Score]
Barenreiter
Opera in 3 acts; Also available for sale full score (BA4079) and performance mat...
(+)
Opera in 3 acts; Also available for sale full score (BA4079) and performance material for hire.'Ariodante? was the first work which Handel composed for the Theatre Royal in Covent Garden after his contract with the King?s Theatre Haymarket ran out in mid-1734.?Ariodante? stands out amongst Handel?s opera works by means of its combination of excellent and challenging music coupled with a first-class plot. There is probably no other Handel opera which contains such a wealth of striking and catchy arias as are found in the first act of ? Ariodante ? alone. The three wide-ranging arias composed for thecastrato Carestini are amongst the greatest bravura pieces.The plot is based on an episode in Ariosto?s epic ? Orlando furioso ? (1516). The central event of the drama the trick with which Duke Polinesso convinces his commander Ariodante that Ginevra is unfaithful was also used by Shakespeare in ?Much Ado About Nothing?.The Vocal score is based on Donald Burrows? 2007 Urtext edition in the ?Halle Handel? Edition (Series II/32). It therefore reflects the latest in musicological research. Based on the Urtext of the Halle Handel EditionStraightforward and easy-to-play Piano reductionOriginal Italian text with German singing translation
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Amleto (ZAFRED MARIO)
Voix et Piano Réduction
Ricordi
Opera Completa. Par ZAFRED MARIO. Langue: English(US)/Deutsch/Français/Nederlan...
(+)
Opera Completa. Par ZAFRED MARIO. Langue: English(US)/Deutsch/Français/Nederlands / Opéra-opérette / Répertoire / Voix et Piano Réduction
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Amleto (ZAFRED MARIO)
Voix et Piano Réduction
Ricordi
Opera Completa. Par ZAFRED MARIO. Langue: English(UK)/Deutsch/Français/Nederlan...
(+)
Opera Completa. Par ZAFRED MARIO. Langue: English(UK)/Deutsch/Français/Nederlands / Opéra-opérette / Répertoire / Voix et Piano Réduction
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Georg Friedrich Händel Thomas Augustine Arne: Comus: Opera: Vocal Score
Opera
[Sheet music]
Novello & Co Ltd.
The latest addition to the Novello Handel Edition. A stage work of 1745 based on...
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The latest addition to the Novello Handel Edition. A stage work of 1745 based on John Milton's classical masque Comus created from a compilation of songs by Handel and Thomas Arne both pre-existing and original with the text adapted by John Dalton. This is the first ever complete publication of the work and is edited by Handel scholar Colin Timms. This work is for three or four Sopranos Mezzo-Soprano Tenor one or two Bass Soli and Orchestra. This edition is an 'important new contribution to scholarship with Colin Timms continuing the work of Anthony Hicks in putting together an edition of work from various sources'. There are 'somefine movements to be found by both composers not least the three airs and trio that Handel provided specially for performance in Exton Hall Rutland in 1745'. Choir & Organ November/December 2017 'Potential performers will appreciatre the excellent editorial preface. The print of this vocal score with piano reduction though small is very clear and well laid-out and orchestral parts including a fully realised continuo part are available from Novello.' Organists’ Review December 2017
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Introduction To Opera: Reference
[Book]
Rhinegold Publishing Ltd.
Opera is a thrilling art form that deals with lifeâ??s rawest emotions and grea...
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Opera is a thrilling art form that deals with lifeâ??s rawest emotions and greatest passions: love jealousy revenge forgiveness sex passion corruption fate power and death. Combining music with drama creates an exciting spectacle which can convey emotions create moods and portray the inner feelings and desires of characters more powerfully than words alone. Add in wonderful sets costumes and increasingly complex technical effects and you have a genre that embraces all the arts in one.This accessible and engaging introduction has been written for both students and newcomers to opera. Simply explained and illustrated with pictures from a wide range ofproductions it includes:A guide to what to expect when you go to the operaBehind-the-scenes insights into how an opera is put together and staged including set design costumes lighting and technical effectsAn overview of the history and development of opera through the agesAn in-depth look at 12 featured operas from different periods and stylesA playlist of video clips has been chosen to accompany the book.
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Jean-Philippe Rameau: Dardanus: Opera: Score
Opera
Barenreiter
Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which...
