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| Starter Studies French horn [Sheet music] Anglo Music
(Horn). For French Horn. Anglo Music Press Play-Along. 28 pages. Anglo Music Pre...(+)
(Horn). For French Horn. Anglo Music Press Play-Along. 28 pages. Anglo Music Press #AMP083. Published by Anglo Music Press
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Taylor Swift - Selections from Folklore and Evermore French horn [Sheet music + Audio access] Hal Leonard
Horn Play-Along Book with Online Audio. By Taylor Swift. Instrumental Play- Al...(+)
Horn Play-Along Book with
Online Audio. By Taylor
Swift. Instrumental Play-
Along. Pop. Softcover Audio
Online. 24 pages. Duration
180 seconds. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Blue Horizons - Advanced Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Trumpet 1, Trumpet 2, Trumpet 3, alto Saxophone 1 and more. - Grade 5 SKU: CF.SPS85 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+28+28+14+14+4+14+14+7+24+28+28+8+4+8+8+14+8+9+12+12+8+8+8+8+12+12+9+12+8+16+4+3+2+6+6+6+7+44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85. Published by Carl Fischer Music (CF.SPS85). ISBN 9781491156421. UPC: 680160914968. 9 x 12 inches. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece†to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms†into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Blue Horizons - Advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Crash Cymbals, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3 and more. - Grade 5 SKU: CF.SPS85F Composed by Jeremy Martin. Sws. Sps. Full score. 44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85F. Published by Carl Fischer Music (CF.SPS85F). ISBN 9781491156438. UPC: 680160914975. 9 x 12 inches. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece†to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms†into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The William Bay Collection - Flatpicking Guitar Solo Anthology #1 Guitar notes and tablatures [Sheet music + Audio access] - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.WBM76M Saddle-stitched. Country. Book and o...(+)
Guitar - Intermediate SKU: MB.WBM76M Saddle-stitched. Country. Book and online audio. Mel Bay Publications, Inc #WBM76M. Published by Mel Bay Publications, Inc (MB.WBM76M). ISBN 9781736363096. 8.75x11.75 inches. This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heartfelt Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine and more. SKU: CF.CPS271F Composed by Chris Campbell. Full score. 16 pages. Carl Fischer Music #CPS271F. Published by Carl Fischer Music (CF.CPS271F). ISBN 9781491164105. UPC: 680160922895. Music is what feelings sound like is perhaps my favorite maxim about music. And I occasionally like to take a title—often a single word—and attempt to portray the purest expression of the feelings evoked by that word that I can.Heartfelt is probably my most successful attempt in this area. The quintuplet rhythms in this piece lend themselves surprisingly well to the emotional intent. Following the lead set by the trumpet soloist in the timing of these rhythms; the flutes and clarinets soon echo the sentiment. By the end of the piece, the entire wind ensemble has the opportunity to lock in the rhythm together (in rehearsals, m. 50 might be a good place to start this process).My recommendation is to just try to feel it, as opposed to attempting to rush four eighth notes or drag six sextuplet notes. And if there are some tears on some faces in the audience by the end of the piece, the ensemble has definitely done its job!Chris Campbell. Music is what feelings sound like is perhaps my favorite maxim about music. And I occasionally like to take a title—often a single word—and attempt to portray the purest expression of the feelings evoked by that word that I can.Heartfelt is probably my most successful attempt in this area. The quintuplet rhythms in this piece lend themselves surprisingly well to the emotional intent. Following the lead set by the trumpet soloist in the timing of these rhythms; the flutes and clarinets soon echo the sentiment. By the end of the piece, the entire wind ensemble has the opportunity to lock in the rhythm together (in rehearsals, m. 50 might be a good place to start this process).My recommendation is to just try to feel it, as opposed to attempting to rush four eighth notes or drag six sextuplet notes. And if there are some tears on some faces in the audience by the end of the piece, the ensemble has definitely done its job!Chris Campbell. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heartfelt - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine and more. - Grade 3 SKU: CF.CPS271 Composed by Chris Campbell. Set of Score and Parts. Carl Fischer Music #CPS271. Published by Carl Fischer Music (CF.CPS271). ISBN 9781491163702. UPC: 680160922499. Music is what feelings sound like is perhaps my favorite maxim about music. And I occasionally like to take a title—often a single word—and attempt to portray the purest expression of the feelings evoked by that word that I can.Heartfelt is probably my most successful attempt in this area. The quintuplet rhythms in this piece lend themselves surprisingly well to the emotional intent. Following the lead set by the trumpet soloist in the timing of these rhythms; the flutes and clarinets soon echo the sentiment. By the end of the piece, the entire wind ensemble has the opportunity to lock in the rhythm together (in rehearsals, m. 50 might be a good place to start this process).My recommendation is to just try to feel it, as opposed