SKU: BT.MUSVWP000125
Born in Nottingham, England, in 1862, Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford, Connecticut. Severn began to study the Violin with guidance fromhis father, who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann, concertmaster of the Boston Symphony Orchestra, before moving to Berlin to study bowing technique under Emanuel Wirth,the first assistant of Joseph Joachim at the Berlin Hochschule.
As a composer Edmund Severn wrote mainly orchestral music, as well as many pieces for the Violin including a concerto; he also wrote threestringquartets.
To this day, the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.
SKU: BA.BA10750
ISBN 9790006559480. 30 x 23 cm inches. Preface: Kurt Sassmannshaus.
Edmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string quartet. “Polish Dance†is his best-known work. Written in the style of a mazurka, it is an invitation to this dance form with its distinctive local colour. Many ritardandos and rubatos add rhythmic spice; wide leaps, double stops and three-note chords ensure delightful melodic and harmonic turns. Expressive dynamics provide the necessary vim to this “Polish Danceâ€!
SKU: AP.6-450414
ISBN 9780486450414. UPC: 9780486450414. 9x12 inches. English.
How long should I practice? Which pieces should I study? How can I develop a singing tone? All violinists ponder these questions, striving to make the most of their practice and performances. This enlightening and encouraging book holds the answers, offering a series of interviews with the most celebrated violin teachers and performers of the nineteenth and early twentieth centuries.Twenty-four famous violinists reveal the secrets of their success, sharing the lessons of their artistry and experience. In addition to aesthetic and technical aspects of playing, they discuss their personal conceptions of violin mastery. Eugene Ysaye reminisces about his studies with Vieuxtemps and Wieniawski, and Leopold Auer emphasizes the importance of fostering students' individual talents. Maud Powell describes her pioneering role as a female orchestral musician, and Jascha Heifetz voices his views on technical mastery and temperament. Hints and advice from other masters include tips on efficient practice, immproving bow technique, and refining intonation. A rare find in musical literature, this book is essential reading for every serious violinist.Dover (2006) unabridged republication of the work originally published by Frederick A. Stokes, New York, 1919.
SKU: FH.VLR07
ISBN 9781554409082.
Carefully selected and curated to support teachers and students in their artistic and technical development, the Violin Series, 2021 Edition includes pieces from a diverse range of eras and styles that represent stepping stones to major violin repertoire. Each level is constructed to link repertoire selections to necessary techniques and corresponding etudes, while illustrating step-by-step connections for developing core skills. Each Repertoire book includes access to quality video and audio recordings by some of North America's finest violinists and accompanists; both performance and accompaniment-only tracks for each Repertoire selection offer students a model for performance practice and the convenience of accompanied rehearsal at home.
In Violin Repertoire 7, a broad cross-section of composers is explored, including Johann Sebastian Bach, Carl Bohm, Cesar Cui, Riccardo Drigo, Edward Elgar, Francesco Geminiani, Fritz Kreisler, Benedetto Marcello, Moritz Moszkowski, William Potstock, Friedrich Seitz, Edmund Severn, Franz Schubert, Paul Wachs, and Antonio Vivaldi. This varied repertoire provides ample opportunity for stylistic development. Violin Repertoire 7 encourages the expansion of artistry through the introduction of new key signatures, leading to comfort and awareness of melody and harmonic structure. Passagework includes first to seventh positions, increased chromaticism, motivic patterning, and the exploration of ornaments, alongside a variety of opportunities for mastering bow articulation.