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Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which was performed at the end of 1739 was composed apparently in only six months and marks a particularly productive phase in Rameau???s career. In a period of only six years five of his major works were performed at the Acad?mie Royale de Musique in Paris.The theme is taken from Greek mythology: the opera describes the war between Teucer (the future founder of Troy) his Phrygian people and the army of Dardanus.A milestone of French Baroque opera in a performance practice orientated vocal scoreWith a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the editionFull score (BA8854) and vocal score (BA8854-90) available for salePerformance material (BA8854-72) available for hire
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Georg Friedrich Händel: Arminio HWV 36: Opera: Score
Opera
[Sheet music]
Barenreiter
Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best...
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Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best-loved operatic librettos of the Baroque period.Against the historical background of the so-called “Battle of the Teutoburg Forest” in 9 AD in which the Cherusci leader Arminius as “Liberator of Germany” (Tacitus) inflicted a devastating defeat on the Romans Handel’s opera first performed in 1737 is about the disputes between the Chatti and the Cherusci. Arminius has married the daughter of his arch-enemy Segestes. When he is imprisoned Segestes who has conspired with the Romans sees his opportunity for revenge.- Urtextedition based on the “Halle Handel Edition”- Libretto in Italian with singable German translation- Comprehensive foreword (Ger/Eng) with important information on the history of the libretto as well as on the genesis and the performance history of the work. A detailed resume of the plot is also contained.- Extensive appendix with richly ornamented versions of two arias- Idiomatic piano reduction in the vocal score- Full score (BA4100) and vocal score (BA4100-90) available for sale- Performance material (BA4100-72) for hire
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Richard Wagner: Das Rheingold Urtext Study Score: Opera: Miniature Score
Opera
[Study Score / Miniature]
Eulenburg
This study score is based on the new Richard Wagner Complete Edition and incorpo...
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This study score is based on the new Richard Wagner Complete Edition and incorporates recent research findings. An absolute must for every serious Wagner fan as well as for opera lovers and libraries.
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Georg Friedrich Händel: Xerxes (Serse): Opera: Vocal Score
Opera
[Sheet music]
Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...
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Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
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Jean-Philippe Rameau: Les Indes Galantes RCT 44: Opera: Vocal Score
Opera
[Sheet music]
Barenreiter
Ballet Heroïque With A Prologue and Four Acts-The main body of the new edition ...
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Ballet Heroïque With A Prologue and Four Acts-The main body of the new edition of Les Indes galantes published in Opera Omnia Rameau (OOR IV.2 7) restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 appendices.Sylvie Bouissou?s new edition differs markedly from previous modern editions and all existing recordings. With its appendices she does justice to the performer?s need for Rameau?s various revisions while finally making accessible a version actually authorised byRameau. For the first time it is presented in its complete stylistic and dramatic context.Practical vocal score by François Saint-Yves for keyboard accompanimentBased on a reassessment of all sources and versionsDestined to have a clear impact on performances of Rameau?s magnum opusUrtext edition from the Rameau edition 'Opera omnia'.Full score (BA8860) and vocal score (BA8860-90) available for sale.Performance material (BA8860-72) available for hire.
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Luciano Berio: Vor Wahrend Nach Zaide: Opera
Opera
Ricordi
Commento A Un'Opera Incompiuta Di W. A. Mozart (1995) - Partitura
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Poul Ruders: The Thirteenth Child: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Ac...
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A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir as 'only she shall wear the crown'. Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom. When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude. Drokan observing the encounter admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra. Lyra asks her mother why she was sent away. Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts
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Georg Friedrich Händel: Lotario HWV 26: Ensemble: Score
Soli and Orchestra
Barenreiter
Opera in three acts-Lotario HWV 26Opera in three actsHandel?s opera Lotario was ...
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Opera in three acts-Lotario HWV 26Opera in three actsHandel?s opera Lotario was first heard at the King?s Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer?s lifetime Handel reused many of its arias in his later operas sometimes altering the words.The historical background of the plot is the conflict between Otto I (912 973) and Berengar of Ivrea for the Italian crown and Otto?s marriage to the Italian queen Adelaide in 951. In the course of composition the name of the hero (?Ottone? in Salvi?s libretto) was altered to ?Lotario? since Handel had already written an opera entitled Ottone on thelife of Otto II (955 983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition.- Urtext of the Halle Handel Edition.- Full score (BA4074) & vocal score (BA4074-90) available for sale.- Performance material (BA4074-72) available for hire
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Judith Weir: Blond Eckbert - Pocket Version: Opera: Vocal Score
Opera
[Sheet music]
Chester
With a libretto written by Weir herself based on the cryptic supernatural short...