to attempting to rush four eighth notes or drag six sextuplet notes. And if there are some tears on some faces in the audience by the end of the piece, the ensemble has definitely done its job!Chris Campbell. Music is what feelings sound like is perhaps my favorite maxim about music. And I occasionally like to take a title—often a single word—and attempt to portray the purest expression of the feelings evoked by that word that I can.Heartfelt is probably my most successful attempt in this area. The quintuplet rhythms in this piece lend themselves surprisingly well to the emotional intent. Following the lead set by the trumpet soloist in the timing of these rhythms; the flutes and clarinets soon echo the sentiment. By the end of the piece, the entire wind ensemble has the opportunity to lock in the rhythm together (in rehearsals, m. 50 might be a good place to start this process).My recommendation is to just try to feel it, as opposed to attempting to rush four eighth notes or drag six sextuplet notes. And if there are some tears on some faces in the audience by the end of the piece, the ensemble has definitely done its job!Chris Campbell. $80.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jumpstart Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell, Clarinet 1, Clarinet 2, Clarinet 3...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bell, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS151F Composed by Carol Brittin Chambers. Closer. Concert Band. Full score. 28 pages. Duration 2:20. Carl Fischer Music #CPS151F. Published by Carl Fischer Music (CF.CPS151F). ISBN 9780825896446. UPC: 798408096441. 9 x 12 inches. A fast paced opener or closer, this piece is a wide-open thrill ride from the start! This has all the makings to be a smash hit piece for concert band. Feel the rush! $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Echoes from Within - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Contra-alto Clarinet, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Oboe, Percussion 1, Piccolo and more. - Grade 4 SKU: CF.SPS92 Composed by Quincy C. Hilliard. Folio. Sps. Set of Score and Parts. 2+16+4+8+8+8+4+2+4+4+4+4+4+6+12+12+4+4+6+6+6+6+4+6+4+4+2+2+6+6+4+6+32 pages. Duration 7:30. Carl Fischer Music #SPS92. Published by Carl Fischer Music (CF.SPS92). ISBN 9781491157893. UPC: 680160916498. 9 x 12 inches. Echoes from Within is a dramatic piece that must be played with emotion. The opening cadenza should be played in an uplifting manner. Care should be taken by the soloist not to rush this section. The Andante cantabile section should be played in a very expressive manner. The director is encouraged to use rubato, accelerando, ritardando, and other expressive means to achieve a romantic style during this section. At m. 40, the style should be light and dance-like in character. The director should make sure that the percussion parts do not dominate this section. The vibraphone and marimba must be heard throughout this section, except when marked forte. The second cadenza (m. 149) should be played with emotion. The section beginning at m. 150 should be played in a fanfare-like style, very bold and majestic. $125.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Echoes From Within - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Contra-alto Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Güiro, Hi-hat Cymbal, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2 and more. - Grade 4 SKU: CF.SPS92F Composed by Quincy C. Hilliard. Sws. Sps. Full score. 32 pages. Duration 7:30. Carl Fischer Music #SPS92F. Published by Carl Fischer Music (CF.SPS92F). ISBN 9781491157909. UPC: 680160916504. 9 x 12 inches. Echoes from Within is a dramatic piece that must be played with emotion. The opening cadenza should be played in an uplifting manner. Care should be taken by the soloist not to rush this section. The Andante cantabile section should be played in a very expressive manner. The director is encouraged to use rubato, accelerando, ritardando, and other expressive means to achieve a romantic style during this section. At m. 40, the style should be light and dance-like in character. The director should make sure that the percussion parts do not dominate this section. The vibraphone and marimba must be heard throughout this section, except when marked forte. The second cadenza (m. 149) should be played with emotion. The section beginning at m. 150 should be played in a fanfare-like style, very bold and majestic. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing to the Lord a new song (Singet dem Herrn ein neues Lied) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: C...(+)
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: CA.3914009 Psalm 98. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Sven Hiemke. 1x 39.140/31 horn 1, 1x 39.140/32 horn 2, 1x 39.140/33 tuba, 1x 39.140/34 trombone, 1x 39.140/42 harp. Stuttgart Urtext Edition: Telemann-Archiv. Singet Dem Herrn Ein Neues Lied.Ps 98. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Set of Orchestra Parts. TVWV 1:1345. Carus Verlag #CV 39.140/09. Published by Carus Verlag (CA.3914009). ISBN 9790007216214. Language: German. Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score and parts available separately - see item CA.3914000. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Big Book of Nursery Rhymes and Children's Songs Piano, Vocal and Guitar [Sheet music] - Beginner Music Sales
Music Sales. Children's. Composed 11-1-2004. 208 pages. Published by Music Sales...(+)
Music Sales. Children's. Composed 11-1-2004. 208 pages. Published by Music Sales.
