American Company
(14 results)
No shipping to countries within the European Union.
|
European Companies
(41 results) |
1 |
|
|
| Musikgarten 1 - Beim Spiel - Liederheft Matthias Hohner
SKU: M7.MH-15209-50 Phase 1: Wir machen Musik. Composed by Lorna L...(+)
SKU: M7.MH-15209-50 Phase 1: Wir machen Musik. Composed by Lorna Lutz Heyge. This edition: Saddle-wire stitching. Sheet music with CD. Songbook. 48 pages. Matthias Hohner #MH 15209-50. Published by Matthias Hohner (M7.MH-15209-50). ISBN 9783920468617. German. Cornelia Kandler. Musikgarten 1 - Wir machen Musik wendet sich an Musiklehrer, Erzieher und Eltern, die die musikalische Veranlagung von Kindern im Alter von 18 Monaten bis 3 Jahren weiterentwickeln möchten. Das Konzept geht auf den wachsenden Erlebnisraum der Kinder ein und möchte spielerisches Musizieren zu einem festen Bestandteil im Familienleben etablieren. Denn erst wenn das Kleinkind aktives Musizieren in seiner Umwelt erlebt, wird es Freude am eigenen Musizieren entfalten. Die überarbeitete und erweiterte Neuauflage in übersichtlichem Layout bietet nun 2 Lehrerhandbücher und 4 Liederhefte mit CDs. Lehrerhandbuch 1 enthält neben einer didaktischen Grundlegung einen ausführlichen Materialteil mit Kniereitern, Fingerspielen, Schaukelliedern, Tanzliedern, Wechselliedern etc. sowie Anregungen zum Hören und zum Instrumentalspiel. Alle Aktivitäten befinden sich auch auf Karteikarten. Dem Lehrerband 1 liegt eine CD mit Echospielen bei. Die Liederhefte mit CDs ermöglichen es, den Musikgarten 'mit nach Hause zu nehmen'. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tastenzauberei Band 3 Piano solo Ricordi
Piano - beginner SKU: BT.1582-08-400-M Klavierschule Band 3. Compo...(+)
Piano - beginner SKU: BT.1582-08-400-M Klavierschule Band 3. Composed by Aniko Drabon. Tastenzauberei. Method. Book, CD and Audio Online. Composed 2008. 96 pages. Mitropa Music #1582-08-400 M. Published by Mitropa Music (BT.1582-08-400-M). ISBN 9789043130868. 9x12 inches. German. Ein zauberhafter Einstieg ins Klavierspiel! Das ist Tastenzauberei: • für Kinder ab dem Vor- und Grundschulalter • sowohl für den Einzel- als auch für den Gruppenunterricht • Quereinstieg in die Arbeit mit jedem der Bände ist möglich • kindgerechtes Lerntempo • Motivation der Schüler durch die ansprechende Gestaltung und Smiley-Aufkleber als Bonbon“ • viele Spielstücke (oft vierhändig für Schüler und Lehrer oder zwei Schüler) machen Tastenzauberei von Anfang an zu einem klangvollen Erlebnis • professionelle Mitspiel- und Demo-CDs, eingespielt von der Autorin selbst Inhalte von Band 3 sind u. a.: Intervalle, Dreiklänge, Dur- und Moll-Tonarten, Rhythmen und Tänze, Zusammenspiel. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A travers chants - Volume B Piano, Voice Combre
Voice and piano SKU: LM.C06039 Composed by Jacques Ballue. Classical. Sco...(+)
Voice and piano SKU: LM.C06039 Composed by Jacques Ballue. Classical. Score. Editions Combre #C06039. Published by Editions Combre (LM.C06039). ISBN 9790230360395. MACHAUT G. : Bone Pastor - PERGOLESE G.B. : Duo (extrait du Stabat Mater) - BACH J.S. : Aria (extrait de La Passion selon St Mathieu) - BACH J.S. : Choral (extrait de La Passion selon St Mathieu) - MOZART W.A. : Tu che mi parli al core - SCHUMANN R. : Er, der Herrlichste von allen - SCHUBERT F. : Einsamkeit - MENDELSSOHN-BARTHOLDY F. : Abschied vom Walde - OFFENBACH J. : Duo (extrait de La Belle Helene) - BRAHMS J. : In stiller Nacht - WOLF H. : Seltsam ist Juanas Weise - ALBENIZ I. : Il en est de l'amour... - MAHLER G. : Nun seh' ich wohl, warum so dunkle Flammen - DEBUSSY C. : Romance - DEBUSSY C. : Deux melodies (n. 2) - REGER M. : Es bluht ein Blumlein rosenrot - LANGLAIS J. : Marie qui voudrait votre nom retourner. $28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The European "Kunstlied" Piano, Voice Schott
Piano; Voice (Voice and Piano) SKU: HL.49006662 A Selection of 51 Klav...(+)