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With a libretto written by Weir herself based on the cryptic supernatural short story Der Blonde Eckbert by Ludwig Tieck. This one act pocket version of the opera makes use of a Chamber group rather thana full Orchestra and omits the chorus.'Eckbert and his wife Berthe live in seclusion in the Harz Moutains. One stormy night Eckbert's friend Walther arrives and to while away the time Berthe tells him her lifestory.Walther mysteriously knows a great deal about Berthe' s early life and Eckbert's suspicions grow eventually leading him to murder Walther during a hunting expediton.Consumed by terror and suspicion Eckbert retreats into seclusion and revisits the fairy-tale scenes of Berthe's childhood accompanied by a magical singing bird. He encounters the old woman who raised Berthe and at last learns the terrible truth about Walther Berthe and himself.' - Judith Weir
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Luís Tinoco: Paint Me: Opera: Score
Opera
[Score]
University Of York Music Press
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera...
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Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra.Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection.'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey.' - Stephen Plaice
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Judith Weir: Blond Eckbert - Pocket Version (Full Score): Opera: Score
Opera
[Sheet music]
Chester
With a libretto written by Judith herself based on the cryptic supernatural sho...
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With a libretto written by Judith herself based on the cryptic supernatural short story Der blonde Eckbert by Ludwig Tieck. This one act pocket version of the opera makes use of a Chamber group rather than a fullorchestra and omits the chorus.'Eckbert and his wife Berthe live in seclusion in the Harz Moutains. One stormy night Eckbert's friend Walther arrives and to while away the time Berthe tells him her lifestory.Walther mysteriously knows a great deal about Berthe' s early life and Eckbert's suspicions grow eventually leading him to murder Walther during a hunting expediton.Consumed by terror and suspicion Eckbertretreats into seclusion and revisits the fairy-tale scenes of Berthe's childhood accompanied by a magical singing bird. He encounters the old woman who raised Berthe and at last learns the terrible truth about Walther Berthe and himself.' - Judith Weir
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Cronaca Del Luogo. Azione Musicale (BERIO LUCIANO)
Opera
[Score]
Ricordi
Par BERIO LUCIANO. Italian / Musique contemporaine / Date parution : 1905-06-2...
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Par BERIO LUCIANO. Italian / Musique contemporaine / Date parution : 1905-06-26/ Répertoire / Opéra
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Outis. Azione Musicale In Due Parti (BERIO LUCIANO)
Opera
[Score]
Ricordi
Par BERIO LUCIANO. Italian / Musique contemporaine / Date parution : 1905-06-2...
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Par BERIO LUCIANO. Italian / Musique contemporaine / Date parution : 1905-06-26/ Répertoire / Opéra
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Jesus Guridi: El Caserio: Voice: Vocal Score
Español
Opera
[Sheet music]
Unión Musical Ediciones
The full vocal score to Jesus Guridi's opera El Caserio (The Homestead). A lyric...
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The full vocal score to Jesus Guridi's opera El Caserio (The Homestead). A lyrical comedy in three acts.
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Educacion Musical Ritmica Y Ps (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Especialidad de preescolar - Ciclo inicial Este libro está ...
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Par ESCUDERO MARIO. Especialidad de preescolar - Ciclo inicial Este libro está dedicado a las Escuela Infantiles y Ciclo Inicial, y se divide en 5 partes: la primera consta de Canto-Lenguaje-Ritmo - la segunda y la tercera se orientan hacia la Psicomotricidad y la Expresión corporal - la cuarta está dedicada a la ión Auditiva - la quinta parte está dedicada a los Cuentos Musicales./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Educacion Musical V.2 (ESCUDERO MARIO)
Español
Opera
[Sheet music]
Real Musical
Par ESCUDERO MARIO. Los objetivos generales son: lograr que el niño ame la mús...
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Par ESCUDERO MARIO. Los objetivos generales son: lograr que el niño ame la música y se exprese por medio de ella - Detectar problemas motrices, auditivos y de lenguaje - Contribuir al desarrollo de la relación espacio-tiempo - Favorecer el desarrollo integral del niño. Losivos específicos: Desarrollo del ritmo, del oído y de la voz - Fomento de la creatividad - Desarrollo de la sensibilidad musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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