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 110 Ireland's Best Fiddle Tunes - Volume 1 Violin [Sheet music + CD] Walton Music
With Guitar Chords. Edited by Paul McNevin. Waltons Irish Music Books. Celtic, I...(+)
With Guitar Chords. Edited by Paul McNevin. Waltons Irish Music Books. Celtic, Irish. 48 pages. Waltons Irish Music #WM1312CD. Published by Waltons Irish Music
$42.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 110 Ireland's Best Fiddle Tunes - Volume 1 Pennywhistle Walton Music
With Guitar Chords. Edited by Paul McNevin. Waltons Irish Music Books. Wa...(+)
With Guitar Chords. Edited by Paul McNevin. Waltons Irish Music Books. Waltons Irish Music #WM1312. Published by Waltons Irish Music (HL.634212).
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Traffic Jam Concert band - Beginner FJH
Concert Band Concert Band - Grade 1 SKU: FJ.B1380S Score Only. Com...(+)
Concert Band Concert Band - Grade 1 SKU: FJ.B1380S Score Only. Composed by Timothy Loest. Concert Band. FJH Beginning Band. Light Concert; Novelty; Rock. Score. Duration 1:10. The FJH Music Company Inc #98-B1380S. Published by The FJH Music Company Inc (FJ.B1380S). English. Experience 'rush-hour rock' like you've never experienced before! This easy-grooving, well-crafted original derives its automotive charm from the various car horn effects played throughout. Various novelty percussion instruments such as the police whistle and bulb horn will car pool your audience from the concert hall to the expressway. A charming piece that will put a smile on everyone's face, even if they get stuck in traffic on the way home from the concert!
Traffic Jam represents my idea of rush hour rock. This work derives its automotive charm from the various car horn effects played throughout. The most important articulation in the work is the marcato accent. Whenever this articulation appears, a car horn is being honked. Each honk should be percussive and short. Although the honks are dissonant, their composite notes should be balanced. It is recommended that the various honks be isolated during rehearsal, so that just the right sound and feel is achieved. Other important sounds include the police whistle and bulb horn. These novelty instruments should be held high for the audience to see and hear. With over 4 million miles of roads in the United States, one is destined to experience automotive gridlock. So before giving into road rage, roll down the windows, turn on the radio, and enjoy a traffic jam! Score only. Full set (score and parts) also available: B1380. About FJH Beginning Band Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1. $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Aeolus Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2 SKU: CF.YPS196F Composed by Joseph Compello. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS196F. Published by Carl Fischer Music (CF.YPS196F). ISBN 9781491152843. UPC: 680160910342. Aeolus is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!. Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Aeolus Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2 SKU: CF.YPS196 Composed by Joseph Compello. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8+12+6+6+2+2+4+2+20+4 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #YPS196. Published by Carl Fischer Music (CF.YPS196). ISBN 9781491152164. UPC: 680160909667. Key: C minor. Aeolus is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!. Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chase the Horizon Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cy...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 2 SKU: CF.YPS197F Composed by John Pasternak. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS197F. Published by Carl Fischer Music (CF.YPS197F). ISBN 9781491152850. UPC: 680160910359. Chase the Horizon is a musical journey depicting a lonesome cowboy riding on his horse, chasing the horizon. Composer John Pasternak has delivered a strong and musically rewarding piece for the young band. It begins with a nice legato section before setting off on the journey with a tuneful theme. The piece develops through several contrasting sections finishing in a dramatic conclusion. This piece is a story of new beginnings. While writing this piece I pictured a lonely cowboy riding on his horse, chasing the horizon. The beginning for this piece should have a very legato feel except for the Xylophone part, which should use a very abrupt, staccato articulation. Measure 9 should take on a staccato and light feel. The feeling should remain light except for the instruments with the melody, who should play their parts with a more legato feel. Dynamics throughout this first section are crucial. All parts at m. 22 should play with a legato style with focus on the dynamics. The trumpet interjection at m. 25 should be played very light. At m. 32 there should be contrast with all the different styles of articulation. Measure 42 should not slow down too quickly as the group should not ever get slower than the tempo marking at m. 49.The slow section at m. 49 should be played soft with a legato style growing gradually through m. 61. The articulation at m. 61 should be short and staccato, and be careful not to rush. The sections with the melody here should contrast the staccato of the ensemble with a legato style. When the ensemble arrives at m. 78 the piece should have a maestoso-style feel. The rit. at m. 88 should not become slower than the tempo at m. 92. At m. 92, let the horns and saxophones really shine through. