SKU: GI.G-317174
ISBN 9781574630930. UPC: 884088216153.
This book provides one huge room where everyone can gather to ask questions on the art of rehearsing and listen to answers from people who know. In his foreword, Frederick Fennell says, If you are a conductor, or are in training to be one, or are confused about how it's going, this book is all about you and me. It includes chapters by Frank Battisti, Eugene Corporon, James Croft, Donald R. Hunsberger, Jerry F. Junkin, Craig Kirchhoff, Allan McMurray, H. Robert Reynolds, James Smith, John Whitwell, and John E. Williamson. Click here for a YouTube video on Rehearsing The Band.
SKU: HL.48180233
For medium voice and piano.
SKU: AP.47275
UPC: 038081541662. English.
This piece is a musical representation of some of the prominent forms of renewable energy produced in the Imperial Valley. A powerful opening fanfare leads to rapid passages that depict wind; slow harmonic shifts signify sunrays permeating the landscape with ever-increasing heat; and flowing, descending passages represent water used in hydroelectric power.
SKU: FA.MFCD007PN
8.27 x 11.69 inches.
Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.Unfortunately, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
SKU: FG.55011-679-5
Anyone who believes traditional tonality to be no longer capable of expressing anything more than timeworn cliches should listen to Kerem's work. (Robert Maxham / Fanfare) Lament for violoncello and strings was written as a commission from Camerata Nordica and its principal cello, Per Nystrom, in 2008. At Per's request the solo part in this piece was composed to represent a lone human voice in a world of disappointment. The composer tells: I used the violins and violas as an operatic choir: they support and comment on the lament of the lone human being. The bass line is one long drone throughout the piece, representing destiny or unwanted reality. It disappears only when the solo voice with the chorus of violins and violas intensifies in their disagreement with life. At the climax of the piece the solo voice is momentarily swallowed by the chorus, only to return with an angry statement of the opening phrase. Thereafter the chorus calms down in acceptance that the world won't change. The bass drone returns to haunt the dying lament of the lone voice. The very last phrase is the only one in a major key and echoes as a prayer for hope. Duration c. 9 minutes. Score (all three versions), separate solo parts for violoncello / viola / violin and orchestral parts (33221).
SKU: GI.G-5958
ISBN 9781579992095. Text by Gilbert Ostdiek.
Focusing on the lives of saints and other holy people, Journey of the Sacred is a series of books and music created to guide members of small faith communities on their own sacred journeys. Unlike many other guides of this kind, Journey of the Sacred incorporates music into each session with a pre-recorded CD for singing along to chosen hymns and songs. Each journey offers six sessions consisting of prayer, Scripture, writings by the particular saint or holy person, reflection, silence, sharing, and an experience by a modern-day person that ties into the session's theme. Each session also allows for a going forth in action for the group or individual. One book is needed for each member of the small faith community. One CD is needed for the entire group. Although created for small group sessions, this series also may be used for individual meditation. Journeys may be used in any order. Rosemary Bleuher is Associate Director for Adult Formation for the Diocese of Joliet, Illinois and is known nationally for her work in small faith communities. Denise La Giglia is a spiritual director, musician, and recording artist from the Chicago area. Rev. Dennis Paul is a priest of the diocese of Joliet and ministers at St. Mary Nativity. Robert Piercy is the Catechetical Coordinator for GIA Publications, Inc. .
SKU: GI.G-5625
ISBN 9781579991395. Text Source: Bleuher, Rosemary, La Giglia, Denise, Paul, Dennis, Piercy, Robert.
Six sessions of prayer, Scripture, writings of St. John of the Cross, reflection, silence, sharing, experience, and action.
SKU: GI.G-10740
English. Text Source: The Order of Baptism for Children
Contents: Blessed Be God, Holy Church, Stretch Out Your Hands, We Believe in You, O Christ, God Is Love, Blessed Are They Who Wash Their Robes, Be Imitators of God, You Are God's Work of Art.
SKU: GI.G-8471
UPC: 785147847106. English. Text Source: Psalms 24, 67, 95, 100, adapt. RR. Scripture: Psalm 24, Psalm 67, Psalm 95, Psalm 100.
This edition comprises four sets of brief liturgical moments (Introit, Call to Prayer, Benediction, Amen), each set based on one of four psalms: Psalms 24, 67, 95, and 100. The individual pieces for SATB choir have their own reverent character and may be sung a cappella or with organ.
SKU: CA.332070
ISBN 9790007182502. Key: F major. Language: English. Text: Bridges, Robert S.
SKU: MN.80-325
UPC: 688670803253. English.
The text is from The Book of Common Prayer, the music is original. A melismatic chant-like opening builds steadily to a dramatic declamation of the text Therefore let us keep the feast. Then the chant line continues softly in the accompaniment as the final alleluias are sung. The organ accompaniment is quite sufficient but can be augmented with Brass Quintet. From Mass of the Resurrection (ECS 8325).
SKU: FJ.ST6496
UPC: 241444413760. English.
This spectacular arrangement features four movements from Tchaikovsky's famous Album for the Young. Opening with the endearing Morning Prayer, the piece then moves into the lighthearted waltz, The Hurdy-Gurdy Man. The beautiful Sweet Dream sets the stage for the delightful last movement, March of the Wooden Soldiers. Remarkably faithful to the original while also quite accessible to younger students! (6:30).
About FJH Developing Strings
Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: PR.111400950
UPC: 680160002368.
An epigram of praise and prayer by the ancient poet Meleager, set by the composer whose work, according to Slonimsky, is marked by sonorous exuberance and rhythmic impulsiveness. Moevs ( pronounced Maves) is professor of composition at Rutgers. Transliterated Greek text. For conservatory, professional. Difficult.
SKU: MN.80-330
UPC: 688670803307. English.
Scored for unaccompanied SATB choir with tenor soloist, the text is appointed in the Book of Common Prayer to take place during the footwashing. The piece is useful at any Holy Thursday/Maundy Thursday service. Brief sections of chordal chanting on text give this a liturgical and formal feel. The choral writing surrounding the chant is sonorous and beautiful. Duration: 2:30.
SKU: OU.9780193954397
ISBN 9780193954397.
For SAATB/SATB In addition to Shaw's classic editions of the 'Tudor' Preces & Responses by Byrd, Morley, Smith & Tomkins for SAATB, this revised volume also contains the Preces & Responses by Thomas Tallis and settings of the Lord's Prayer by Robert Stone and Thomas Morley for SATB.