Piano; Voice (Voice and Piano) SKU: HL.49006662 A Selection of 51 Klavierliedern of 4 centuries. Composed by Various. Edited by Kurt Suttner and Margarete Juergenson-Rupprecht. Arranged by Kurt Suttner, Margarete Jü, and rgenson-Rupprecht. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Inspired by the idea of presenting singable songs for young singers. Out of consideration for less trained singers, the songs were transposed in such a way that the selection corresponds to a volume for low voice. Classical, Collection. 136 pages. Schott Music #ED 6792. Published by Schott Music (HL.49006662). ISBN 9790001072069. UPC: 841886030725. 7.75x11.0x0.377 inches. German. Klage eines verliebten Schafers (Albert) * Ergotzlichkeit zur rechten Zeit (Krieger) * Die vergessene Phillis (Telemann) * Von Erschaffung Adam und Eva (Rathgeber) * Von allerhand Nasen * Ich kehre wiederum (anon) * Der lieben Sonne Licht und Pracht (Bach) * Die Sommernacht (Gluck) * Rhapsodie (Reichardt) * Um Mitternacht (Zelter) * Der Musensohn (Zelter) * Gegenliebe (Haydn) * Das Veilchen (Mozart) * An Chloe (Mozart) * Ich liebe dich (Beethoven) * Aus Goethe's Faust (Beethoven) * Heinrich der Vogler (Loewe) * Heidenroslein (Schubert) * An eine Quelle (Schubert) * Der Wanderer an den Mond (Schubert) * Der Musensohn (Schubert) * An Silvia (Schubert) * Das Waldschloss (Mendelssohn) * Aus den ostlichen Rosen (Schumann) * Erstes Grun (Schumann) * Fruhlingsfahrt (Schumann) * Ein Jungling liebt ein Madchen (Schumann) * Wenn ich ein Voglein war * Dein blaues Auge (Brahms) * Salamander * Klange (Brahms) * Traume (Wagner) * Die Konige (Cornelius) * Das verlassene Magdlein (Wolff) * Auf ein altes Bild (Wolff) * Der Musikant * Waldeinsamkeit (Reger) * Morgen (Strauss) * Untreu und Trost (Pfitzner) * Hans und Grethe (Mahler) * Lied der Zigeunerin (Tchaikovsky) * Die Gefangene (Dvorak) * Im Kahne (Grieg) * Span auf den Wellen (Sibelius) * Apres un Reve (Faure) * Le Faune (Debussy) * Gott, ach Gott im Himmel (Bartok) * Ganse, Schwane fliegen aus (Stravinsky) * Wiegenlied (Shostakovich) * Von der Freundlichkeit der Welt (Eisler) * Geh unter, schone Sonne (Fortner). $25.99 - See more - Buy online | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. ...(+)
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-040. Published by De Haske Publications (BT.DHP-1053880-040). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $191.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxim...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Score Only. Composed 2005. 28 pages. De Haske Publications #DHP 1053880-140. Published by De Haske Publications (BT.DHP-1053880-140). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
L« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Whispering Wind Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-010. Published by De Haske Publications (BT.DHP-1053880-010). 9x12 inches. English-German-French-Dutch. “Don’t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.†Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind†of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.†(Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!
Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!
« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Ventâ€) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.
“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.†Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore. $191.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elegy Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4276 Composed by Mark Houghton. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4276 Composed by Mark Houghton. Score. Les Productions d'OZ #DZ 4276. Published by Les Productions d'OZ (DZ.DZ-4276). ISBN 9782898521935. Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.
Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.
J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.
Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Velvet Morning String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O'Loughlin. SWS - FS. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+16+16+4+10+10+10+3 pages. Carl Fischer Music #YAS33. Published by Carl Fischer Music (CF.YAS33). ISBN 9780825858468. UPC: 798408058463. 8.5 X 11 inches. Key: G major. A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing. Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Velvet Morning String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score. Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS33F. Published by Carl Fischer Music (CF.YAS33F). ISBN 9780825858475. UPC: 798408058470. 8.5 X 11 inches. Key: G major. A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing. Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Masterworks Piano solo [Sheet music + CD] - Intermediate Mitropa Music
Piano - late intermediate SKU: BT.1956-13-400-M Berühmte Originalst...(+)
Piano - late intermediate SKU: BT.1956-13-400-M Berühmte Originalstücke aus Klassik und Romantik / Famous Original Classical and Romantic Pieces. By Aniko Drabon. By Claude Debussy, Franz Liszt, Franz Schubert, Frederic Chopin, Ludwig van Beethoven, Robert Schumann, and Wolfgang Amadeus Mozart. Tastenzauberei. Method. Book with CD. Composed 2013. 82 pages. Mitropa Music #1956-13-400 M. Published by Mitropa Music (BT.1956-13-400-M). ISBN 9789043137546. 9x12 inches. English-German. Aniko Drabon, the editor of this book of piano masterworks, is also the pianist on the accompanying CD recordings. She is known among other things as the author of the successful Tastenzauberei piano tutor method.
PIANO MASTERWORKS richtet sich an fortgeschrittene Klavierspieler, die eine pianistische Grundausbildung absolviert haben, wie z. B. die bekannte Klavierschule TASTENZAUBEREI von Aniko Drabon. Während ihrer langjährigen Tätigkeit als Klavierpädagogin sammelte die Herausgeberin die Lieblingsstücke ihrer Schüler. Die schönsten Titel wählte sie nun für dieses Buch aus. Die Audio-CD dient als Beispiel für eine Interpretation der Werke. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 33 Contemporary Hymns for Solo Piano - Volume 2 Piano solo [Sheet music] Word Music
By Various. Arranged by Carol Tornquist, Bill Wolaver. Songbook. Softcover. 104 ...(+)
By Various. Arranged by Carol Tornquist, Bill Wolaver. Songbook. Softcover. 104 pages. Published by Word Music.
$32.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 |
|
| 1001 All-Time Hit Songs Melody line, (Lyrics) and Chords [Sheet music] Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
54.81 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Die Fröhliche
Querflöte Flute and Piano Schott
Das Spielbuch 3 ergänzt den dritten Band des Lehrwerks ?Die fröhliche Querflö...(+)
Das Spielbuch 3 ergänzt den dritten Band des Lehrwerks ?Die fröhliche Querflöte' um viele leichte Stücke für Flöte und Klavier. Das Repertoire reicht von Barock, Klassik und Romantik (u. a. Werke von Vanhal, Mozart, Telemann, Bach, Händel, Devienne, Debussy oder Satie) bis hin zu Folk und Pop und bietet eine abwechslungsreiche Mischung. Die beiliegende Klavierstimme ist leicht gesetzt, sodass sie auch von Schülern oder Eltern gut spielbar ist. Das Spielbuch ist auch unabhängig vom Schulband eine Fundgrube für jeden Instrumentalunterricht. / Flûte Et Piano
21.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| French Operatic Arias For
Bass - 19Th Century
Repertoire Low voice, Piano Peters
Complet avec des traductions et des conseils sur la prononciation. ' Comme chaqu...(+)
Complet avec des traductions et des conseils sur la prononciation. ' Comme chaque chanteur et amant de l'opéra français sait, Editions de même les plus célèbres arias opéra français sont difficile - et parfois cher - à obtenir. Sélection scrupuleusement équilibrée de Roger Nichols des airs français du XIXe siècle donne le point de départ idéal pour l'exploration plus large. Nichols, qui a défendu la musique française dans ses écrits, les pourparlers et les émissions de radio plus de trois décennies avec éloquence et de la bourse, est le guide idéal pour ce répertoire qui, aujourd'hui encore, est souvent négligée, mal compris ou mal exécutée. / Voix Et Piano
36.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Peaceful Classical Piano
Solos: Piano Solo:
Instrumental Album Piano solo - Intermediate Hal Leonard
Peaceful Classical Piano Solos. Relax at the piano with this exceptional collect...(+)
Peaceful Classical Piano Solos. Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Includes pieces from some of the greatest classical composers of all time: Bach, Beach, Beethoven, Chopin, Coleridge-Taylor, Debussy, Mozart, Schumann and many more.
Some pieces have been transposed and simplified for ease of playing.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Claude Debussy:
Interludes pour Pelléas
et Mélisande: Piano:
Instrumental Work Piano solo [Sheet music] Durand
Claude Debussy's Interludes Pour 'Pelleas Et Melisande'. Piano reduction by Gus...(+)
Claude Debussy's Interludes Pour 'Pelleas Et Melisande'. Piano reduction by Gustave Samazeuilh.