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chase the Horizon Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cy...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 2 SKU: CF.YPS197 Composed by John Pasternak. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8+12+6+6+6+2+4+2+20+4 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #YPS197. Published by Carl Fischer Music (CF.YPS197). ISBN 9781491152171. UPC: 680160909674. Key: Eb major. Chase the Horizon is a musical journey depicting a lonesome cowboy riding on his horse, chasing the horizon. Composer John Pasternak has delivered a strong and musically rewarding piece for the young band. It begins with a nice legato section before setting off on the journey with a tuneful theme. The piece develops through several contrasting sections finishing in a dramatic conclusion. This piece is a story of new beginnings. While writing this piece I pictured a lonely cowboy riding on his horse, chasing the horizon. The beginning for this piece should have a very legato feel except for the Xylophone part, which should use a very abrupt, staccato articulation. Measure 9 should take on a staccato and light feel. The feeling should remain light except for the instruments with the melody, who should play their parts with a more legato feel. Dynamics throughout this first section are crucial. All parts at m. 22 should play with a legato style with focus on the dynamics. The trumpet interjection at m. 25 should be played very light. At m. 32 there should be contrast with all the different styles of articulation. Measure 42 should not slow down too quickly as the group should not ever get slower than the tempo marking at m. 49.The slow section at m. 49 should be played soft with a legato style growing gradually through m. 61. The articulation at m. 61 should be short and staccato, and be careful not to rush. The sections with the melody here should contrast the staccato of the ensemble with a legato style. When the ensemble arrives at m. 78 the piece should have a maestoso-style feel. The rit. at m. 88 should not become slower than the tempo at m. 92. At m. 92, let the horns and saxophones really shine through. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Unleashed - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Keyboard, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, String Bass, Suspended Cymbal, Timpani, Tom-tom, Trombone, Trumpet and more. - Grade 2.5 SKU: CF.XPS14 Composed by Peter Terry. Flexible Band (XPS). Set of Score and Parts. With Standard notation. 16+8+4+8+4+6+6+2+4+4+4+4+6+4+4+4+4+4+8+2+6+4+2+4+4+4+24 pages. Carl Fischer Music #XPS14. Published by Carl Fischer Music (CF.XPS14). ISBN 9781491152607. UPC: 680160910106. Peter Terry's Unleashed makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play. Directors will also love the instrumentation flexibility that this new version offers. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the opening theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​​​​​​​​Peter Terry, 2018. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Trumpet / Cornet / Flugelhorn) Trumpet [Sheet music + CD] Anglo Music
Trumpet. De Haske Play-Along Book. Size 9x12 inches. 28 pages. Published by Angl...(+)
Trumpet. De Haske Play-Along Book. Size 9x12 inches. 28 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Starter Studies (Clarinet) Clarinet [Sheet music + CD] - Easy Anglo Music
Starter Studies. (Clarinet). De Haske Play-Along Book. Play Along. 28 pages. Ang...(+)
Starter Studies. (Clarinet). De Haske Play-Along Book. Play Along. 28 pages. Anglo Music Press #AMP080. Published by Anglo Music Press
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Oboe) Oboe [Sheet music + CD] Anglo Music
Oboe. De Haske Play-Along Book. Size 9x12 inches. 28 pages. Published by Anglo M...(+)
Oboe. De Haske Play-Along Book. Size 9x12 inches. 28 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Bass) Double Bass [Sheet music + CD] Anglo Music
Eb or Bb Bass. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published b...(+)
Eb or Bb Bass. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Trombone) Trombone [Sheet music + CD] Anglo Music
Trombone. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Ang...(+)
Trombone. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Starter Studies (Tuba) Tuba [Sheet music + CD] - Beginner Anglo Music
Tuba. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo M...(+)
Tuba. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Starter Studies (Baritone / Euphonium) Euphonium [Sheet music] - Beginner Anglo Music
Baritone/Euphonium. De Haske Solo Work. Size 9x12 inches. 48 pages. Published by...(+)
Baritone/Euphonium. De Haske Solo Work. Size 9x12 inches. 48 pages. Published by Anglo Music.
