This landmark series collects compelling useful singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the fourvolumes has never before been available outside of the opera vocal scores and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as SamuelBarber William Bolcom Douglas Moore Virgil Thomson and Gian Carlo Menotti are well represented. Additionally arias are included from important works such as Regina A Streetcar Named Desire The Ghosts of Versailles TheGreat Gatsby Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: ?The Contest? in the Tenor volume and?Epiphany? in the Baritone/Bass edition.A diverse selection of Arias from Operas by American composers for Soprano and Piano. Includes works by Gian Carlo Menotti Samuel Barber Kirke Mecham and Thomas Pastieri.

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2-Part and SSA.

Based on the Georgia O'Keeffe painting Blue and Green Music-The stunning artwork of Georgia O'Keeffe is no more apparent than in her famous 1921 painting entitled Blue and Green Music. Fittingly commissioned by the Patrick Marsh Middle School in Sun Prairie Wisconsin (O'Keeffe's birthplace) Samuel Hazo does an amazing job of portraying subtle as well as bold colors into musical terms. Based on a single theme that is manipulated and varied throughout the piece progresses from delicate mallet percussion effects up to climactic impact points for the entire ensemble. O'Keeffe explained her idea that ?music could be translated into something for the eye.? And Mr. Hazo succeeds wonderfully in translating it back into something forthe ear!

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2 Part and SSA.

School of Rock: The Musical. A dozen easy piano arrangements from the Tony Award-nominated 2015 musical adapted from the popular 2003 silver screen production of the same name. Our folio includes the new songs with music by Andrew Lloyd Webber and lyrics by Glenn Slater and the title track by Mike White and Samuel Buonaugurio. Includes: Children of Rock · Here at Horace Green · Horace Green Alma Mater · I'm Too Hot for You · If Only You Would Listen · If Only You Would Listen (Reprise) · School of Rock · Stick It to the Man · Time to Play · When I Climb to the Top of Mount Rock · Where Did the Rock Go? · You're in the Band.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other and in a short time develops an awareness of balance musical phrasing intonation and tone quality. This type of training is excellent preparation for participation in larger groups. This collection of folk tunes and selections from the classics has been chosen because of their melodic beauty and technical value. They have been skillfully transcribed and edited by Samuel Applebaum.

Essential Repertoire for Piano-Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike. Core Classics is a collection of seven books of music from the piano canon selected and graded by leading educationalists. Drawn from ABRSM???s extensive back catalogue each volume contains a rich selection of engaging pieces to form the backbone of any pianist???s repertoire. From Bach to Beethoven Scarlatti to Schumann this series includes an abundance of much-loved pieces. All pieces have been carefully selected to ensure that each book is nothing short of a ???teacher???s toolkit??? ??? works that any teacher would want their pupils to learn as part of their musical journey. Each book is authoritatively graded with pieces gradually increasing in difficulty throughout. Thebooks are equally valuable for learners working towards a grade exam between grades or playing for leisure building technical skills and confidence. With an elegant and attractive design and an unrivalled range of repertoire this is an essential collection for piano teachers and learners alike.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Festival Edition-Uses: Concert Patriotic Scripture: II Chronicles 7:14 - Psalm 33:12 From the American songbook here is a festival edition of one of our most beloved national songs. Filled with all the fanfare and flourish you would expect this sparkling arrangement has a cinematic sweep and color. Brilliant orchestrations add a towering impact to the whole and the gigantic ending makes this setting an excellent choice as a service or concert closer. Majestic! Score and Parts (fl 1-2/pic ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 btbn tba timp perc 1-3 glock hp vn 1-2 va vc db) available as a digital download.

Par GOODALL HOWARD. Howard Goodall’s Songs from the Musicals for female voice brings together a wonderful collection of songs from the musicals of Howard Goodall. Highlights include songs from Bend it Like Beckham and Girlfriends.  The songbook also features insights and quotes from some of the musicals’ cast members including Rosalie Craig and Lucie Jones and includes beautiful audio tracks by West End leading lady Lauren Samuels, accompanied by the composer.  / Songbooks / Répertoire / Voix et Piano et Voix De Femmes

The Victorian Hall has its origins in the 17th century and evidence is found in the records of Samuel Pepys in which he describes a visit to a Musick House in Greenwich where he enjoyed the entertainment they had to offer. Admission to these Musick Houses was free. You paid for the food and drink and if the musicians impressed then you gave them a tip. Gradually these halls evolved and each musical item would be introduced by a individual known as the Chairman. He dressed flamboyantly and usually sat at a table with his back to the stage and elaborated with exuberant language the merits and personality of the performers. He was an entertainer in his own right and hisrole continued through to Victorian Music Halls of the 19th and early 20th centuries.By this time there were many Music Halls with names such as The Palace Tivoli Hippodrome and Empire and were found in many towns and cities throughout the country. Many of the songs had catchy tunes instantly appealing to the audience who would whistle and hum them in the following weeks and indeed are instantly recognisable today. The words reflected the lives of the Victorian families in their day to day experiences and as such promote the culture of The Music Hall Age. The cover design is based on a painting by Lindsey Goodbun.