8.50 GBP - Sold by Musicroom UK | |
| Querflöte Spielen -
Mein Schönstes Hobby
Vol.2 Flûte Traversière Et
Piano Ou 2 Flûtes
Traversières Schott
Le livre de mélodie pour le tuteur flûte contient les pièces de piano pour le...(+)
Le livre de mélodie pour le tuteur flûte contient les pièces de piano pour les pièces pour flûte et piano dans le livre de tuteur, ainsi que d'autres mélodies populaires et intéressants dont la gamme mélodique et niveau de difficulté correspondent à ceux couverts par le livre de tuteur. / Flûte Traversière Et Piano Ou 2 Flûtes Traversières
23.86 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Piano Inspiration, Book 2 Piano solo - Intermediate/advanced ABRSM Publishing
ABRSM Grades 7-8 . This special collection of intermediate to advanced piano rep...(+)
ABRSM Grades 7-8 . This special collection of intermediate to advanced piano repertoire has been lovingly curated by internationally renowned pianist, Isata Kanneh-Mason. Inspired by her musical journey from childhood prodigy to accomplished performer, and drawing on her championship of female composers and composers of colour, Isata has handpicked a wonderfully diverse melange of music for players to explore. Alongside classical masterpieces such as Clara Schumann?s Notturno, players will find repertoire by Samuel Coleridge-Taylor, George Gershwin and Alexander Desplat as well as a stunning new work by Errollyn Wallen. Carefully edited and fingered, Piano Inspiration 2 is ideal both for recreational playing and those seeking own-choice repertoire for ABRSM Performance Grades (Grades 7 ).
? 12 pieces for intermediate to advanced players, each holding special significance to Isata
? A wonderful array of styles, composers and traditions that span four centuries of piano music
? An original work by Errollyn Wallen, specially composed for this collection
? Ideal for own-choice repertoire selection in ABRSM Performance Grades (Grades 7 )
Pianist Isata Kanneh-Mason is in great demand in the UK and internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire and has performed at many of the world?s finest concert venues, including the Royal Albert Hall for her BBC Proms solo debut in 2023. As a Decca recording artist, she entered the UK classical charts at No. 1 with her 2019 album Romance, and has since released Summertime, featuring twentieth-century American repertoire; Muse, a duo album with her brother Sheku; and Childhood Tales, which showcases music inspired by a nostalgia for youth. Isata is recipient of the coveted Leonard Bernstein Award and the Opus Klassik Award for best young artist.
13.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Neoklassizismus. Dialog
Mit Der Geschichte
(SCHERLIESS VOLKER) Opera [Sheet music] Barenreiter
Par SCHERLIESS VOLKER. / Méthode / Livre
30.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Musik Und Abschied (GULKE
PETER) All Instruments [Book] Barenreiter
Par GULKE PETER. Peter Gülke widmet sich in 54 Essays dem großen Thema Tod und...(+)
Par GULKE PETER. Peter Gülke widmet sich in 54 Essays dem großen Thema Tod und Abschied in der Musik, aber auch in der Literatur. Mit unnachahmlicher Sprachkraft präsentiert er Erkenntnisse, die von allgemeinem Interesse und bedeutend für den kulturellen Diskurs über Tod und Vergänglichkeit sind.
Musik ist als diejenige unter den Künsten charakterisiert worden, die in besonderer Weise von Vergänglichkeit und Tod spricht. Wie aber tut sie das?
Peter Gülke gibt darauf vielfältige Antworten.
Aus dem Inhalt:
- Wieviel Totentanz ist in überlang dahinwirbelnden Finali bei Mozart und Schubert enthalten?
- Warum bekommen Tristan und Isolde nicht den Liebestod, den sie so überwältigend besungen haben?
- Warum fällt Musik bei Nennung des Todes in einen harmonischen Abgrund?
- Wie gehen Komponisten mit den Grausamkeiten der „Dies-irae'-Sequenz um?
- Wie gedenken Komponisten verstorbener Kollegen?
- Welche Erfahrungen liegen der Todesmystik in Bachs frühen Kantaten zugrunde?
- Warum muten etliche Schlusspassagen bedeutender Romane wie insgeheim von Musik unterlegt an?
