This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiritual arrangers in the United States to deliver specially commissioned authentic settings. You'll find familiar melodies such as 'Deep River' and 'Somebody's knockin' at yo' do'' alongside lesser-known spirituals and a range of styles and moods extending from the aspirational to the celebratory. Many of the arrangements include a 'lead voice' part allowing the opportunity for solo singing and idiomatic piano parts support the voices for the accompanied spirituals; pianoreductions are included for the unaccompanied arrangements. This inspirational journey through the African-American spiritual tradition is sure to captivate and delight all upper-voice choirs.Arrangements in tow three or four parts'Lead Voice' parts for three arrangementsAccompanied and unaccompaniedPiano reductions for a capella arrangementsAuthentic arrangements by specialistsRange of styles and moods Edited by Rosephanye Powell and William C. PowellRosephanye Powell is a singer arranger and widely published composer. A graduate of the Florida State University Westminster Choir College and Alabama State University she has distinguished herself as a researcher and interpreter of the African-American spiritual. She has served as a consultant for nationally syndicated radio published articles on the subject and presented lectures and performances at high schools colleges universities music organizations and churches around the United States. Her spiritual arrangements have been commissioned by nationally and internationally recognized professional choral groups and conductors. She was appointed Professor of Voice at Auburn University in 2001.William C. Powell holds degrees from Alabama State University

Par POWELL ROSEPHANYE. Four art songs from the pen of Rosephanye Powell bring honor and tribute to African American music and educators. The title, Then, Here and Now, refers to the spiritual's use during slavery (thn) and its relevance today (here and now). Titles include: Opressed (Go Down, Moses), Healing (Balm in Gilead), Dying (I Wanna Die Easy), and Protest (Joshua Fought the Battle of Jericho)./ Répertoire / Voix Haute

Par POWELL ROSEPHANYE. The words of Langston Hughes resound more today than ever for justice, truth and freedom. Rosephanye Powell has selected 3 poems by Mr. Hughes and set them to music: 1. I Dream a World, 2. To Sit and Dream, and 3. Hold Fast to Dreams. These are contemporary art songs that should be a part of every vocal student's study and performance repertoire. / Date parution : 2022-10-25/ Répertoire / Voix Basse

A Capella-The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband William has adeptly revoiced this acappella setting for SSAA choirs. Also available for TTBB.

The Word Was God by Rosephanye Powell arranged by William Powell for TTBB choir.

Commissioned by the American Guild of Organists for their 2012 convention here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah the four movements follow the prophet's feelings of abandonment and redemption by God. Powell combines this ancient text with music that draws simultaneously from the African American musical heritage as well as the classical music traditions.

Commissioned by the American Guild of Organists for their 2012 convention here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah the four movements follow the prophet's feelings of abandonment and redemption by God. Powell combines this ancient text with music that draws simultaneously from the African American musical heritage as well as the classical music traditions.

Rosephanye Powell is known for her ability to bring earthy rhythmic ostinato patterns to a classical level and she has done it again with this one. Commissioned and composed for the National Women's Honor Choir for the ACDANational Convention 2003 this choral is destined for a long life. Relentless energy underscores the Psalm text of praise that makes this a fitting choral for both church and school.

Rosephanye Powell has taken a passionate poem of love by Georgia Douglas Johnson and given us notes that truly sing. A fitting wedding song it celebrates the moment when love is at its fullest and would fit almost any high school college or community choir concert program. Medium.

A new creation from Rosephanye Powell this large-scale choral work infuses the imagination of singer and listener alike to the great mystery and great joy that is the Trinity--Father Son and Holy Spirit.

Under the heading “Three Psalms of David” popular writer Rosephanye Powell has composed a trilogy. Although they can be performed separately they function best as a set: O God You Are My God (Psalm 63:1-2); MakeHaste O God (Psalm 70:1-3 5b); The Righteous Cry Out (Psalm 34:17-18a). Her originality and creativity provide a musical perspective that is fresh and captivating. Great for church or school. Available: SATB.

Somebody's Knokin' At Yo' Do' is a beautiful choral piece written for Soprano and Alto voices with accompanying Piano. This piece of sheet music has been expertly arranged by Rosephanye Powell.

Simple syncopation and easy harmony create success for young singers in this new setting by Rosephanye Powell. The limited range in the men's part is well-suited to changing voices. Exciting!

Under the heading “Three Psalms of David” popular writer Rosephanye Powell has composed a trilogy. Although they can be performed separately they function best as a set: O God You Are My God (Psalm 63:1-2); MakeHaste O God (Psalm 70:1-3 5b); The Righteous Cry Out (Psalm 34:17-18a). Her originality and creativity provide a musical perspective that is fresh and captivating. Great for church or school. Available: SATB.

Sorida is based upon a tradition Zimbabwe greeting and is written by Rosephanye Powell for SATB chorus.