$13.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Otto M. Schwarz: Thomas
Gansch presents Stay
Tuned - Pop & Jazz:
French Horn 2 French horns (duet) Symphonic Dimensions Publishing
10 Original Duets for Horn
11.99 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Taylor Swift: Taylor
Swift - Selections from
Folklore & Evermore:
French Horn French horn [Sheet music + Audio access] Hal Leonard
Horn Play-Along Book with Online Audio. 14 songs from the two 2020 album release...(+)
Horn Play-Along Book with Online Audio. 14 songs from the two 2020 album releases by the ever-popular and musically prolific Taylor Swift in arrangements for instrumentalists with approximately one year of playing experience. Each of these books also includes demonstration and play-along audio tracks online for download or streaming. Songs include: August · Cardigan · Exile · Gold Rush · Long Story Short · No Body, No Crime · Seven · Willow · and more.
14.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Ultimate Song Pages:
Piano Vol.1 (PVG) Piano, Vocal and Guitar [Sheet music] Alfred Publishing
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pag...(+)
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall
39.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Irish Favorites: French
Horn Solo: Instrumental
Album French horn [Sheet music + CD] - Easy Hal Leonard
Instrumental Play-Along-Solo arrangements of 31 Irish favorites with great-sound...(+)
Instrumental Play-Along-Solo arrangements of 31 Irish favorites with great-sounding CD accompaniment. Includes: Danny Boy ? I Once Loved a Lass ? The Little Beggarman ? The Minstrel Boy ? My Wild Irish Rose ? The Wearing of the Green ? and dozens more!
13.99 GBP - Sold by Musicroom UK | |
| James A. Beckel Jr.: In
the Mind's Eye: Images
for Horns and Orchestra:
French Hal Leonard
(Piano Reduction) Horn Quartet or Quintet-In the Mind's Eye is a concert piece i...(+)
(Piano Reduction) Horn Quartet or Quintet-In the Mind's Eye is a concert piece inspired by visual art. Visual artists and composers have often been influenced by each other's work; James Beckel took inspiration from five paintings to compose In the Mind's Eye employing musical effects that replicate various brush stroke techniques. Movement 1-Random Abstract Movement 2-Daniel in the Lion's Den Movement 3-Reflections (Fifth Horn part is optional)
25.99 GBP - Sold by Musicroom UK | |
| A Rushing Mighty Wind:
SATB: Vocal Score Choral SATB [Vocal Score] Shawnee Press
from the Celebrating Grace hymnal-First in a series of publications featuring ou...(+)
from the Celebrating Grace hymnal-First in a series of publications featuring our exclusive partnership with an exciting new hymnal project scheduled for launch in the summer of 2010 we are pleased to present a new Pentecost text with the popular hymn tune Festal Song. Lloyd Larson's splendid writing and the addition of brass accompaniment make this an outstanding choice for celebrating the festival of Pentecost!The new hymnal Celebrating Grace contains one of the most impressive collections of hymnody ever produced. You can learn more about this new resource for churches of every denomination by going to www.celebrating-grace.com. Available separately: SATB iPrint Orch CD-ROM (Tpt 1&2 Horn(opt.) Tbn 1 Tbn 2/Tuba Perc(Sus.Cymbal Snare Dr Timp. G C Keyboard) StudioTrax CD. Duration: ca. 2:28.