Peter Gülke ist Träger des Ernst von Siemens Musikpreises und des Sigmund Freud-Preises für wissenschaftliche Prosa. Er ist Dirigent, Musikwissenschaftler und Musikschriftsteller./ Livre / Livre
44.72 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Programme Music(Original
Pia: Piano: Instrumental
Album Piano solo Schott
This collection provides a historical selection of 40 original Piano pieces whic...(+)
This collection provides a historical selection of 40 original Piano pieces which have been influenced by extra-musical incidents or ideas: It begins with scenes from nature describes the fascination of rain portrays the figure of the shepherd wanders to 'moon' 'sleep' and 'dream' and concludes with the theme of 'movement' which is visible and audible either at sporting activities and in technical devices or on travels.It is quite fascinating to see that composers such as Burgmüller or Grieg Beethoven Debussy R. Schumann Tchaikovsky Villa-Lobos Satie Couperin Martinu Mendelssohn or Mussorgsky and many others see and musically describe the same themes quitedifferently.ContentIn the Woods: - Burgmüller Awakening in the Woods (from: 18 Studies Op. 109)Daquin Rondeau 'Le Coucou'Tschaikowsky The Lark's Song (from: The Seasons Op. 37a)Janácek The Barnowl has not Flown Away! (from: On Overgrown Paths)R. Schumann Lonely Flowers(from: Forest Scenes Op. 82)Mac Dowell To a Wild Rose (from: Woodland Sketches Op. 51)Mac Dowell In Autumn (from: Woodland Sketches Op. 51)Grieg Solitary Traveller (from: Lyric Pieces Op. 43)Rain: - Schoenmehl Raindrops (from: Little Stories in Jazz)Prokofieff The Rain and the Rainbow (from: Musique d'enfants Op. 65)Kossenko Rain (from: 24 Children's Pieces Op. 15)Chopin Raindrop Prelude Op. 28Burgmüller Thunderstorm (from: 18 Studies Op. 109)Shepherds' Portraits: - Reichardt Shepherd's LamentHeller Shepherd's Song (from: Miscellanées Op. 40)Villa-Lobos And the Little Shepherd SangDebussy The Little Shepherd (from: Children's Corner)Moonshine: - Prokofieff The Moon Goes for a Walk on the Meadows (from: Musique d' enfants)Beethoven Adagio sostenuto (from: Sonata C sharp minor Op. 27 No. 2 'Moonlight Sonata')Debussy Clair de Lune (from: Suite bergamasque)Pütz Walking on the Moon (from: I'm
17.99 GBP - Sold by Musicroom UK | |
| Art Of French Song,
Vol.1 - Voice And Piano
(par 10 Minimum) High voice, Piano Peters
Instrumentation : High voice - Pf (Fr.) Those interested in French music have o...(+)
Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols
34.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Art of French Song
Vol.2: High Voice: Vocal
Album Piano, Voice Peters
Those interested in French music have often had reason to be grateful to Roger N...(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationReber GuitareGounod Le soirGounod Le premier jour de maiViardot Les deux rosesViardot La mésangeFranck NocturneMassé SouvenirsLalo Chant BretonSaint-Saëns Chanson tristeBizet Vieille chanson Massenet Madrigal
28.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Art Of French Song 2
Mezzo: Mezzo-Soprano:
Vocal Album Piano, Voice Peters
Those interested in French music have often had reason to be grateful to Roger N...(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Reber GuitareGounod Le soirGounod Le premier jour de maiViardot Les deux rosesViardot La mésangeFranck NocturneMassé SouvenirsLalo Chant BretonSaint-Saëns Chanson tristeBizet Vieille chanson Massenet MadrigalMassenet Ouvre tes yeux bleusChabrier Les
28.95 GBP - Sold by Musicroom UK | |
| Art Of French Song 1
Mezzo: Voice: Vocal Album Piano, Voice Peters
Those interested in French music have often had reason to be grateful to Roger N...(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationNiedermeyer Le Lac (Meditation poétique)Berlioz AbsenceGounod Ô ma belle RebelleViardot Fleur desséchéeFranck S'il est un charmant gazonMassé ConsolationLalo Ballade à la luneSaint-Saëns La sérénitéDelibes Chanson espagnoleBizet
28.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Art of French Song
Vol.1: High Voice: Vocal
Album Piano, Voice Peters
Those interested in French music have often had reason to be grateful to Roger N...(+)
Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationNiedermeyer Le Lac (Meditation poétique)Berlioz AbsenceGounod Ô ma belle RebelleViardot Fleur desséchéeFranck S'il est un charmant gazonMassé ConsolationLalo Ballade à la luneSaint-Saëns La sérénitéDelibes Chanson espagnoleBizet
28.95 GBP - Sold by Musicroom UK | |
Next page 1 31 |
|