13.75 GBP - Sold by Musicroom UK | |
| Starter Duets / Philip
Sparke - Trombone /
Euphonium Tc Anglo Music
/ Trombone / 40 pages / niveau : Très Facile - Facile / Partition
20.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| L'Almanach Aux Images:
Flute: Instrumental Album Piano solo Spartan Press
Eight pieces for Piano inspired by poems by Tristan Klingsor for Mesdemoiselles...(+)
Eight pieces for Piano inspired by poems by Tristan Klingsor for Mesdemoiselles Jacqueline and Lucienne Rouché. Transcribed from the original work for Piano solo (1911). 1. Les MarionnettesA marionette is a string-operated puppet. Popular from as far back as Ancient Greece and increasingly the focus of entertainment during the Middle Ages and Renaissance period it has been proposed that the art of puppetry was the logical precursor to the appearance of live actors in the theatre. Stravinsky's ground-breaking ballet Petrushka which was completed in 1911 (the same year as Grovlez's L'Almanach incidentally) undoubtedly remains thebest-known evocation of a puppet. 2. Berceuse de la Poupée'Lullaby for a doll' though a seemingly improbable starting point for a musical work functions beautifully next to the marionettes in Grovlez's magical image-rich world though I detect something faintly subversive bubbling under the surface of this sublime melody. 3. La SarabandeThe 'Sarabande' is a stately dance in triple-time with a characteristic gentle emphasis on the second beat and was apparently first referenced in print in Central America during the 16th century (zarabanda). It rapidly grew in popularity over successive centuries especially within the Spanish colonies – and of course in Spain itself – where its reputation as having being 'invented in hell' (according to Cervantes) assured it a place in dance suites from Bach's time onwards. 4. Chanson du Chasseur'Hunter's Song' is a rollicking rum-tee-tum piece of great insouciance and swagger. The 6/8 rhythms and horn-like proclamations ride delightfully roughshod throughout the music. 5. Les Ânes'The Donkeys'. I presume Eee-orrr has the same connotation in French! – moreover the comical spirit of the music is not so far removed from Ibert's famous Le Petit Âne Blanc (Avec une tranquille
12.50 GBP - Sold by Musicroom UK | |
| Starter Duets - 2
Trombone/ Euphonium (bc) 2 Trombones (duet) Anglo Music
L?acquisition de nouvelles compétences, au sein d?une démarche structurelle, e...(+)
L?acquisition de nouvelles compétences, au sein d?une démarche structurelle, est indispensable dans l?apprentissage d?un instrument à vent. Un bon professeur est un élément-clé mais il est essentiel de posséder, en complément de la méthode utilisée, des outils pédagogiques motivants offrant une présentation structurelle des techniques de jeu et d?apprentissage. Chaque recueil d?études, de solos et de duos fournissent un evironnement adéquat à l?introduction de nouveaux éléments musicaux en suivant une démarche logique qui facilite le développement rapide d?un ?musicien complet?. Jouer en duo (professeur/élève et deux élèves) est un travail d?équipe dans sa forme la plus simple. Quelle que soit la forme choisie (étude, solo ou duo), chaque recueil est enrichissant et procure beaucoup de satisfaction. 1 Jeepers Creepers 2 Two Together 3 One More Time 4 Up and Down the Stairs 5 Three-legged Race 6 Once More 7 Upside Down 8 Heroes March 9 Peasants' Dance 10 Give Us a Break 11 The Bits In-between 12 Wednesday Waltz 13 A Little Fanfare 14 Another Little Fanfare 15 A Tune without a Name 16 Step by Step 17 Purple Patch 18 Scottish Gavottish 19 The Village Band 20 In the Country 21 In the Air 22 The Traveller 23 Do You Agree? 24 Westminster Waltz 25 Rushing Around 26 Bobby's Blues 27 Beach Cruise 28 Sparrow's Dance 29 Number Twenty-nine 30 Harvest Time 31 Wicked Waltz 32 Follow Me 33 Spanish Scherzo 34 Czardas 35 Peter's Polka 36 Pierrot's Puppet 37 Highland Tune 38 Bluebird's Ballad 39 Simple Serenade 40 Dance of the Dolls 41 Bobby Who? 42 Scottish Air 43 Spooks 44 Sad March 45 Willow Waltz 46 Canzona 47 Love Song 48 Dynamic Exercise 49 The Blue Danube 50 All's Well 51 Alpenhorn Echoes 52 Sunday Scherzo 53 Carol 54 Going Home Again 55 Trumpet Tune 56 Music Box Waltz 57 Ragtime 58 Men of Harlech 59 Footsteps 60 Rock School
16.99 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Complete Irish Tinwhistle
Tunebook 4Cd's Pennywhistle [Sheet music + CD] Oak Publications
La chose plus difficile à maîtriser lorsqu'il apprend à jouer de la musique t...(+)
La chose plus difficile à maîtriser lorsqu'il apprend à jouer de la musique traditionnelle irlandaise est peut-être la possibilité de jouer ' in sync ' avec d'autres musiciens. Le livre Tinwhistle irlandais complet vous donne la chance de faire exactement cela. C'est une collection de 125 tunes, vous êtes passible d'entendre des séances de musique irlandaise au plus traditionnel et s'accompagne de quatre CD avec les versions de pratique simple et plus embelli de versions de performance de chaque morceau. / Tin Whistle / 136 pages / Partition + Cd
48.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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